Cyberpunk and Visual Culture

by Graham Murphy (Editor), Lars Schmeink (Editor)

Overview

Within the expansive mediascape of the 1980s and 1990s, cyberpunk’s aesthetics took firm root, relying heavily on visual motifs for its near-future splendor saturated in media technologies, both real and fictitious. As today’s realities look increasingly like the futures forecast in science fiction, cyberpunk speaks to our contemporary moment and as a cultural formation dominates our 21st century techno-digital landscapes.

The 15 essays gathered in this volume engage the social and cultural changes that define and address the visual language and aesthetic repertoire of cyberpunk – from cybernetic organisms to light, energy, and data flows, from video screens to cityscapes, from the vibrant energy of today’s video games to the visual hues of comic book panels, and more. Cyberpunk and Visual Culture provides critical analysis, close readings, and aesthetic interpretations of exactly those visual elements that define cyberpunk today, moving beyond the limitations of merely printed text to also focus on the meaningfulness of images, forms, and compositions that are the heart and lifeblood of cyberpunk graphic novels, films, television shows, and video games.

Product Details

ISBN-13:	9781138062917
Publisher:	Taylor & Francis
Publication date:	10/25/2017
Pages:	326
Product dimensions:	6.00(w) x 9.00(h) x (d)

About the Author

Graham J. Murphy is Professor with the School of English and Liberal Studies (Faculty of Business) at Seneca College (Toronto). He co-edited Beyond Cyberpunk: New Critical Perspectives with Sherryl Vint (2010), co-authored Ursula K. Le Guin: A Critical Companion with Susan M. Bernardo (2006), and authored several articles that have appeared in numerous anthologies and peer-review journals. He is an Associate Editor for Journal of the Fantastic in the Arts and sits on the editorial advisory boards of both Science Fiction Studies and Extrapolation.

Lars Schmeink is Professor of Media Studies at the Institut für Kultur- und Medienmanagement, Hochschule für Musik und Theater (Hamburg) and is currently the president of the Gesellschaft für Fantastikforschung (Association for Research in the Fantastic). He is the German section editor for media in the Open Library of the Humanities, the author of Biopunk Dystopias: Genetic Engineering, Society, and Science Fiction (2016), and has published in Science Fiction Studies, Science Fiction Film and Television and Journal for the Fantastic in the Arts.

Table of Contents

Scott Bukatman

Foreword: Cyberpunk and its Visual Vicissitudes

Graham J. Murphy and Lars Schmeink

Introduction: The Visuality and Virtuality of Cyberpunk

　

I: "Image/Text Concatenations"; or, From Literary to Visual Cyberpunk (and back again)

1. Christian Hviid Mortensen　
   Beyond the Heroics of Gonzo-Journalism in Transmetropolitan 　
   
2. Timothy Wilcox　
   Embodying Failures of the Imagination: Defending the Posthuman in The Surrogates
3. Graham J. Murphy　
   Cyberpunk Urbanism and Subnatural Bugs in BOOM! Studios’ Do Androids Dream of Electric Sheep?
4. Stina Attebery and Josh Pearson　
   "Today's Cyborg is Stylish": The Humanity Cost of Posthuman Fashion in Cyberpunk 2020 　
5. Pawel　Frelik　
   "Silhouettes　of Strange Illuminated Mannequins":　Cyberpunk’s Incarnations of Light
6. Christopher McGunnigle　
   "My Targeting System is a Little Messed Up": The Cyborg Gaze in the RoboCop Media Franchise　
7. Ryan J. Cox　
   Kusanagi’s Body: Dualism and the Performance of Identity in Ghost in the Shell and Stand Alone Complex
8. Mark R. Johnson　
   The History of Cyberspace Aesthetics in Video Games
9. Stephen Joyce　
   Playing for Virtually Real: Cyberpunk Aesthetics and Ethics in Deus Ex: Human Revolution
10. Jenna Ng and Jamie Macdonald　
    "We Are Data": The Cyberpunk Imaginary of Data Worlds in Watch Dogs 　
11. Evan Torner
    1980s German Cyberpunk Cinema: Kamikaze 1989 and Nuclearvision
12. Mark Bould　
    Afrocyberpunk Cinema: The Postcolony Finds its own Use for Things 　
    
13. Anna McFarlane　
    Cyberpunk and "Science Fiction Realism" in Kathryn Bigelow’s Strange Days and Zero Dark Thirty
14. Sherryl Vint　
    Cyberwar: The Convergence of Virtual and Material Battlefields in Cyberpunk Cinema　
15. Lars Schmeink
    Afterthoughts: Cyberpunk Engagements with Countervisuality

Editorial Reviews

"Since its inception, cyberpunk has been haunted by the notion that it represents only a very brief moment of the science fictional imagination, a moment which quickly passed. Murphy and Schmeink's smart collection proves the opposite is true: cyberpunk never ended, and in fact its vast transmedia landscape of images, icons, visual artifacts, and technological apparatuses has completely taken over our world." -Gerry Canavan, Marquette University

"The report of cyberpunk’s death was an exaggeration, clearly, as the essays in this vibrant collection demonstrate. The ambiguities, complexities and excitements of this intermedial genre are explored here in riveting detail: the legacy of Gibson’s ‘lines of light’ are demonstrated to be, indeed, unthinkably complex." -Stacy Gillis, Newcastle University

"In addition to offering the fullest documentation to date of the range of visual media infiltrated by and responsive to the cyberpunk aesthetic, this collection offers bold new arguments about the relation between print and visual narratives and the convergent, cross-media character of contemporary science fiction in general." -Thomas Foster, University of Washington

"Since its inception, cyberpunk has been haunted by the notion that it represents only a very brief moment of the science fictional imagination, a moment which quickly passed. Murphy and Schmeink's smart collection proves the opposite is true: cyberpunk never ended, and in fact its vast transmedia landscape of images, icons, visual artifacts, and technological apparatuses has completely taken over our world." -Gerry Canavan, Marquette University

"The report of cyberpunk’s death was an exaggeration, clearly, as the essays in this vibrant collection demonstrate. The ambiguities, complexities and excitements of this intermedial genre are explored here in riveting detail: the legacy of Gibson’s ‘lines of light’ are demonstrated to be, indeed, unthinkably complex." -Stacy Gillis, Newcastle University

"In addition to offering the fullest documentation to date of the range of visual media infiltrated by and responsive to the cyberpunk aesthetic, this collection offers bold new arguments about the relation between print and visual narratives and the convergent, cross-media character of contemporary science fiction in general." -Thomas Foster, University of Washington

"This collection demonstrates the breadth and depth of the subgenre through intriguing and accessible essays on the diversity of cyberpunk media, offering unique and important new arguments about the visuality of cyberpunk." - Kathryn E. Heffner, University of Iowa, in FOUNDATION: The International Review of Science Fiction

"Murphy and Schmeink’s edited collection of 15 essays commendably engages with a profusion of media formats to highlight the visual styles iconic to Cyberpunk and argue for the centrality of such aesthetic paradigms within contemporary ‘realistic’ settings. Through this targeted focus the selected chapters exhibit a coherence of thought and criticism that is often lost within other broader collections, marking this title as both an important contribution to critical debate and companion to our current Cyberpunk-inflected times.“- Kerry Dodd, in SFRA Review, vol. 52, no. 1, 243–47

From the Publisher