Dark Carnivals: Modern Horror and the Origins of American Empire
The panoramic story of how the horror genre transformed into one of the most incisive critiques of unchecked American imperial power



The American empire emerged from the shadows of World War II. As the nation's influence swept the globe with near impunity, a host of evil forces followed-from racism, exploitation, and military invasion to killer clowns, flying saucers, and monsters borne of a fear of the other. By viewing American imperial history through the prism of the horror genre, Dark Carnivals lays bare how the genre shaped us, distracted us, and gave form to a violence as American as apple pie.



A carnival ride that connects the mushroom clouds of 1945 to the beaches of Amity Island, Charles Manson to the massacre at My Lai, and John Wayne to John Wayne Gacy, the new book by acclaimed historian W. Scott Poole reveals how horror films and fictions have followed the course of America's military and cultural empire and explores how the shadow of our national sins can take on the form of mass entertainment.
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Dark Carnivals: Modern Horror and the Origins of American Empire
The panoramic story of how the horror genre transformed into one of the most incisive critiques of unchecked American imperial power



The American empire emerged from the shadows of World War II. As the nation's influence swept the globe with near impunity, a host of evil forces followed-from racism, exploitation, and military invasion to killer clowns, flying saucers, and monsters borne of a fear of the other. By viewing American imperial history through the prism of the horror genre, Dark Carnivals lays bare how the genre shaped us, distracted us, and gave form to a violence as American as apple pie.



A carnival ride that connects the mushroom clouds of 1945 to the beaches of Amity Island, Charles Manson to the massacre at My Lai, and John Wayne to John Wayne Gacy, the new book by acclaimed historian W. Scott Poole reveals how horror films and fictions have followed the course of America's military and cultural empire and explores how the shadow of our national sins can take on the form of mass entertainment.
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Dark Carnivals: Modern Horror and the Origins of American Empire

Dark Carnivals: Modern Horror and the Origins of American Empire

by W. Scott Poole

Narrated by Enrique McGavin

Unabridged — 14 hours, 16 minutes

Dark Carnivals: Modern Horror and the Origins of American Empire

Dark Carnivals: Modern Horror and the Origins of American Empire

by W. Scott Poole

Narrated by Enrique McGavin

Unabridged — 14 hours, 16 minutes

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Overview

The panoramic story of how the horror genre transformed into one of the most incisive critiques of unchecked American imperial power



The American empire emerged from the shadows of World War II. As the nation's influence swept the globe with near impunity, a host of evil forces followed-from racism, exploitation, and military invasion to killer clowns, flying saucers, and monsters borne of a fear of the other. By viewing American imperial history through the prism of the horror genre, Dark Carnivals lays bare how the genre shaped us, distracted us, and gave form to a violence as American as apple pie.



A carnival ride that connects the mushroom clouds of 1945 to the beaches of Amity Island, Charles Manson to the massacre at My Lai, and John Wayne to John Wayne Gacy, the new book by acclaimed historian W. Scott Poole reveals how horror films and fictions have followed the course of America's military and cultural empire and explores how the shadow of our national sins can take on the form of mass entertainment.

Editorial Reviews

From the Publisher

"Horror fiction has long been seen as an extension or reflection of horror reality. With Dark Carnivals, Poole does more than that, creating a through-line that is captivating, distressing and illuminating." —Kevin Young, Charleston City Paper

"A marvelous overview of the myriad ways horror cinema has critiqued American power." —Christopher Schobert, The Film Stage

"Fascinating . . . There is no more vibrant field of criticism than writing on horror, and Dark Carnivals is a worthy addition to a growing field." —Molly Odintz, CrimeReads

"Poole writes in an engaging style that makes this book accessible to lay readers as well as academics . . . Comprehensive and with a wide scope that covers so much of American history and horror cinema, this is a text that will find a home in both academic and public libraries." —Booklist (starred review)

"A lurid overview of some of the darkest dimensions of American history through the lens of the horror genre." —Kirkus Reviews

"[Poole] offers fascinating tidbits of film history . . . Shrewd commentary . . . An insightful view of the genre through the lens of critical theory." —Publishers Weekly

"Dark Carnivals is a fascinating, exhaustively researched historical polemic. Poole unflinchingly leads the reader through the horrifying history of the American empire and how it's reflected and refracted within horror cinema. You can't cover your eyes and say, 'It's only a movie.'" —Paul Tremblay, author of A Head Full of Ghosts and The Pallbearers Club

“In Dark Carnivals, W. Scott Poole takes a sharp knife to the long history of horror in the United States, dissecting the politics behind the genre, but maybe more importantly, exposing the horrors that live at the heart of American exceptionalism. Poole’s book examines the violent events behind some of the most recognizable horror titles (drawing a direct line, for instance, between the 1966 University of Texas tower shooting and The Texas Chain Saw Massacre), but it also shines a harsh light on the appetite that American audiences have for violence on the screen. Who will survive America? That’s the question Poole dares his readers to delve into the darkness to answer. I’ve long been a fan of Poole’s work, but this may be one of his best.” —Lisa Kröger, Stoker- and Locus-award-winning author of Monster, She Wrote

Kirkus Reviews

2022-08-12
How terrifying narratives reflect the grisly realities of the American past and present.

In this follow-up to Wasteland: The Great War and the Origins of Modern Horror, history professor Poole surveys imaginative connections between the horror genre and the most brutal aspects of modern American history. The author argues that the appeal of these narratives can tell us a great deal about how the nation has struggled to make sense of its implication in imperial violence. “So much of the truth of the last one hundred years survives not in museum exhibitions or patriotic celebrations or lengthy documentary treatments but in horror films,” he writes. Focusing on a broad selection of representative films, TV shows, and fiction, Poole links particular works with events such as the Vietnam and Iraq wars, drawing out the allegorical significance of monstrous antagonists and their gory misadventures. The author ably demonstrates that horror narratives commonly serve two coexisting yet opposing functions: promoting fantasies about the nation’s ultimate innocence by displacing responsibility for domestic injustices or military aggression abroad onto some other party and insinuating, in often subtle but always unsettling ways, that one cannot evade guilt for misdeeds done in one’s name. The author makes it clear that paying close attention to works routinely dismissed as mere mindless escapism can be uncannily revealing about how unpleasant truths are publicly and privately repressed. Poole’s style shares a spirit with the sensationalism of the works he explores, and his emphasis on blunt (and sometimes reductive) assessments of complex historical phenomena and their representation in horror narratives can prove distracting. Nevertheless, the author provides persuasive commentary on the political inflections and emotional appeal of both well-known and obscure works. He is particularly insightful in probing such cultural touchstones as The Texas Chain Saw Massacre, Jaws, and The Twilight Zone.

A lurid overview of some of the darkest dimensions of American history through the lens of the horror genre.

Product Details

BN ID: 2940175801805
Publisher: HighBridge Company
Publication date: 11/29/2022
Edition description: Unabridged
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