- She's Got a Way
- You Can Make Me Free
- Everybody Loves You Now
- Why Judy Why
- Falling of the Rain
- Turn Around
- You Look So Good to Me
- Tomorrow Is Today
- Nocturne
- Got to Begin Again
5
1
0190759391617
Larry Carlton Guest Artist
Al Campbell Keyboards
Sneaky Pete Kleinow Pedal Steel,Guitar (Steel)
Rhys Clark Drums
Larry Knechtel Bass
Don Evans Guitar
Emory Gordy Jr. Bass
Denny Seiwell Drums
Jimmie Haskell Conductor
Richard Bennett Guitar
Sneaky Pete Guitar (Steel)
Joe Osborn Bass
Artie Ripp Director,Conductor
Sal DeTroia Guitar
Michael McGee Drums
Don Evans & The Initials Guitar
L.D. Dixon Piano,Keyboards,Fender Rhodes
Denny Siewell Drums
Mike McGee Drums
Ted Jensen Remastering,Digital Remastering
John Bradley Engineer
Jimmie Haskell Arranger
Michael Stone Engineer,Second Engineer
Bob Hughes Engineer
Artie Ripp Mixing,Editing,Arranger,Engineer,Producer
Larry Elliot Mixing,Editing,Engineer
Irwin Mazur Artist Direction,Executive Producer
David Gahr Photography
Gordon Watanabe Engineer,Assistant,Assistant Engineer
John Naatjes Research
Larry Elliott Mixing,Editing,Engineer
Michiko Suzuki Liner Notes
Vinyl LP(Long Playing Record)
$29.99
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Overview
A few short months after abandoning the heavy organ-and-drums duo Attila -- partially because their sole record flopped, partially because he stole the drummer's wife -- Billy Joel reinvented himself as a sensitive singer/songwriter. He had shown signs of McCartney-esque songcraft on Hour of the Wolf, the last Hassles album, but his debut album, Cold Spring Harbor, is where these talents blossomed. The record was uneven but very charming, boasting two of his finest songs -- the lovely "She's Got a Way" and the bitterly cynical "Everybody Loves You Now" -- and a score of flawed but nicely crafted songs that illustrated Joel's gift for melody, as well as his pretensions (the mock-gospel in "Tomorrow Is Today," a classical stab entitled "Nocturne"). In its own way, Cold Spring Harbor was a minor gem of the sensitive singer/songwriter era; Joel may have been in his formative stages as a craftsman, but his talents are apparent, and he never made an album as intimate and vulnerable ever again. Ironically, it didn't sound right upon its original release. Through a bizarre mastering error, the tapes were sped up -- legend has it that upon hearing the completed album, he ripped it off the turntable, ran out of the house, and threw it down the street. It wasn't until 1983 that Columbia released a corrected reissue. The speed wasn't the only thing changed -- some songs were edited drastically ("You Can Make Me Free," one of the standouts, was chopped by nearly five minutes) and instruments and backing vocals were stripped away from numerous tracks. It may be a bastardization of the original release, but it's an acceptable one, since these changes only accentuate the intimacy and vulnerability of the recording. ~ Stephen Thomas Erlewine
Product Details
Release Date: | 04/05/2024 |
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Label: | Sony Legacy |
UPC: | 0190759391617 |
Rank: | 20528 |
Tracks
Album Credits
Performance Credits
Billy Joel Primary Artist,Organ,Piano,Vocals,Harmonica,Keyboards,Harpsichord,Organ (Hammond)Larry Carlton Guest Artist
Al Campbell Keyboards
Sneaky Pete Kleinow Pedal Steel,Guitar (Steel)
Rhys Clark Drums
Larry Knechtel Bass
Don Evans Guitar
Emory Gordy Jr. Bass
Denny Seiwell Drums
Jimmie Haskell Conductor
Richard Bennett Guitar
Sneaky Pete Guitar (Steel)
Joe Osborn Bass
Artie Ripp Director,Conductor
Sal DeTroia Guitar
Michael McGee Drums
Don Evans & The Initials Guitar
L.D. Dixon Piano,Keyboards,Fender Rhodes
Denny Siewell Drums
Mike McGee Drums
Technical Credits
Billy Joel Composer,ProducerTed Jensen Remastering,Digital Remastering
John Bradley Engineer
Jimmie Haskell Arranger
Michael Stone Engineer,Second Engineer
Bob Hughes Engineer
Artie Ripp Mixing,Editing,Arranger,Engineer,Producer
Larry Elliot Mixing,Editing,Engineer
Irwin Mazur Artist Direction,Executive Producer
David Gahr Photography
Gordon Watanabe Engineer,Assistant,Assistant Engineer
John Naatjes Research
Larry Elliott Mixing,Editing,Engineer
Michiko Suzuki Liner Notes
From the B&N Reads Blog
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