Come to Me: Stories

First time available as an audiobook. Read by the author
“Bloom writes about passion-shameful, blissful, and perverse. . . . Her voice is sure and brisk, her language often beautiful; the result is humorous and well as heartrending fiction. . . . Her work has the power both to disturb and to console.”-The New York Times Book Review

“Amy Bloom writes about the young, the old, the mad, the sane, Jews, Catholics, whites, blacks, men, women, furriers, musicians, doctors, young mothers, people dying, people living. . . . The point-of-view shifts are endlessly fascinating, the voices in perfect tune. She can handle unspeakable pain with the quiet authority of a Chekhov, but has an even rarer gift: she describes happiness so that we can share in it. This is a book of love.”-Ursula K. Le Guin

Come to Me is charged from the first line. . . . Then step by step it gathers weight, texture, and power, and suddenly it ends with what is really another beginning. . . . We know we are in the hands of a real writer.”-Margo Jefferson, The New York Times

“A wonderful collection of stories by a writer of amazing skill, intelligence and compassion.”-Alice Hoffman

A National Book Award finalist, twice honored in Best American Short Stories, Come to Me is the stunning first collection of stories from New York Times bestselling author Amy Bloom. These twelve stories lead us around hidden corners and through the trapdoors of family and marriage, friendship and betrayal. In search of love, the characters of Come to Me-from psychiatrists crossing professional boundaries, to fathers chasing after redemption, to wives reinvented as mistresses-are forever shaken and changed, discovering at once the dark depths of their own passions and the possibility of a new kind of grace.

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Come to Me: Stories

First time available as an audiobook. Read by the author
“Bloom writes about passion-shameful, blissful, and perverse. . . . Her voice is sure and brisk, her language often beautiful; the result is humorous and well as heartrending fiction. . . . Her work has the power both to disturb and to console.”-The New York Times Book Review

“Amy Bloom writes about the young, the old, the mad, the sane, Jews, Catholics, whites, blacks, men, women, furriers, musicians, doctors, young mothers, people dying, people living. . . . The point-of-view shifts are endlessly fascinating, the voices in perfect tune. She can handle unspeakable pain with the quiet authority of a Chekhov, but has an even rarer gift: she describes happiness so that we can share in it. This is a book of love.”-Ursula K. Le Guin

Come to Me is charged from the first line. . . . Then step by step it gathers weight, texture, and power, and suddenly it ends with what is really another beginning. . . . We know we are in the hands of a real writer.”-Margo Jefferson, The New York Times

“A wonderful collection of stories by a writer of amazing skill, intelligence and compassion.”-Alice Hoffman

A National Book Award finalist, twice honored in Best American Short Stories, Come to Me is the stunning first collection of stories from New York Times bestselling author Amy Bloom. These twelve stories lead us around hidden corners and through the trapdoors of family and marriage, friendship and betrayal. In search of love, the characters of Come to Me-from psychiatrists crossing professional boundaries, to fathers chasing after redemption, to wives reinvented as mistresses-are forever shaken and changed, discovering at once the dark depths of their own passions and the possibility of a new kind of grace.

26.99 In Stock
Come to Me: Stories

Come to Me: Stories

by Amy Bloom

Narrated by Amy Bloom

Unabridged — 4 hours, 46 minutes

Come to Me: Stories

Come to Me: Stories

by Amy Bloom

Narrated by Amy Bloom

Unabridged — 4 hours, 46 minutes

Audiobook (Digital)

$26.99
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Overview

First time available as an audiobook. Read by the author
“Bloom writes about passion-shameful, blissful, and perverse. . . . Her voice is sure and brisk, her language often beautiful; the result is humorous and well as heartrending fiction. . . . Her work has the power both to disturb and to console.”-The New York Times Book Review

“Amy Bloom writes about the young, the old, the mad, the sane, Jews, Catholics, whites, blacks, men, women, furriers, musicians, doctors, young mothers, people dying, people living. . . . The point-of-view shifts are endlessly fascinating, the voices in perfect tune. She can handle unspeakable pain with the quiet authority of a Chekhov, but has an even rarer gift: she describes happiness so that we can share in it. This is a book of love.”-Ursula K. Le Guin

Come to Me is charged from the first line. . . . Then step by step it gathers weight, texture, and power, and suddenly it ends with what is really another beginning. . . . We know we are in the hands of a real writer.”-Margo Jefferson, The New York Times

“A wonderful collection of stories by a writer of amazing skill, intelligence and compassion.”-Alice Hoffman

A National Book Award finalist, twice honored in Best American Short Stories, Come to Me is the stunning first collection of stories from New York Times bestselling author Amy Bloom. These twelve stories lead us around hidden corners and through the trapdoors of family and marriage, friendship and betrayal. In search of love, the characters of Come to Me-from psychiatrists crossing professional boundaries, to fathers chasing after redemption, to wives reinvented as mistresses-are forever shaken and changed, discovering at once the dark depths of their own passions and the possibility of a new kind of grace.


Editorial Reviews

From the Publisher

"Bloom writes about passion—shameful, blissful and perverse. . . . Her voice is sure and brisk, her language often beautiful; the result is humorous and well as heartrending fiction. . . . Her work has the power both to disturb and to console." — New York Times Book Review

"A wonderful collection of stories by a writer of amazing skill, intelligence and compassion. Come to Me is a debut which leaves the reader begging for more." — Alice Hoffman

"I feel as though before discovering Amy Bloom, I was lost, and now I'm found." — Ruth Coughlin, Detroit News

"Amy Bloom has many voices and lives many lives. . . . Come to Me is charged from the first line. . . . Then step by step it gathers weight, texture, and power, and suddenly it ends with what is really another beginning. . . . We know we are in the hands of a real writer." — Margo Jefferson, New York Times

"What this gifted storyteller offers on every page is an offer impossible to refuse: Come in, sit down and prepare to be beguiled. . . . Bloom is the psychotherapist as alchemist, transmuting the messy dross of everyday life into the gold of artfully shaped fiction." — Newsday

Ruth Coughlin

"I feel as though before discovering Amy Bloom, I was lost, and now I'm found."

Alice Hoffman

"A wonderful collection of stories by a writer of amazing skill, intelligence and compassion. Come to Me is a debut which leaves the reader begging for more."

Margo Jefferson

"Amy Bloom has many voices and lives many lives. . . . Come to Me is charged from the first line. . . . Then step by step it gathers weight, texture, and power, and suddenly it ends with what is really another beginning. . . . We know we are in the hands of a real writer."

Newsday

"What this gifted storyteller offers on every page is an offer impossible to refuse: Come in, sit down and prepare to be beguiled. . . . Bloom is the psychotherapist as alchemist, transmuting the messy dross of everyday life into the gold of artfully shaped fiction."

New York Times Book Review

"Bloom writes about passion—shameful, blissful and perverse. . . . Her voice is sure and brisk, her language often beautiful; the result is humorous and well as heartrending fiction. . . . Her work has the power both to disturb and to console."

Product Details

BN ID: 2940191777160
Publisher: Spiegel & Grau by Spotify Audiobooks
Publication date: 04/08/2025
Edition description: Unabridged

Read an Excerpt

In the middle of the eulogy at my mother's boring and heartbreaking funeral, I began to think about calling off the wedding. August 21 did not seem like a good date, John Wescott did not seem like a good person to marry, and I couldn't see myself in the long white silk gown Mrs. Wescott had offered me. We had gotten engaged at Christmas, while my mother was starting to die; she died in May, earlier than we had expected. When the minister said, "She was a rare spirit, full of the kind of bravery and joy which inspires others," I stared at the pale blue ceiling and thought, "My mother would not have wanted me to spend my life with this man." He had asked me if I wanted him to come to the funeral from Boston, and I said no. And so he didn't, respecting my autonomy and so forth. I think he should have known that I was just being considerate.

After the funeral, we took the little box of ashes back to the house and entertained everybody who came by to pay their respects. Lots of my father's law school colleagues, a few of his former students, my uncle Steve and his new wife, my cousins (whom my sister Lizzie and I always referred to as Thing One and Thing Two), friends from the old neighborhood, before my mother's sculpture started selling, her art world friends, her sisters, some of my friends from high school, some people I used to baby-sit for, my best friend from college, some friends of Lizzie's, a lot of people I didn't recognize. I'd been living away from home for a long time, first at college, now at law school.

My sister, my father,and I worked the room. And everyone who came in my father embraced. It didn't matter whether they started to pat him on the back or shake his hand, he pulled them to him and hugged them so hard I saw people's feet lift right off the floor. Lizzie and I took the more passive route, letting people do whatever they wanted to us, patting, stroking, embracing, cupping our faces in their hands.

My father was in the middle of squeezing Mrs. Ellis, our cleaning lady, when he saw Mr. DeCuervo come in, still carrying his suitcase. He about dropped Mrs. Ellis and went charging over to Mr. DeCuervo, wrapped his arms around him, and the two of them moaned and rocked together in a passionate, musicless waltz. My sister and I sat down on the couch, pressed against each other, watching our father cry all over his friend, our mother's lover.

When I was eleven and Lizzie was eight, her last naked summer, Mr. DeCuervo and his daughter, Gisela, who was just about to turn eight, spent part of the summer with us at the cabin in Maine. The cabin was from the Spencer side, my father's side of the family, and he and my uncle Steve were co-owners. We went there every July (colder water, better weather), and they came in August. My father felt about his brother the way we felt about our cousins, so we would only overlap for lunch on the last day of our stay.

That July, the DeCuervos came, but without Mrs. DeCuervo, who had to go visit a sick someone in Argentina, where they were from. That was okay with us. Mrs. DeCuervo was a professional mother, a type that made my sister and me very uncomfortable. She told us to wash the berries before we ate them, to rest after lunch, to put on more suntan lotion, to make our beds. She was a nice lady, she was just always in our way. My mother had a few very basic summer rules: don't eat food with mold or insects on it; don't swim alone; don't even think about waking your mother before 8:00 a.m. unless you are fatally injured or ill. That was about it, but Mrs. DeCuervo was always amending and adding to the list, one apologetic eye on our mother, who was pleasant and friendly as usual and did things the way she always did. She made it pretty clear that if we were cowed by the likes of Mrs. DeCuervo, we were on our own. They got divorced when Gisela was a sophomore at Mount Holyoke.

We liked pretty, docile Gisela, and bullied her a little bit, and liked her even more because she didn't squeal on us, on me in particular. We liked her father, too. We saw the two of them, sometimes the three of them, at occasional picnics and lesser holidays. He always complimented us, never made stupid jokes at our expense, and brought us unusual, perfect little presents. Silver barrettes for me the summer I was letting my hair grow out from my pixie cut; a leather bookmark for Lizzie, who learned to read when she was three. My mother would stand behind us as we unwrapped the gifts, smiling and shaking her head at his extravagance.

When they drove up, we were all sitting on the porch. Mr. DeCuervo got out first, his curly brown hair making him look like a giant dandelion, with his yellow t-shirt and brown jeans. Gisela looked just like him, her long, curly brown hair caught up in a bun, wisps flying around her tanned little face. As they walked toward us, she took his hand and I felt a rush of warmth for her, for showing how much she loved her daddy, like I loved mine, and for showing that she was a little afraid of us, of me, probably. People weren't often frightened of Lizzie; she never left her books long enough to bother anyone.

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