Convivial Poems

Giovanni Pascoli (1855-1912) is renowned as one of the founders of modern Italian poetry. Embodying the Zeitgeist of fin-de-siècle Italy, his works are inspired by French Symbolism and Decadentism. They also draw on the classical tradition so alive in Italian culture. His unique poetic voice is filled with traditional metrical forms, an uncanny use of onomatopoeic language, and a multilingual vocabulary. He fills his depiction of nature with haunting images and a disquieting sensitivity.

Convivial Poems (Poemi Conviviali) is named for Il Convito, the literary journal where these poems first appeared. The collection represents one of Pascoli's highest achievements. Like T.S. Eliot's The Waste Land, James Joyce's Ulysses, and contemporary post-modernist works, it revisits the classical world to draw new symbols for the modern condition.

Convivial Poems consists of twenty poems, with facing Italian and English, each devoted to a classical figure, fictional or historical. Ulysses, Helen of Troy, and Alexander the Great, among others, are the protagonists of these stories, but they are also signifiers for themes such as desire and the quest for identity in a modern universe deprived of God. Exquisitely written in a language that at times replicates the forms of Latin and Greek, these poems encode the past into the present and blend the old and the new in a vibrant modernist style.

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Convivial Poems

Giovanni Pascoli (1855-1912) is renowned as one of the founders of modern Italian poetry. Embodying the Zeitgeist of fin-de-siècle Italy, his works are inspired by French Symbolism and Decadentism. They also draw on the classical tradition so alive in Italian culture. His unique poetic voice is filled with traditional metrical forms, an uncanny use of onomatopoeic language, and a multilingual vocabulary. He fills his depiction of nature with haunting images and a disquieting sensitivity.

Convivial Poems (Poemi Conviviali) is named for Il Convito, the literary journal where these poems first appeared. The collection represents one of Pascoli's highest achievements. Like T.S. Eliot's The Waste Land, James Joyce's Ulysses, and contemporary post-modernist works, it revisits the classical world to draw new symbols for the modern condition.

Convivial Poems consists of twenty poems, with facing Italian and English, each devoted to a classical figure, fictional or historical. Ulysses, Helen of Troy, and Alexander the Great, among others, are the protagonists of these stories, but they are also signifiers for themes such as desire and the quest for identity in a modern universe deprived of God. Exquisitely written in a language that at times replicates the forms of Latin and Greek, these poems encode the past into the present and blend the old and the new in a vibrant modernist style.

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Convivial Poems

Convivial Poems

Overview

Giovanni Pascoli (1855-1912) is renowned as one of the founders of modern Italian poetry. Embodying the Zeitgeist of fin-de-siècle Italy, his works are inspired by French Symbolism and Decadentism. They also draw on the classical tradition so alive in Italian culture. His unique poetic voice is filled with traditional metrical forms, an uncanny use of onomatopoeic language, and a multilingual vocabulary. He fills his depiction of nature with haunting images and a disquieting sensitivity.

Convivial Poems (Poemi Conviviali) is named for Il Convito, the literary journal where these poems first appeared. The collection represents one of Pascoli's highest achievements. Like T.S. Eliot's The Waste Land, James Joyce's Ulysses, and contemporary post-modernist works, it revisits the classical world to draw new symbols for the modern condition.

Convivial Poems consists of twenty poems, with facing Italian and English, each devoted to a classical figure, fictional or historical. Ulysses, Helen of Troy, and Alexander the Great, among others, are the protagonists of these stories, but they are also signifiers for themes such as desire and the quest for identity in a modern universe deprived of God. Exquisitely written in a language that at times replicates the forms of Latin and Greek, these poems encode the past into the present and blend the old and the new in a vibrant modernist style.

Product Details

ISBN-13: 9781599104362
Publisher: Italica Press
Publication date: 06/15/2022
Series: Italian Poetry in Translation
Pages: 334
Product dimensions: 5.50(w) x 8.50(h) x 0.75(d)

About the Author

Giovanni Pascoli was born in San Mauro Pascoli on 31 December 1855. He was an Italian poet, classical scholar and an emblematic figure of Italian literature in the late nineteenth century. He was, together with Gabriele D'Annunzio, the greatest Italian decadent poet. From 1897 to 1903 he taught Latin at the University of Messina, and then in Pisa. He became professor of Italian literature at the University of Bologna, taking the position of Giosuè Carducci when he retired. In 1912, Pascoli died of liver cancer at the age of 56 in Bologna.

Elena Borelli teaches Italian and Intercultural Studies at King's College London, UK. Her research focuses on the culture and literature of the late nineteenth century in Europe, and she has published extensively on the notion of desire and issues of translation and reception during that time, as well as on the poets Giovanni Pascoli and Gabriele D'Annunzio. She is also a translator, producing (together with James Ackhurst) translations from contemporary and modern poets for the Journal of Italian Translation.

James Ackhurst is a writer and translator based in Wellington, New Zealand. He has published translations (produced with Elena Borelli) in the Journal of Italian Translation and poems, stories, and criticism in takahe, Turbine, Poetry New Zealand, Snorkel, Pericles at Play, Poetry Salzburg Review, Quadrant and The Pantograph Punch.
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Poetry
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