Confronting Visuality in Multi-Ethnic Women's Writing
Considering new perspectives on writers such as Toni Morrison, Margaret Atwood, and Louise Erdrich, Confronting Visuality in Multi-ethnic Women's Writing traces a cross-cultural tradition in which contemporary female writers situate images of women within larger contexts of visuality.
1120020662
Confronting Visuality in Multi-Ethnic Women's Writing
Considering new perspectives on writers such as Toni Morrison, Margaret Atwood, and Louise Erdrich, Confronting Visuality in Multi-ethnic Women's Writing traces a cross-cultural tradition in which contemporary female writers situate images of women within larger contexts of visuality.
54.99 In Stock
Confronting Visuality in Multi-Ethnic Women's Writing

Confronting Visuality in Multi-Ethnic Women's Writing

by A. Laflen
Confronting Visuality in Multi-Ethnic Women's Writing

Confronting Visuality in Multi-Ethnic Women's Writing

by A. Laflen

Hardcover(2014)

$54.99 
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Overview

Considering new perspectives on writers such as Toni Morrison, Margaret Atwood, and Louise Erdrich, Confronting Visuality in Multi-ethnic Women's Writing traces a cross-cultural tradition in which contemporary female writers situate images of women within larger contexts of visuality.

Product Details

ISBN-13: 9781137413031
Publisher: Palgrave Macmillan US
Publication date: 08/07/2014
Edition description: 2014
Pages: 199
Product dimensions: 5.30(w) x 8.60(h) x 0.40(d)

About the Author

Angela Laflen is Associate Professor of English at Marist College, USA.

Table of Contents

Introduction: What's (Still) Wrong with Images of Women? PART I. COMING-OF-AGE WITH MASS MEDIA 1. (Re)visualizing History in Toni Morrison's The Bluest Eye 2. Transforming Culture and Consciousness in Bobbie Ann Mason's In Country PART II. WITNESSING VISUAL MANIPULATION 3. 'There Were Signs and I Missed Them': Reading Beneath the Image in Margaret Atwood's Speculative Fiction 4. The Politics of Vanishing: Bearing Witness to the Wounded Family in Louise Erdrich's Shadow Tag PART III. SPECTATORSHIP IN AN EXPANDED FIELD OF VISION 5. Against Visual Objectivity in Gish Jen's "Birthmates" and Chitra Banerjee Divakaruni's "The Ultrasound" 6. Queering Spectatorship in Alison Bechdel's Fun Home Conclusion: Confronting Visuality in the Digital Age—

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From the Publisher

"Through a thoughtful and sophisticated yet accessible argument, Angela Laflen uses feminism, cultural studies, and critical race theories to examine a wide range of visual representations and their effects in literature by well-known authors, such as Toni Morrison and Margaret Atwood, as well as some up and coming ethnic writers." - Eleanor Ty, Professor of English, Wilfrid Laurier University, Canada, and author of Unfastened:Globality and Asian North American Narratives and The Politics of the Visible

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