Conversations on Harmony (1855)
New facsimile edition of a Classic Text of Music Education.
The title page of this book refers to Miss Fitton as the author of Conversations on Botany. She later wrote How I became a Governess (1861), describing her own musical background and how she worked in Paris, teachingEnglish to perfect her French. This paid off when Conversations in Harmony was published in a French translation. Her approach follows the conventional conversation treatment, usually between mother and daughter but this time with a boy, perhaps reflecting an increased acceptance of music as not just for women. Rainbow sees these chapters as the equivalent of effective lesson notes for a student teacher.
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The title page of this book refers to Miss Fitton as the author of Conversations on Botany. She later wrote How I became a Governess (1861), describing her own musical background and how she worked in Paris, teachingEnglish to perfect her French. This paid off when Conversations in Harmony was published in a French translation. Her approach follows the conventional conversation treatment, usually between mother and daughter but this time with a boy, perhaps reflecting an increased acceptance of music as not just for women. Rainbow sees these chapters as the equivalent of effective lesson notes for a student teacher.
Conversations on Harmony (1855)
New facsimile edition of a Classic Text of Music Education.
The title page of this book refers to Miss Fitton as the author of Conversations on Botany. She later wrote How I became a Governess (1861), describing her own musical background and how she worked in Paris, teachingEnglish to perfect her French. This paid off when Conversations in Harmony was published in a French translation. Her approach follows the conventional conversation treatment, usually between mother and daughter but this time with a boy, perhaps reflecting an increased acceptance of music as not just for women. Rainbow sees these chapters as the equivalent of effective lesson notes for a student teacher.
The title page of this book refers to Miss Fitton as the author of Conversations on Botany. She later wrote How I became a Governess (1861), describing her own musical background and how she worked in Paris, teachingEnglish to perfect her French. This paid off when Conversations in Harmony was published in a French translation. Her approach follows the conventional conversation treatment, usually between mother and daughter but this time with a boy, perhaps reflecting an increased acceptance of music as not just for women. Rainbow sees these chapters as the equivalent of effective lesson notes for a student teacher.
29.95
In Stock
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Conversations on Harmony (1855)
312
Conversations on Harmony (1855)
312Paperback(Reprint)
$29.95
29.95
In Stock
Product Details
| ISBN-13: | 9781843839866 |
|---|---|
| Publisher: | BOYDELL & BREWER INC |
| Publication date: | 01/01/1900 |
| Series: | Classic Texts in Music Education , #33 |
| Edition description: | Reprint |
| Pages: | 312 |
| Product dimensions: | 5.30(w) x 8.30(h) x 0.80(d) |
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