Cyanotype Toning: Using Botanicals to Tone Blueprints Naturally
Cyanotype is the most accessible and frequently used of all the alternative photographic processes. When utilized properly, it has the potential to rival other processes when it comes to detail and tonal range, but its Prussian blue color isn’t always suitable for the final photograph. Throughout history, cyanotype prints have been toned not only with various—and at times hazardous—chemicals but also with more natural ingredients like tea and coffee. Since the cyanotype itself is non-toxic, Cyanotype Toning will champion an innovative process, developed by the author, of toning cyanotypes with natural material. This process, which is easy and reliable, offers a much broader range of possible colors and even beautiful black and whites. Even duotone or tricolor prints can be attained.

The book consists of two parts. Part One is a step-by-step how-to section including all the information that a student at any level needs to achieve a successfully toned print. Easy-to-understand background information is provided on how and why the process works so that readers can venture on their own into the world of natural colors. The first part also has a detailed section on all the factors that can influence the outcome, like paper choice, water quality, properties of the plants, temperature of the bath and the duration of the toning. Part Two is devoted to contemporary artists who have explored toning with botanicals and integrated the process into their creative practice.

The book includes:

  • A list of equipment and supplies needed.
  • In depth information about useful plants and the specific properties that make them suitable for toning cyanotypes.
  • Concise step-by-step instructions for printing cyanotypes successfully.
  • A chart of more than 60 tested papers with recommendations on paper choice.
  • Step-by-step generic instructions on toning with botanicals.
  • Troubleshooting toning with botanicals.
  • More detailed recipes for specific colors with information about the plants.
  • Step-by-step instructions on how to print duotone and tricolor prints.
  • A range of creative ideas on how to use the process in classrooms and with different age groups.
  • A comprehensive list of more than 380 tested parts of plants and possible color outcomes.

Using botanicals to tone cyanotypes broadens the color spectrum, enlarges creative possibilities and makes the cyanotype process even more versatile. The process is not cut and dried science but a limitless field for discovery and surprises. Cyanotype Toning provides accessible information and instructions for readers at all levels. It is comprehensive and explanatory, so that readers can expand on the subject on their own, as did the contemporary artists who share their experiences and the works they have created using this innovative toning process.

1138914537
Cyanotype Toning: Using Botanicals to Tone Blueprints Naturally
Cyanotype is the most accessible and frequently used of all the alternative photographic processes. When utilized properly, it has the potential to rival other processes when it comes to detail and tonal range, but its Prussian blue color isn’t always suitable for the final photograph. Throughout history, cyanotype prints have been toned not only with various—and at times hazardous—chemicals but also with more natural ingredients like tea and coffee. Since the cyanotype itself is non-toxic, Cyanotype Toning will champion an innovative process, developed by the author, of toning cyanotypes with natural material. This process, which is easy and reliable, offers a much broader range of possible colors and even beautiful black and whites. Even duotone or tricolor prints can be attained.

The book consists of two parts. Part One is a step-by-step how-to section including all the information that a student at any level needs to achieve a successfully toned print. Easy-to-understand background information is provided on how and why the process works so that readers can venture on their own into the world of natural colors. The first part also has a detailed section on all the factors that can influence the outcome, like paper choice, water quality, properties of the plants, temperature of the bath and the duration of the toning. Part Two is devoted to contemporary artists who have explored toning with botanicals and integrated the process into their creative practice.

The book includes:

  • A list of equipment and supplies needed.
  • In depth information about useful plants and the specific properties that make them suitable for toning cyanotypes.
  • Concise step-by-step instructions for printing cyanotypes successfully.
  • A chart of more than 60 tested papers with recommendations on paper choice.
  • Step-by-step generic instructions on toning with botanicals.
  • Troubleshooting toning with botanicals.
  • More detailed recipes for specific colors with information about the plants.
  • Step-by-step instructions on how to print duotone and tricolor prints.
  • A range of creative ideas on how to use the process in classrooms and with different age groups.
  • A comprehensive list of more than 380 tested parts of plants and possible color outcomes.

Using botanicals to tone cyanotypes broadens the color spectrum, enlarges creative possibilities and makes the cyanotype process even more versatile. The process is not cut and dried science but a limitless field for discovery and surprises. Cyanotype Toning provides accessible information and instructions for readers at all levels. It is comprehensive and explanatory, so that readers can expand on the subject on their own, as did the contemporary artists who share their experiences and the works they have created using this innovative toning process.

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Cyanotype Toning: Using Botanicals to Tone Blueprints Naturally

Cyanotype Toning: Using Botanicals to Tone Blueprints Naturally

by Annette Golaz
Cyanotype Toning: Using Botanicals to Tone Blueprints Naturally

Cyanotype Toning: Using Botanicals to Tone Blueprints Naturally

by Annette Golaz

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Overview

Cyanotype is the most accessible and frequently used of all the alternative photographic processes. When utilized properly, it has the potential to rival other processes when it comes to detail and tonal range, but its Prussian blue color isn’t always suitable for the final photograph. Throughout history, cyanotype prints have been toned not only with various—and at times hazardous—chemicals but also with more natural ingredients like tea and coffee. Since the cyanotype itself is non-toxic, Cyanotype Toning will champion an innovative process, developed by the author, of toning cyanotypes with natural material. This process, which is easy and reliable, offers a much broader range of possible colors and even beautiful black and whites. Even duotone or tricolor prints can be attained.

The book consists of two parts. Part One is a step-by-step how-to section including all the information that a student at any level needs to achieve a successfully toned print. Easy-to-understand background information is provided on how and why the process works so that readers can venture on their own into the world of natural colors. The first part also has a detailed section on all the factors that can influence the outcome, like paper choice, water quality, properties of the plants, temperature of the bath and the duration of the toning. Part Two is devoted to contemporary artists who have explored toning with botanicals and integrated the process into their creative practice.

The book includes:

  • A list of equipment and supplies needed.
  • In depth information about useful plants and the specific properties that make them suitable for toning cyanotypes.
  • Concise step-by-step instructions for printing cyanotypes successfully.
  • A chart of more than 60 tested papers with recommendations on paper choice.
  • Step-by-step generic instructions on toning with botanicals.
  • Troubleshooting toning with botanicals.
  • More detailed recipes for specific colors with information about the plants.
  • Step-by-step instructions on how to print duotone and tricolor prints.
  • A range of creative ideas on how to use the process in classrooms and with different age groups.
  • A comprehensive list of more than 380 tested parts of plants and possible color outcomes.

Using botanicals to tone cyanotypes broadens the color spectrum, enlarges creative possibilities and makes the cyanotype process even more versatile. The process is not cut and dried science but a limitless field for discovery and surprises. Cyanotype Toning provides accessible information and instructions for readers at all levels. It is comprehensive and explanatory, so that readers can expand on the subject on their own, as did the contemporary artists who share their experiences and the works they have created using this innovative toning process.


Product Details

ISBN-13: 9780367553548
Publisher: Taylor & Francis
Publication date: 09/24/2021
Series: Contemporary Practices in Alternative Process Photography
Pages: 284
Product dimensions: 8.00(w) x 10.00(h) x (d)

About the Author

Swiss photographer Annette Golaz captures the poetry of everyday life and the beauty of nature in her work, often consisting of contrasts and conflicting layers. Golaz experiments with a variety of 19th century photographic processes plus more modern outdated cameras, for example a 20-year-old Apple digital device with 0.3 megapixels. She has exhibited her work in Switzerland and the USA. She is also head of photography of a Swiss publishing house for cookery books and is the editor of a food magazine. To see more of her work, visit www.agolaz.ch.

Table of Contents

Preface xi

Chapter 1 A Glimpse into the Past 1

The Talented Mr. Fox Talbot 2

Plants Produce Pictures 2

Anna Atkins and Algae 5

Dyers Knew It All Along 5

Part 1 Toning Cyanotypes Step-by-step 9

Chapter 2 Botanicals as Toners 11

Dyer's Glossary 12

Cyanotypes Take on Color 12

Bleaching and Toning 13

Why Botanicals? 15

Polytalents Wanted 15

Herbal Medicine and Polyphenols 15

Why is Dyeing Fabric Interesting? 16

Tannin-Rich Plants 17

Reading Tea Leaves 17

Superpowers in Superfoods 18

Traditional Dye Plants 18

Rule of Thumb 19

A Word about Lightfastness 19

Chapter 3 Cyanatype in a Nutshell 23

Safety First 24

About Formulas 24

Christina Z. Anderson's Favorite Formula 24

How to Get Started 24

Technical Equipment 24

Chemistry Supplies 25

Laboratory Supplies 25

Sources for Supplies 26

Measurements 26

How to Create a Negative 26

How to Curve a Negative 26

How to Prepare a Negative 27

How to Print a Negative 27

How to Prepare the Emulsion 28

Mixing at Time of Use 29

How to Coat the Paper 29

How to Expose Your Cyanotype 29

How to Determine Exposure Time 29

Low-Tech Method 30

How to Develop the Cyanotype 31

Troubleshooting Cyanotypes 32

Chapter 4 Background Information and Preparation 35

Safety Considerations 36

Equipment 36

Essentials 36

Nice to Have 38

When Water Gives You a Hard Time 38

pH Value is Key 38

Raising pH Value 40

Some Like It Hot 42

Don't Take Paper Choice Lightly 42

My Personal Paper Charts 43

Paper Chart for Toning 44

Wet or Dry? 44

Fresh or Cured? 44

Chapter 5 Toning Cyanotypes Step-by-Step 49

Gathering Plants 50

Buying Toning Material 50

Amount of Toning Material 50

Quick Reference 51

How to Prepare the Botanicals 51

Basic Process Step-by-Step 52

Toning More than One Print 52

Storing the Toning Bath 54

Bleaching before Toning 54

Split Tones 55

Modifying Colors 55

Color Transitions 58

Toning Multiple Times 58

Documenting the Process 59

Finishing and Storing Prints 59

Protective Sprays 59

Petroleum Jelly and Liquid Varnish 60

Embrace Unpredictability 60

Troubleshooting 61

Chapter 6 The Colors 65

We See Things Differently 66

Living Pictures 66

My Personal Favorites 66

Green 69

Brown 74

Black 81

Blue 87

Purple 93

Yellow 98

Gray 103

Chapter 7 Tricolor Cyanotype Prints 111

Tannins Turn Cyanotype Emulsion Blue 112

In Search of the Red 113

Finding the Yellow 113

Balancing the Colors 113

Bleaching the Layers 113

Supplies and Additional Equipment 114

How to Prepare the Tricolor Negatives 114

How to Prepare the Paper 115

How to Make the Tricolor Cyanotype 116

My Favorite Finish 116

Lightfastness of Tricolor Prints 117

Get Creative! 117

Chapter 8 Creative Ideas 119

A Long-Marginalized Form of Art 120

Ideas for Photograms 120

Photograms Made of 3D Objects 120

Cameraless Negatives with OHP Film 122

Transparent Film in Different Colors 122

Cameraless Negatives with Tracing Paper 127

Cliché-Verre-Etching Negatives 129

Printing and Toning Cyanotypes on Wood 130

Epoxy Resin 132

Toning Cyanotypes on Fabric 132

Part 2 Contemporary Cyanotype Artists Explore Toning with Botanicals 137

Chapter 9 Contemporary Cyanotype Artists Explore Toning with Botanicals 139

Jaime Aelavanthara 141

Christina Z. Anderson 145

Julia Arstorp 151

Chuck Baker 155

Diana Bloomfield 157

Nadine Caplunik 161

Angela Chalmers 165

Kimberly Chiaris 171

Marie Craig 175

Michael Fehr 179

Brittonie Fletcher 183

Peter Friedrichsen 187

Aline Héau 191

Christine Huhn 195

Mario Jambor 199

Allan Jenkins 203

Galina Manikova 207

Sehera Nawaz 213

Emma Powell 217

Melissa Rackham 221

Melanie Walker 229

Jill Welham 233

Appendix Table of Botanicals 237

Bibliography 263

Index 267

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