- Wasteland
- Rapture in Exile
- The Misery We Make
- Infinite Eyes
- Futurist
- The Great Oppressor
- Anti-Axis
- By the Starlight
- Lost for Life
- The Goddess Figure
- Beneath the Blackening Sky
- Hypatia Rising
- Departure
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0817424013994
Draemings Primary Artist,Vocals
Anton Patzner Strings
Michael Carrigan Guitar
Aaron Deal Bass
Travis Orbin Drums
Mike Schleibaum Guitar
John Henry Vocals
Darkest Hour Composer
John Connolly Pre-Production,Guitar Technician
Michael Carrigan Group Member
Aaron Deal Group Member
Taylor Larson Mixing,Producer,Mastering
Travis Orbin Group Member
Ernie Slenkovich Tracking,Pro-Tools
John Henry Group Member


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Overview
Darkest Hour fans are a devoted, long-suffering lot. Since the band's inception in 1999, the Washington, D.C. unit has undergone numerous personnel changes, each one shifting its root sound -- death metal that firmly embraced hardcore, but remained committed to both. Until now, that is. On their self-titled debut for Sumerian, Darkest Hour enlisted producer Taylor Larson (best known for his success in working with Periphery) to help them craft a more expansive sound. With new bassist Aaron Deal replacing Paul Burnette, what transpires here isn't so much an evolution as a transformation. While things aren't so different musically on the chugging opening crush of "Wasteland" -- John Henry's still a beast as a frontman -- the clean refrains and completely retro guitar solos are a tad eyebrow-raising. "The Misery We Make," with its meld of clean and growled vocals and a near pop-metal hook, is startling. The guitar attack from Mike Schleibaum and Michael Carrigan is the only thing that anchors it in heaviness. Things get even stranger on "Futurist," "By the Starlight" (which features acoustic guitars, syncopated drums, and an ethereal melody that frames a duet between Henry and self-described "haze pop" singer, videographer, and performer DRAEMINGS), and "The Goddess Figure." On these cuts, intricate melodies are adorned with layers of clean vocal harmonies balanced by screaming, deft, brutal guitar work and Travis Orbin's roiling, syncopated drums (though their sound is compressed, they ride near the top of the mix). There are a few thrashers -- in particular "Rapture in Exile," "The Great Oppressor," and "Beneath the Blackening Sky" -- that offer in varying degrees the kind of mayhem and brutality that established Darkest Hour. But even these elements are much more polished in terms of production and dynamics. It is natural, even necessary, for a band to experiment with new textures and forms as it evolves musically. Given this recording, it feels apparent that Darkest Hour have been immeasurably influenced -- nay altered -- by both pop and prog metal. In what seems like a blatant attempt to gain a new (more mainstream?) audience, the question of whether the one they built over the last 15 years will remain faithful is as yet unanswered. ~ Thom Jurek
Product Details
Release Date: | 08/05/2014 |
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Label: | Sumerian Records |
UPC: | 0817424013994 |
Tracks
Album Credits
Performance Credits
Darkest Hour Primary ArtistDraemings Primary Artist,Vocals
Anton Patzner Strings
Michael Carrigan Guitar
Aaron Deal Bass
Travis Orbin Drums
Mike Schleibaum Guitar
John Henry Vocals
Technical Credits
Mike Schleibaum Group MemberDarkest Hour Composer
John Connolly Pre-Production,Guitar Technician
Michael Carrigan Group Member
Aaron Deal Group Member
Taylor Larson Mixing,Producer,Mastering
Travis Orbin Group Member
Ernie Slenkovich Tracking,Pro-Tools
John Henry Group Member
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