New Jersey indie quintet
Real Estate come full circle on their sixth album,
Daniel, cresting the arc of maturation they've been building on for their last several records while returning to the charm and simplicity of their earliest days.
Daniel arrives 15 years into the band's journey from post-college suburban melancholy to full-on adulthood, and the themes of growing up, worry for the next generation, and the weird and persistent washes of change that have been creeping into singer/songwriter
Martin Courtney's work since he became a father, continue here. What's different about
Daniel is how these themes get framed. The band changes course from the global influences and experimental textures they flirted with on previous albums and revert to concise, jangly pop tunes. Recorded in Nashville with producer
Daniel Tashian (perhaps best known for his work on
Kacey Musgraves' Grammy-winning 2018 album
Golden Hour), tracks like the hook-filled "Water Underground" or "Flowers" are direct and to the point, with sculpted arrangements that add a subtle country-pop flavor in the form of airy pedal steel and wooden acoustic guitars dancing with more modernized synth sequences. There are nods to all the inspirations
Real Estate has been moved by, from the bright power pop balladry borrowed from
Big Star on "Interior" to the latter-day
Feelies-isms of "Say No More" to touches of the spaced-out
Grateful Dead-informed guitar noodling throughout.
Tashian's gracefully layered production also brings in a feeling very specific to the best introverted folk-rock albums of 1992. There are overt lyrical references to
Neil Young's
Harvest Moon that reinforce the album's influence on
Daniel's mellow country undercurrents, and moments like the cloudy ambience of "Airdrop" or the jumpy beauty of "Market Street" tap into the same combination of existential uneasiness and reflective joy
R.E.M. embraced on
Automatic for the People.
Daniel re-centers
Real Estate in a way that highlights their strengths without simply repeating past victories. The songwriting honors the stage of life
Courtney and his bandmates are presently in, and the nuanced production replaces potential clutter with sparkle that sharpens the pop edges of the songs. This is
Real Estate at their best, giving us the same bright and bittersweet indie perfection as always, only better with age and experience. ~ Fred Thomas