Crisis as Form
How does contemporary art best respond to social crisis? Through reflection on its own crisis of form

Criticism of contemporary art is split by an opposition between activism and the critical function of form. Yet the deeper, more subterranean terms of art-judgment are largely neglected on both sides.

These essays combine a re-examination of the terms of judgement of contemporary art with critical interpretations of individual works and exhibitions by Luis Camnitzer, Marcel Duchamp, Matias Faldbakken, Anne Imhof and Cady Noland.

The book moves from philosophical issues, via the lingering shadows of medium-specificity (in photography and art music), and the changing states of museums, to analyses of the peculiar ways that works of art relate to time.To give artistic form to crisis, it is suggested, one needs to understand contemporary art’s own constitutive crisis of form.
1140824854
Crisis as Form
How does contemporary art best respond to social crisis? Through reflection on its own crisis of form

Criticism of contemporary art is split by an opposition between activism and the critical function of form. Yet the deeper, more subterranean terms of art-judgment are largely neglected on both sides.

These essays combine a re-examination of the terms of judgement of contemporary art with critical interpretations of individual works and exhibitions by Luis Camnitzer, Marcel Duchamp, Matias Faldbakken, Anne Imhof and Cady Noland.

The book moves from philosophical issues, via the lingering shadows of medium-specificity (in photography and art music), and the changing states of museums, to analyses of the peculiar ways that works of art relate to time.To give artistic form to crisis, it is suggested, one needs to understand contemporary art’s own constitutive crisis of form.
29.95 In Stock
Crisis as Form

Crisis as Form

by Peter Osborne
Crisis as Form

Crisis as Form

by Peter Osborne

Paperback

$29.95 
  • SHIP THIS ITEM
    In stock. Ships in 2-4 days.
  • PICK UP IN STORE

    Your local store may have stock of this item.

Related collections and offers


Overview

How does contemporary art best respond to social crisis? Through reflection on its own crisis of form

Criticism of contemporary art is split by an opposition between activism and the critical function of form. Yet the deeper, more subterranean terms of art-judgment are largely neglected on both sides.

These essays combine a re-examination of the terms of judgement of contemporary art with critical interpretations of individual works and exhibitions by Luis Camnitzer, Marcel Duchamp, Matias Faldbakken, Anne Imhof and Cady Noland.

The book moves from philosophical issues, via the lingering shadows of medium-specificity (in photography and art music), and the changing states of museums, to analyses of the peculiar ways that works of art relate to time.To give artistic form to crisis, it is suggested, one needs to understand contemporary art’s own constitutive crisis of form.

Product Details

ISBN-13: 9781839763625
Publisher: Verso Books
Publication date: 09/27/2022
Pages: 256
Product dimensions: 6.00(w) x 9.19(h) x 0.58(d)

About the Author

About The Author
Peter Osborne is Professor of Modern European Philosophy and Director of the Centre for Research in Modern European Philosophy, Kingston University London. His books include The Politics of Time, Anywhere or Not At All: Philosophy of Contemporary Art and The Postconceptual Condition.

Table of Contents

Preface vii

Part I History as a Project of Crisis

1 Working the Contemporary: History as a Project of Crisis Today 3

2 Crisis as Form 18

Part II Mediality and Mediations

3 Stilling the Flow? Temporality and Digitality in the Photographic Image 41

4 Musical Negations, Negations of Music 58

5 The Agent of a Secret Discontent: Discourses of Art, Discourses of the World 76

Part III Museums of Art

6 Illusions of Totality: Global Contemporaneity and the Condition of the Museum 97

7 Contemporizing the Classical/Classicizing the Contemporary 111

Part IV Suspending Time

8 Occasionalism: Matias Faldbakken, Shocked into Abstraction 123

9 Happy Anachronism: Luis Camnitzer, Conceptual Art and Politics 140

10 The Obviousness and Opaqueness of the '80s: Cady Noland's Dirty Minimalism, Squeaky Clean 164

11 Objects, Signs and Time: Marcel Duchamp and the Temporalization and Detemporalization of Objects as Art 180

Acknowledgements 199

Image Credits 201

Index 205

From the B&N Reads Blog

Customer Reviews