Courtly Mediators: Transcultural Objects between Renaissance Italy and the Islamic World
In Courtly Mediators, Leah R. Clark investigates the exchange of a range of materials and objects, including metalware, ceramic drug jars, Chinese porcelain, and aromatics, across the early modern Italian, Mamluk, and Ottoman courts. She provides a new narrative that places Aragonese Naples at the center of an international courtly culture, where cosmopolitanism and the transcultural flourished, and in which artists, ambassadors, and luxury goods actively participated. By articulating how and why transcultural objects were exchanged, displayed, copied, and framed, she provides a new methodological framework that transforms our understanding of the Italian Renaissance court. Clark's volume provides a multi-sensorial, innovative reading of Italian Renaissance art. It demonstrates that the early modern culture of collecting was more than a humanistic enterprise associated with the European roots of the Renaissance. Rather, it was sustained by interactions with global material cultures from the Islamic world and beyond.
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Courtly Mediators: Transcultural Objects between Renaissance Italy and the Islamic World
In Courtly Mediators, Leah R. Clark investigates the exchange of a range of materials and objects, including metalware, ceramic drug jars, Chinese porcelain, and aromatics, across the early modern Italian, Mamluk, and Ottoman courts. She provides a new narrative that places Aragonese Naples at the center of an international courtly culture, where cosmopolitanism and the transcultural flourished, and in which artists, ambassadors, and luxury goods actively participated. By articulating how and why transcultural objects were exchanged, displayed, copied, and framed, she provides a new methodological framework that transforms our understanding of the Italian Renaissance court. Clark's volume provides a multi-sensorial, innovative reading of Italian Renaissance art. It demonstrates that the early modern culture of collecting was more than a humanistic enterprise associated with the European roots of the Renaissance. Rather, it was sustained by interactions with global material cultures from the Islamic world and beyond.
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Courtly Mediators: Transcultural Objects between Renaissance Italy and the Islamic World

Courtly Mediators: Transcultural Objects between Renaissance Italy and the Islamic World

by Leah R. Clark
Courtly Mediators: Transcultural Objects between Renaissance Italy and the Islamic World
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Courtly Mediators: Transcultural Objects between Renaissance Italy and the Islamic World

Courtly Mediators: Transcultural Objects between Renaissance Italy and the Islamic World

by Leah R. Clark

Overview

In Courtly Mediators, Leah R. Clark investigates the exchange of a range of materials and objects, including metalware, ceramic drug jars, Chinese porcelain, and aromatics, across the early modern Italian, Mamluk, and Ottoman courts. She provides a new narrative that places Aragonese Naples at the center of an international courtly culture, where cosmopolitanism and the transcultural flourished, and in which artists, ambassadors, and luxury goods actively participated. By articulating how and why transcultural objects were exchanged, displayed, copied, and framed, she provides a new methodological framework that transforms our understanding of the Italian Renaissance court. Clark's volume provides a multi-sensorial, innovative reading of Italian Renaissance art. It demonstrates that the early modern culture of collecting was more than a humanistic enterprise associated with the European roots of the Renaissance. Rather, it was sustained by interactions with global material cultures from the Islamic world and beyond.

Product Details

ISBN-13: 9781009276214
Publisher: Cambridge University Press
Publication date: 08/03/2023
Pages: 350
Product dimensions: 7.17(w) x 10.20(h) x 0.79(d)

About the Author

Leah R. Clark is Associate Professor of History of Art in the Department for Continuing Education and Fellow of Kellogg College at the University of Oxford. She is the author of Collecting Art in the Italian Renaissance Court (2018) and co-editor, with Kathleen Christian, of European Art and the Wider World, 1350-1550 (Manchester University Press, 2017).

Table of Contents

1. Diplomatic entanglements: mediating objects and transcultural encounters; 2. Mobile things/mobile motifs: ornament, language, and haptic space; 3. The peregrinations of porcelain: from mobility to frames; 4. Fit for the gods: porcelain in Alfonso d”Este's camerini; 5. From the Silk Roads to the court apothecary: aromatics and receptacles; Conclusion: arresting mobility.
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