Dark Matter: A Century of Speculative Fiction from the African Diaspora

Dark Matter: A Century of Speculative Fiction from the African Diaspora

by Sheree R. Thomas, M. Simmons


View All Available Formats & Editions
Choose Expedited Shipping at checkout for guaranteed delivery by Thursday, May 23


This volume introduces black science fiction, fantasy, and speculative fiction writers to the generations of readers who have not had the chance to explore the scope and diversity among African-American writers.

Product Details

ISBN-13: 9780446525831
Publisher: Grand Central Publishing
Publication date: 07/18/2000
Series: Dark Matter (Mysterious Press)
Pages: 448
Sales rank: 676,186
Product dimensions: 6.00(w) x 9.00(h) x 1.13(d)
Age Range: 14 - 18 Years

Read an Excerpt

Dark Matter

By Sheree R. Thomas

Warner Aspect

Copyright © 2000 Sheree R. Thomas
All right reserved.

ISBN: 0-446-67724-8

Chapter One

The Comet W. E. B. Du Bois (1920)

He stood a moment on the steps of the bank, watching the human river that swirled down Broadway. Few noticed him. Few ever noticed him save in a way that stung. He was outside the world-"nothing!" as he said bitterly. Bits of the words of the walkers came to him.

"The comet?"

"The comet-"

Everybody was talking of it. Even the president, as he entered, smiled patronizingly at him, and asked: "Well, Jim, are you scared?"

"No," said the messenger shortly.

"I thought we'd journeyed through the comet's tail once," broke in the junior clerk affably.

"Oh, that was Haley's," said the president. "This is a new comet, quite a stranger, they say-wonderful, wonderful! I saw it last night. Oh, by the way, Jim," turning again to the messenger, "I want you to go down into the lower vaults today."

The messenger followed the president silently. Of course, they wanted him to go down to the lower vaults. It was too dangerous for more valuable men. He smiled grimly and listened.

"Everything of value has been moved out since the water began to seep in," said the president, "but we miss two volumes of old records. Suppose you nose around down there-it isn't very pleasant, I suppose."

"Not very," said the messenger, as he walked out.

"Well, Jim, the tail of the new comet hits us at noon this time," said the vault clerk, as he passed over the keys; but the messenger passed silently down the stairs. Down he went beneath Broadway, where the dim light filtered through the feet of hurrying men; down to the dark basement beneath; down into the blackness and silence beneath that lowest cavern. Here with his dark lantern he groped in the bowels of the earth, under the world.

He drew a long breath as he threw back the last great iron door and stepped into the fetid slime within. Here at last was peace, and he groped moodily forward. A great rat leaped past him and cobwebs crept across his face. He felt carefully around the room, shelf by shelf, on the muddied floor, and in crevice and corner. Nothing. Then he went back to the far end, where somehow the wall felt different. He pounded and pushed and pried. Nothing. He started away. Then something brought him back. He was pounding and working again when suddenly the whole black wall swung as on mighty hinges, and blackness yawned beyond. He peered in; it was evidently a secret vault-some hiding place of the old bank unknown in newer times. He entered hesitatingly. It was a long, narrow room with shelves, and at the far end, an old iron chest. On a high shelf lay two volumes of records, and others. He put them carefully aside and stepped to the chest. It was old, strong, and rusty. He looked at the vast and old-fashioned lock and flashed his light on the hinges. They were deeply incrusted with rust. Looking about, he found a bit of iron and began to pry. The rust had eaten a hundred years, and it had gone deep. Slowly, wearily, the old lid lifted, and with a last, low groan lay bare its treasure-and he saw the dull sheen of gold!


A low, grinding, reverberating crash struck upon his ear. He started up and looked about. All was black and still. He groped for his light and swung it about him. Then he knew! The great stone door had swung to. He forgot the gold and looked death squarely in the face. Then with a sigh he went methodically to work. The cold sweat stood on his forehead; but he searched, pounded, pushed, and worked until after what seemed endless hours his hand struck a cold bit of metal and the great door swung again harshly on its hinges, and then, striking against something soft and heavy, stopped. He had just room to squeeze through. There lay the body of the vault clerk, cold and stiff. He stared at it, and then felt sick and nauseated. The air seemed unaccountably foul, with a strong, peculiar odor. He stepped forward, clutched at the air, and fell fainting across the corpse.

* * *

He awoke with a sense of horror, leaped from the body, and groped up the stairs, calling to the guard. The watchman sat as if asleep, with the gate swinging free. With one glance at him the messenger hurried up to the sub-vault. In vain he called to the guards. His voice echoed and re-echoed weirdly. Up into the great basement he rushed. Here another guard lay prostrate on his face, cold and still. A fear arose in the messenger's heart. He dashed up to the cellar floor, up into the bank. The stillness of death lay everywhere and everywhere bowed, bent, and stretched the silent forms of men. The messenger paused and glanced about. He was not a man easily moved; but the sight was appalling! "Robbery and murder," he whispered slowly to himself as he saw the twisted, oozing mouth of the president where he lay half-buried on his desk. Then a new thought seized him: If they found him here alone-with all this money and all these dead men-what would his life be worth? He glanced about, tiptoed cautiously to a side door, and again looked behind. Quietly he turned the latch and stepped out into Wall Street.

How silent the street was! Not a soul was stirring, and yet it was high noon-Wall Street? Broadway? He glanced almost wildly up and down, then across the street, and as he looked, a sickening horror froze in his limbs. With a choking cry of utter fright he lunged, leaned giddily against the cold building, and stared helplessly at the sight.

In the great stone doorway a hundred men and women and children lay crushed and twisted and jammed, forced into that great, gaping doorway like refuse in a can-as if in one wild, frantic rush to safety, they had crushed and ground themselves to death. Slowly the messenger crept along the walls, trying to comprehend, stilling the tremor in his limbs and the rising terror in his heart. He met a business man, silk-hatted and frock-coated, who had crept, too, along that smooth wall and stood now stone dead with wonder written on his lips.

The messenger turned his eyes hastily away and sought the curb. A woman leaned wearily against the signpost, her head bowed motionless on her lace and silken bosom. Before her stood a streetcar, silent, and within-but the messenger but glanced and hurried on. A grimy newsboy sat in the gutter with the "last edition" in his uplifted hand: "Danger!" screamed its black headlines. "Warnings wired around the world. The Comet's tail sweeps past us at noon. Deadly gases expected. Close doors and windows. Seek the cellar." The messenger read and staggered on. Far out from a window above, a girl lay with gasping face and sleevelets on her arms. On a store step sat a little, sweet-faced girl looking upward toward the skies, and in the carriage by her lay-but the messenger looked no longer. The cords gave way-the terror burst in his veins, and with one great, gasping cry he sprang desperately forward and ran-ran as only the frightened run, shrieking and fighting the air until with one last wail of pain he sank on the grass of Madison Square and lay prone and still.

When he arose, he gave no glance at the still and silent forms on the benches, but, going to a fountain, bathed his face; then hiding himself in a corner away from the drama of death, he quietly gripped himself and thought the thing through: The comet had swept the earth and this was the end. Was everybody dead? He must search and see.

He knew that he must steady himself and keep calm, or he would go insane. First he must go to a restaurant. He walked up Fifth Avenue to a famous hostelry and entered its gorgeous, ghost-haunted halls. He beat back the nausea, and, seizing a tray from dead hands, hurried into the street and ate ravenously, hiding to keep out the sights.

"Yesterday, they would not have served me," he whispered, as he forced the food down.

Then he started up the street-looking, peering, telephoning, ringing alarms; silent, silent all. Was nobody-nobody-he dared not think the thought and hurried on.

Suddenly he stopped still. He had forgotten. My God! How could he have forgotten? He must rush to the subway-then he almost laughed. No-a car; if he could find a Ford. He saw one. Gently he lifted off its burden, and took his place on the seat. He tested the throttle. There was gas. He glided off, shivering, and drove up the street. Everywhere stood, leaned, lounged, and lay the dead, in grim and awful silence. On he ran past an automobile, wrecked and overturned; past another, filled with a gay party whose smiles yet lingered on their death-struck lips; on, past crowds and groups of cars, pausing by dead policemen; at 42nd Street he had to detour to Park Avenue to avoid the dead congestion. He came back on Fifth Avenue at 57th and flew past the Plaza and by the park with its hushed babies and silent throng, until as he was rushing past 72nd Street he heard a sharp cry, and saw a living form leaning wildly out an upper window. He gasped. The human voice sounded in his ears like the voice of God.

"Hello-hello-help, in God's name!" wailed the woman. "There's a dead girl in here and a man and-and see yonder dead men lying in the street and dead horses-for the love of God go and bring the officers-" the words trailed off into hysterical tears.

He wheeled the car in a sudden circle, running over the still body of a child and leaping on the curb. Then he rushed up the steps and tried the door and rang violently. There was a long pause, but at last the heavy door swung back. They stared a moment in silence. She had not noticed before that he was a Negro. He had not thought of her as white. She was a woman of perhaps twenty-five-rarely beautiful and richly gowned, with darkly-golden hair, and jewels. Yesterday, he thought with bitterness, she would scarcely have looked at him twice. He would have been dirt beneath her silken feet. She stared at him. Of all the sorts of men she had pictured as coming to her rescue she had not dreamed of one like him. Not that he was not human, but he dwelt in a world so far from hers, so infinitely far, that he seldom even entered her thought. Yet as she looked at him curiously he seemed quite common place and usual. He was a tall, dark working man of the better class, with a sensitive face trained to stolidity and a poor man's clothes and hands. His face was soft and slow and his manner at once cold and nervous, like fires long banked, but not out. So a moment each paused and gauged the other; then the thought of the dead world without rushed in and they started toward each other.

"What has happened?" she cried. "Tell me! Nothing stirs. All is silence! I see the dead strewn before my window as winnowed by the breath of God-and see-"

She dragged him through great, silken hangings to where, beneath the sheen of mahogany and silver, a little French maid lay stretched in quiet, everlasting sleep, and near her a butler lay prone in his livery.

The tears streamed down the woman's cheeks, and she clung to his arm until the perfume of her breath swept his face and he felt the tremors racing through her body.

"I had been shut up in my dark room developing pictures of the comet which I took last night; when I came out-I saw the dead!

"What has happened?" she cried again.

He answered slowly:

"Something-comet or devil-swept across the earth this morning and-many are dead!"

"Many? Very many?"

"I have searched and I have seen no other living soul but you."

She gasped and they stared at each other.

"My-father!" she whispered.

"Where is he?"

"He started for the office."

"Where is it?"

"In the Metropolitan Tower."

"Leave a note for him here and come." Then he stopped. "No," he said firmly, "first, we must go-to Harlem."

"Harlem!" she cried. Then she understood. She tapped her foot at first impatiently. She looked back and shuddered. Then she came resolutely down the steps.

"There's a swifter car in the garage in the court," she said.

"I don't know how to drive it," he said.

"I do," she answered.

In ten minutes they were flying to Harlem on the wind. The Stutz rose and raced like an airplane. They took the turn at 110th Street on two wheels and slipped with a shriek into 135th. He was gone but a moment. Then he returned, and his face was gray. She did not look, but said:

"You have lost-somebody?"

"I have lost-everybody," he said simply, "unless-"

He ran back and was gone several minutes-hours they seemed to her.

"Everybody," he said, and he walked slowly back with something film-like in his hand, which he stuffed into his pocket.

"I'm afraid I was selfish," he said. But already the car was moving toward the park among the dark and lined dead of Harlem-the brown, still faces, the knotted hands, the homely garments, and the silence-the wild and haunting silence. Out of the park, and down Fifth Avenue they whirled. In and out among the dead they slipped and quivered, needing no sound of bell or horn, until the great, square Metropolitan Tower hovered in sight.

Gently he laid the dead elevator boy aside; the car shot upward. The door of the office stood open. On the threshold lay the stenographer, and, staring at her, sat the dead clerk. The inner office was empty, but a note lay on the desk, folded and addressed but unsent:

Dear Daughter:

I've gone for a hundred-mile spin in Fred's new Mercedes. Shall not be back before dinner. I'll bring Fred with me.

J. B. H.

"Come," she cried nervously. "We must search the city."

Up and down, over and across, back again-on went that ghostly search. Everywhere was silence and death-death and silence! They hunted from Madison Square to Spuyten Duyvel; they rushed across the Williamsburg Bridge; they swept over Brooklyn; from the Battery and Morningside Heights they scanned the river. Silence, silence everywhere, and no human sign. Haggard and bedraggled they puffed a third time slowly down Broadway, under the broiling sun, and at last stopped. He sniffed the air. An odor-a smell-and with the shifting breeze a sickening stench filled their nostrils and brought its awful warning. The girl settled back helplessly in her seat.

"What can we do?" she cried.

It was his turn now to take the lead, and he did it quickly.

"The long distance telephone-the telegraph and the cable-night rockets and then flight!"

She looked at him now with strength and confidence. He did not look like men, as she had always pictured men; but he acted like one and she was content. In fifteen minutes they were at the central telephone exchange. As they came to the door he stepped quickly before her and pressed her gently back as he closed it. She heard him moving to and fro, and knew his burdens-the poor, little burdens he bore. When she entered, he was alone in the room. The grim switchboard flashed its metallic face in cryptic, sphinx-like immobility. She seated herself on a stool and donned the bright earpiece. She looked at the mouthpiece. She had never looked at one so closely before. It was wide and black, pimpled with usage; inert; dead; almost sarcastic in its unfeeling curves.


Excerpted from Dark Matter by Sheree R. Thomas Copyright © 2000 by Sheree R. Thomas . Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Table of Contents

Introduction: Looking for the Invisibleix
Sister Llith1
The Comet5
Chicago 192719
Black No More (excerpt from the novel)35
Separation anxiety51
Tasting Songs69
Can You Wear My Eyes86
Like Daughter91
Greedy Choke Puppy103
Rhythm Travel113
Buddy Bolden116
Aye, and Gomorrah ...124
Ganger (Ball Lightning)134
The Becoming152
The Goophered Grapevine158
The Evening and the Morning and the Night171
Twice, at Once, Separated197
Gimmile's Songs210
At the Huts of Ajala226
The Woman in the Wall235
Ark of Bones260
Butta's Backyard Barbecue273
Future Christmas (excerpt from the novel The Terrible Twos)275
At Life's Limits290
The African Origins of UFOs (excerpt from the novel)312
The Astral Visitor Delta Blues319
The Space Traders326
The Pretended356
Hussy Strutt372
Racism and Science Fiction383
Why Blacks Should Read (and Write) Science Fiction398
Black to the Future405
Yet Do I Wonder408
The Monophobic Response415
Copyrights and Permissions424

Customer Reviews

Most Helpful Customer Reviews

See All Customer Reviews

Dark Matter: A Century of Speculative Fiction from the African Diaspora 4.7 out of 5 based on 0 ratings. 6 reviews.
harstan More than 1 year ago
Fans of science fiction and fantasy will be delighted with this new anthology that focuses on the contributions of Black authors to the speculative fiction genre. The 40 tales have been written over the past century and include many notable writers such as Octavia Butler and Nalo Hopkinson. Historical figures like Web DuBois have also contributed to this enchanting collection.

Most of the stories are excellent and have a satirical bite to them. None of the tales fail to entertain. Although some of the older contributions shows their ¿age¿ (as many of the nineteenth and early twentieth century science fiction tales do), nonetheless they are well written and enjoyable. Readers of short story science fiction or fantasy will find DARK MATTER an entertaining, enlightening collection.

Harriet Klausner

anyanwubutler on LibraryThing More than 1 year ago
It¿s a great book, worth the wait. The one wish I could have for it is that Samuel Delany, Octavia Butler and Charles Saunders wrote new stories for this volume. What each of them, plus Walter Mosely did write were new essays. Of the 29 short stories many are remarkable. I particularly liked Tananarive Due¿s (Steven Barnes¿ wife) story ¿Like Daughter¿ about a clone child created by a mother with a horrible childhood. Nalo Hopkinson¿s ¿Ganger (Ball Lightning)¿ is a very erotic, scary, wonderful piece about a sex toy that goes crazy and nearly kills a couple. ¿The Woman in the Wall¿ by Steven Barnes takes place in an unnamed African country where the president has just been killed and an American couple and their daughter are sent to a truly frightening refugee camp.
orangejulia on LibraryThing More than 1 year ago
A stupendous collection of sci-fi/speculative fiction all written by authors of African descent (African, African-American, Haitian, Carribean, etc. etc.). Not every story is a winner, but I'd say easly 3/4 of them were great. Also, there is plenty of fiction in here by people I had never read, or people who aren't normally consider sci-fi authors, such as W.E.B. Du Bois. It's a great collection to read all the way through, or to read occasional stories out of.
Anonymous More than 1 year ago
Very good writing and very thought provoking
Constar24 More than 1 year ago
This is the second anthology: Dark Matter: Reading the Bones, not the first anthology, according to the table of contents and the nook sample. Please change the description and book jacket picture.
Anonymous More than 1 year ago