Darkness and Glory: Selected Poems
EMILY BRONTE: DARKNESS AND GLORY: SELECTED POEMS

This book collects together Emily Bronte's finest poems. Includes an introduction and notes, extra poems for this edition, and a new gallery of images based on Bronte's work.

EXTRACT FROM THE INTRODUCTION

EMILY BRONTE as a poet is still neglected today. Her novel Wuthering Heights, however, remains one of the great English novels. It continues to sell, continues to be adapted for radio, theatre, film and television, continues to inspire readers and be cited by critics.

Wuthering Heights has entered British culture as both a serious work in academic circles and a series of cliches in popular culture. For scholars, Wuthering Heights is a superbly crafted and atmospheric piece of fiction which takes its place beside the great works of the 19th century (Tess of the d'Urbervilles, Middlemarch, Great Expectations, Pride and Prejudice). For feminists, Emily Bronte has been appropriated as a proto-feminist, working largely in isolation in patriarchal Yorkshire, away from the metropolitan centres of culture, yet producing fiery fiction and poetry. For the general reader, Wuthering Heights is a fabulously moody, passionate and romantic book, with a powerful sense of pace, fully rounded characters and a thrill of mystery about it.

The wind whistling through the heather in Winter is indeed the atmosphere of Wuthering Heights, and also of Bronte's poetry. In poem after poem we find loving evocations of the moors: we hear of 'the breezy moor' (in "The starry night shall tidings bring"), the 'flowerless moors' (in "How still, how happy! Those are words"), and of 'the moors where the linnet was trilling/ Its song on the old granite stone' (in "Loud without the wind was roaring", the most powerful of Bronte's moor-poems).

The key element of the moors is the expanse of sky and the wind that rages across it: the wind is without doubt Bronte's favourite element, and is the sound that accompanies the cliched adaptions of Wuthering Heights. In the poetry we hear of 'The wind in its glory and pride!' ("Loud without the wind was roaring"), 'the life-giving wind' ("High waving heather 'neath stormy blasts bending"), 'That wind, I used to hear it swelling/ With joy divinely deep' ("That wind, I used to hear it swelling"), 'the wailing wind' ("All hushed and still within the house"), 'And winds shall wage a wilder war' ("How still, how happy!"), and 'The wild winds coldly blow' ("The night is darkening round me").

These simple, elemental facts - the heather, the moor, the wind, the night - are what recur in Emily Bronte's poems, time after time. Dells, snow, linnets, rocky crags, greyness, darkness, graves; one can practically see her composing her lines as she sits in a darkened house at night, with the wind whistling outside.

The text has been revised for this edition. It includes new poems.

Includes new illustrations of Bronte and her works, a full bibliography and notes.

www.crmoon.com

1107483393
Darkness and Glory: Selected Poems
EMILY BRONTE: DARKNESS AND GLORY: SELECTED POEMS

This book collects together Emily Bronte's finest poems. Includes an introduction and notes, extra poems for this edition, and a new gallery of images based on Bronte's work.

EXTRACT FROM THE INTRODUCTION

EMILY BRONTE as a poet is still neglected today. Her novel Wuthering Heights, however, remains one of the great English novels. It continues to sell, continues to be adapted for radio, theatre, film and television, continues to inspire readers and be cited by critics.

Wuthering Heights has entered British culture as both a serious work in academic circles and a series of cliches in popular culture. For scholars, Wuthering Heights is a superbly crafted and atmospheric piece of fiction which takes its place beside the great works of the 19th century (Tess of the d'Urbervilles, Middlemarch, Great Expectations, Pride and Prejudice). For feminists, Emily Bronte has been appropriated as a proto-feminist, working largely in isolation in patriarchal Yorkshire, away from the metropolitan centres of culture, yet producing fiery fiction and poetry. For the general reader, Wuthering Heights is a fabulously moody, passionate and romantic book, with a powerful sense of pace, fully rounded characters and a thrill of mystery about it.

The wind whistling through the heather in Winter is indeed the atmosphere of Wuthering Heights, and also of Bronte's poetry. In poem after poem we find loving evocations of the moors: we hear of 'the breezy moor' (in "The starry night shall tidings bring"), the 'flowerless moors' (in "How still, how happy! Those are words"), and of 'the moors where the linnet was trilling/ Its song on the old granite stone' (in "Loud without the wind was roaring", the most powerful of Bronte's moor-poems).

The key element of the moors is the expanse of sky and the wind that rages across it: the wind is without doubt Bronte's favourite element, and is the sound that accompanies the cliched adaptions of Wuthering Heights. In the poetry we hear of 'The wind in its glory and pride!' ("Loud without the wind was roaring"), 'the life-giving wind' ("High waving heather 'neath stormy blasts bending"), 'That wind, I used to hear it swelling/ With joy divinely deep' ("That wind, I used to hear it swelling"), 'the wailing wind' ("All hushed and still within the house"), 'And winds shall wage a wilder war' ("How still, how happy!"), and 'The wild winds coldly blow' ("The night is darkening round me").

These simple, elemental facts - the heather, the moor, the wind, the night - are what recur in Emily Bronte's poems, time after time. Dells, snow, linnets, rocky crags, greyness, darkness, graves; one can practically see her composing her lines as she sits in a darkened house at night, with the wind whistling outside.

The text has been revised for this edition. It includes new poems.

Includes new illustrations of Bronte and her works, a full bibliography and notes.

www.crmoon.com

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Darkness and Glory: Selected Poems

Darkness and Glory: Selected Poems

Darkness and Glory: Selected Poems

Darkness and Glory: Selected Poems

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Overview

EMILY BRONTE: DARKNESS AND GLORY: SELECTED POEMS

This book collects together Emily Bronte's finest poems. Includes an introduction and notes, extra poems for this edition, and a new gallery of images based on Bronte's work.

EXTRACT FROM THE INTRODUCTION

EMILY BRONTE as a poet is still neglected today. Her novel Wuthering Heights, however, remains one of the great English novels. It continues to sell, continues to be adapted for radio, theatre, film and television, continues to inspire readers and be cited by critics.

Wuthering Heights has entered British culture as both a serious work in academic circles and a series of cliches in popular culture. For scholars, Wuthering Heights is a superbly crafted and atmospheric piece of fiction which takes its place beside the great works of the 19th century (Tess of the d'Urbervilles, Middlemarch, Great Expectations, Pride and Prejudice). For feminists, Emily Bronte has been appropriated as a proto-feminist, working largely in isolation in patriarchal Yorkshire, away from the metropolitan centres of culture, yet producing fiery fiction and poetry. For the general reader, Wuthering Heights is a fabulously moody, passionate and romantic book, with a powerful sense of pace, fully rounded characters and a thrill of mystery about it.

The wind whistling through the heather in Winter is indeed the atmosphere of Wuthering Heights, and also of Bronte's poetry. In poem after poem we find loving evocations of the moors: we hear of 'the breezy moor' (in "The starry night shall tidings bring"), the 'flowerless moors' (in "How still, how happy! Those are words"), and of 'the moors where the linnet was trilling/ Its song on the old granite stone' (in "Loud without the wind was roaring", the most powerful of Bronte's moor-poems).

The key element of the moors is the expanse of sky and the wind that rages across it: the wind is without doubt Bronte's favourite element, and is the sound that accompanies the cliched adaptions of Wuthering Heights. In the poetry we hear of 'The wind in its glory and pride!' ("Loud without the wind was roaring"), 'the life-giving wind' ("High waving heather 'neath stormy blasts bending"), 'That wind, I used to hear it swelling/ With joy divinely deep' ("That wind, I used to hear it swelling"), 'the wailing wind' ("All hushed and still within the house"), 'And winds shall wage a wilder war' ("How still, how happy!"), and 'The wild winds coldly blow' ("The night is darkening round me").

These simple, elemental facts - the heather, the moor, the wind, the night - are what recur in Emily Bronte's poems, time after time. Dells, snow, linnets, rocky crags, greyness, darkness, graves; one can practically see her composing her lines as she sits in a darkened house at night, with the wind whistling outside.

The text has been revised for this edition. It includes new poems.

Includes new illustrations of Bronte and her works, a full bibliography and notes.

www.crmoon.com


Product Details

ISBN-13: 9781861715326
Publisher: Crescent Moon Publishing
Publication date: 03/21/2016
Edition description: 4th ed.
Pages: 112
Product dimensions: 6.14(w) x 9.21(h) x 0.23(d)

About the Author

Emily Brontë was born in 1818, the daughter of a curate. She was the most enigmatic of the three famous novelist sisters. Losing her mother very early in her life and following her elder sister Charlotte to school, she found life away from the Haworth parsonage extremely hard. Her time as a teacher at Law Hill School near Halifax was similarly trying. Homesickness drew her back to the moors and the life of a reclusive author. It was there, in 1848, that she died of tuberculosis just months after her brother Branwell. Few of her papers survive and her reputation is based on a few surviving poems and one novel, Wuthering Heights.
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