Days of Splendor, Days of Sorrow: A Novel of Marie Antoinette

Days of Splendor, Days of Sorrow: A Novel of Marie Antoinette

by Juliet Grey

Paperback

$14.85 $16.00 Save 7% Current price is $14.85, Original price is $16. You Save 7%.
View All Available Formats & Editions
Use Standard Shipping. For guaranteed delivery by December 24, use Express or Expedited Shipping.

Product Details

ISBN-13: 9780345523884
Publisher: Random House Publishing Group
Publication date: 05/15/2012
Pages: 448
Sales rank: 188,599
Product dimensions: 5.30(w) x 7.82(h) x 0.96(d)

About the Author

Juliet Grey is the author of Becoming Marie Antoinette. She has extensively researched European royalty and is a particular devotee of Marie Antoinette, as well as a classically trained professional actress with numerous portrayals of virgins, vixens, and villainesses to her credit. She and her husband divide their time between New York City and southern Vermont.

Read an Excerpt

one

Queen of France

^Twelve Years Earlier &

May 8, 1774

to: comte de mercy-­argenteau, ambassador extraordinary and plenipotentiary to the court of versailles:

My Dear Mercy,

I understand that the death of my sovereign brother is imminent. The news fills me with both sorrow and trepidation. For as much as I account Antoinette’s marriage to the dauphin of France among the triumphs of my reign, I cannot deny a sense of foreboding at my daughter’s fate, which cannot fail to be either wholly splendid or extremely unfortunate. There is nothing to calm my apprehensions; she is so young, and has never had any powers of diligence, nor ever will have—­unless with great difficulty. I fancy her good days are past.

Maria Theresa

^La Muette, May 21, 1774 &

“My condolences on the passing of His Majesty, Your Majesty.”

“Your Majesty, my condolences on the death of His Majesty.”

“Permit me, Votre Majesté, to tender my deepest condolences on the expiration of His Majesty, Louis Quinze.”

One by one they filed past, the elderly ladies of the court in their mandated mourning garb, like a murder of broad black crows in panniered gowns, their painted faces greeting each of us in turn—­my husband, the new king Louis XVI, and me. We had been the sovereigns of France for two weeks, but under such circumstances elation cannot come without sorrow.

Louis truly grieved for the old king, his late grand-­père. As for the others, the straitlaced prudes—­collets-­montés, as I dubbed them—­who so tediously offered their respects that afternoon in the black-­and-­white tiled hall at the hunting lodge of La Muette, I found their sympathy—­as well as their expressions of felicitations on our accession to the throne—­as false as the blush on their cheeks. They had not loved their former sovereign for many decades, if at all. Moreover, they had little confidence in my husband’s ability to rule, and even less respect for him.

“Permettez-­moi de vous offrir mes condoléances. J’en suis desolée.” I giggled behind my fan to my devoted friend and attendant Marie Thérèse Louise de Savoie-­Carignan, the princesse de Lamballe, mimicking the warble of the interminable parade of ancient crones—­centenarians, I called them. “Honestly, when one has passed thirty, I cannot understand how one dares appear at court.” Being eighteen, that twelve-­year difference might as well have been an eternity.

I found these old women ridiculous, but there was another cause for my laughter—­one that I lacked the courage to admit to anyone, even to my husband. In sober truth, not until today when we received the customary condolences of the nobility had the reality of Papa Roi’s death settled upon my breast. The magnitude of what lay before us, Louis and me, was daunting. I was overcome with nerves, and raillery was my release.

The duchesse d’Archambault approached. Sixty years of rouge had settled into her hollowed cheekbones, and I could not help myself; I bit my lip, but a smile matured into a grin, and before I knew it a chuckle had burbled its way out of my mouth. When she descended into her reverence I was certain I heard her knees creak and felt sure she would not be able to rise without assistance.

“Allow me, Your Majesty, to condole you on the death of the king-­that-­was.” The duchesse lapsed into a reverie. “Il etait si noble, si gentil . . .”

“Vous l’avez detesté!” I muttered, then whispered to the princesse de Lamballe, “I know for a fact she despised the king because he refused her idiot son a military promotion.” When the duchesse was just out of earshot, I trilled, “So noble, so kind.”

“Your Majesty, it does not become you to mock your elders, especially when they are your inferiors.”

I did not need to peer over my fan to know the voice: the comtesse de Noailles, my dame d’honneur, the superintendent of my household while I was dauphine and my de facto guardian. As the youngest daughter of Empress Maria Theresa of Austria, I had come to Versailles at fourteen to wed the dauphin; and had been not merely educated, but physically transformed in order to merit such an august union. Yet, there had still been much to learn and little time in which to master it. The comtesse had been appointed my mentor, to school me in the rigid rituals of the French court. For this I had immediately nicknamed her Madame Etiquette, and in the past four years not a day had gone by that I had not received from her some rebuke over a transgression of protocol. Just behind my right shoulder the princesse de Lamballe stood amid my other ladies. Our wide skirts discreetly concealed another of my attendants, the marquise de Clermont-­Tonnerre, who had sunk to her knees from exhaustion. I heard a giggle. The marquise was known to pull faces from time to time and kept all of us in stitches with her ability to turn her eyelids inside out and then flutter them flirtatiously.

“Who are you hiding?” quizzed Madame de Noailles. My ladies’ eyes darted from one to another, none daring to reply.

“La marquise de Clermont-­Tonnerre est tellement fatiguée,” I replied succinctly.

“That is of no consequence. It is not comme il faut. Everyone must stand during the reception.”

I stepped aside. “Madame la marquise, would you kindly rise,” I commanded gently. With the aid of a woman at either elbow she stood, and the vast swell of her belly straining against her stays was as evident as the sheen on her brow. “I believe you know the comtesse de Noailles,” I said, making certain Madame Etiquette could see that the marquise was enceinte. “I am not yet a mother, mesdames, although I pray for that day. I can only hope that when it comes, common sense will take precedence over protocol. And as queen, I will take measures to ensure it.” I offered the marquise my lace-­edged handkerchief to blot her forehead. “As there is nowhere to sit, you may resume your former position, madame, and my ladies will continue to screen you from disapproving eyes.”

I glanced down the hall, noticing the line of courtiers stopped in front of Louis a few feet away. There was much daubing of eyes, yet only his were genuinely moist. Then I returned my attention to the comtesse de Noailles. We were nose to nose now; and I was no longer an unruly child in her custody. One mother who scolded me at the slightest provocation was sufficient; I had no need of a surrogate. “You and your husband have served France long and faithfully,” I began coolly, “and you have devoted yourselves tirelessly without respite. The time has come, therefore, for you to take your congé. My husband and I will expect you to pack your things and retire to your estate of Mouchy before the week is out.”

Her pinched face turned as pale as a peeled almond. But there was nothing she could say in reply. One did not contradict the will of the Queen of France.

“The princesse de Lamballe will be my new dame d’honneur,” I added, noting the expression of surprise in my attendant’s eyes and the modest blush that suffused her cheeks. I had caught her completely unaware, but what better time to reward her loyalty?

The comtesse lowered her gaze and dropped into a deep reverence. “It has been an honor to have served Your Majesty.” The only fissure in her customary hauteur was betrayed by the tremolo in her voice. For an instant, I regretted my decision. Yet I had long dreamed of this moment. From now on, I would be the one to choose, at least within my own household, what was comme il faut. As the comtesse rose and made her way along the hall to offer her condolences to the king, I felt as though a storm cloud that had followed me about from palace to palace—­Versailles, Compiègne, Fontainebleau—­had finally lifted, leaving a vibrant blue sky.

At the hour of our ascension to the throne, after the requisite obsequies from the courtiers, we had fled the scene of Louis XV’s death nearly as fast as our coach could bear us, spending the first nine days of our reign at the Château de Choisy on the banks of the Seine while the innumerable rooms of Versailles were scrubbed free of contagion. Yet I was bursting to return, to begin making my mark. No one alive could recall when a queen of France had been much more than a dynastic cipher. Maria Theresa of Spain, the infanta who had wed the Sun King, was almost insignificant at court. She spent much of her time closeted in her rooms drinking chocolate and playing cards with her ladies and her dwarves, and had so little rapport with her subjects that when they were starving for bread she suggested that they eat cake instead—­this much I had learned from my dear abbé Vermond, who had instructed me in the history of the queens of France when I was preparing to marry the dauphin. The mild-­mannered abbé had accompanied me to Versailles as my reader, to offer me spiritual guidance, and he still remained one of my only confidants.

In any case, Maria Theresa of Spain had died nearly a hundred years ago. And her absence from public life had afforded Louis XIV plenty of opportunities to seek companionship in the arms of others. They, not his dull queen, became the arbiters of taste at court.

My immediate predecessor, Marie Leszczy´nska, the pious consort of Louis XV who passed away two years before I arrived at Versailles, had been the daughter of a disgraced Polish king, forced to live in exile. She bore Louis many useless daughters, but only one dauphin to inherit the throne—­the father of my husband—­and he died while his papa still wore the crown. Like the queen before her, she endured a shadowy existence, maintaining her spotless propriety while my husband’s grand-­père flaunted his latest maîtresse en titre. No one noticed what she wore or how she dressed her hair. Instead, it was Madame la marquise de Pompadour who had defined the fashion in all things for a generation. And then Madame du Barry, Louis XV’s last mistress, set the tone, but there was no queen to rival her—­only me. And I had failed miserably, never sure of myself, always endeavoring to find my footing; desperate to fascinate a timid husband who could not bring himself to consummate our marriage. I had wasted precious time by allowing the comtesse du Barry to exert her influence, over the court and over Papa Roi, much to the consternation of my mother.

Reading Group Guide

 
Juliet Grey on Writing
 
Days of Splendor, Days of Sorrow
 


It provided great pleasure, but also left me with a measure of sadness, to continue the story of Marie Antoinette’s life in Days of Splendor, Days of Sorrow, because of course we know the tragic denouement. I felt that part of my role in this middle novel in the trilogy was to show how Marie Antoinette’s journey continued along its fatal path. It’s clear from the book’s epigraph, taken from a quote at the time she ascended to the throne as the queen consort of Louis XVI, that she was considered a liability. Add that to all the animosity that had built up against her, particularly within the French court, during the four years she was dauphine—an effervescent teenage girl making enemies right and left as she pushed with all her might against the rigid etiquette of Versailles.
One can go back even further to the 950 years of enmity that existed between France and Marie Antoinette’s native Austria, a political albatross hung around her pale and slender neck almost as soon as her betrothal to the future Louis XVI was arranged. When her mother, the Hapsburg Empress Maria Theresa, sent her to France in April 1770, she exhorted her youngest daughter to make the French love her. With a few notable exceptions, that admiration came mostly during the late reign of Louis XV, who by then was roundly despised by his subjects. The charming (and morally upright) strawberry-blond dauphine and her husband were seen as the great young hopes for France’s future.

But Marie Antoinette’s popularity soon faded as the propa- ganda spread that she was not comporting herself with the dignity of a French queen and was, moreover, behaving like a royal mistress by decking herself out in increasingly elaborate jewels, gowns, and other accoutrements such as the outrageous (and outrageously expensive) towering “pouf” coiffures. Her subjects, convinced by propaganda disseminated from within Versailles itself, published by nobles she had angered by ostracizing them from her intimate circle, soon saw her as the queen of excess.
Marie Antoinette’s behavior predates the study and practice of psychoanalysis, but in Days of Splendor, Days of Sorrow I aimed to convey the genesis of her extravagance and what lay behind her increasing mania for pleasure. It was of course primarily a substitute for what she most desired—a child, especially a son and heir—not only for the security of the Bourbon dynasty, but be- cause she adored children. Her life might have taken a different trajectory had she conceived early in her marriage. Instead, her first child, a daughter, was born in the waning days of 1778, a frustrating and embarrassing eight and a half years after her nuptials—ample time for her enemies to recast the religiously devout and faithfully wed young queen as a promiscuous hedonist.
What happened on her wedding night was immortalized by Louis in his hunting journal with a single word: rien. Nothing—although the reference was really a notation that the bridegroom had not killed any woodland creatures that day because he’d not gone hunting. Not only was Louis shy and uncomfortable around his new bride, but he may have suffered from a mild deformity of the penis known as phimosis, where the foreskin is too tight to retract. This condition made intercourse, and even an erection, painful.

Historians’ opinions are divided as to whether Louis suffered from phimosis and underwent a minor procedure (not as radical as circumcision) in late 1773 to correct the defect (for narrative reasons I placed the event in 1774, after he became king); or whether his inability to make love to Marie Antoinette was purely psychological or psychosomatic. The latter is harder to believe because Louis admitted that he both loved and respected Marie An- toinette and found her very beautiful. While a number of present-day scholars vehemently dispute the phimosis speculation as being the pet theory of Marie Antoinette’s twentieth-century biographer, the Freudian Stefan Zweig, they cannot explain away the preponderance of correspondence that came out of the Bourbon court at the time. This included not merely the dispatch from the Spanish ambassador to his sovereign graphically discussing the issue of Louis’s penis (which could be dismissed as gossip), but a number of letters written between Marie Antoinette and her mother discussing whether or not Louis was prepared to submit to the operation, and the medical opinions of the various court physicians on the subject. The language of that correspondence most clearly refers to a physical problem. Whether it was compounded by psychological and emotional issues is also a possibility. Unfortunately, Louis’s boyhood tutor, the duc de la Vauguyon, had instilled in him a hatred of women and a particular distrust of Austrian females. But by 1773, the dauphin and dauphine had become close friends, and presented a united front against the duc’s malevolent influence. This was even truer by the time they ascended the throne in 1774.

The subject of Louis’s phimosis and how it was treated is one of a couple of controversial topics I explore in this novel. I do believe that he suffered from a mild physical deformity and that he underwent a corrective procedure. The operation detailed in the novel is taken from a procedure performed in France around 1780 so it is about as accurate a description as one can get of what Louis’s medical treatment might have been like.

Another of my aims in writing the Marie Antoinette trilogy was to convey the humanity (and sometimes not) within these historical figures. Too often they have been depicted in film and literature as archetypes, stereotypes, or dusty relics of an era long past. As I breathed life into characters who to some readers may be little more than names from a history book, I saw them as vibrant and vital, complex and flawed. It was also my intention to depict some of the lesser-known (but equally fact-based) events of their lives. For example, the silk merchants of Lyon really did pay a call on Mesdames asking for their support after Marie Antoi- nette began to dress almost entirely in the muslin gaulles; Marie Antoinette really did suffer a terrible fall and hit her head, and Madame Royale’s shocking reaction to her mother’s injury, as well as the conversation she had with her father about whether he would have preferred a son instead of her, really happened. I was stunned when I first read about the incident in the many biographies because it revealed so much about the characters of the precocious and envious Madame Royale and the king, who was a tremendously sentimental man. Louis indeed adored his little girl from the moment of her birth and never resented her gender, de- spite the immense pressure upon both him and Marie Antoinette to produce a son and heir. The fact that both of them were such sentimental, vulnerable, and fairly hands-on parents made them quite anomalous, especially for royals, even in the Age of Enlightenment. In another fascinating moment “ripped from real life,” the queen did indeed summon Jean-Louis Fargeon to le Petit Trianon to create a perfume that captured the essence of her private idyll (I own a replica of the fresh, floral scent, which made my research all the more redolent!). And she did ask Fargeon to develop a unique fragrance for a man she described as “virile as one can possibly be,” that phrase, in translation of course, taken from the perfumer’s own diary. In a subsequent event, to be depicted in The Last October Sky, the third novel of the Marie Antoinette trilogy, many years later the aroma of that custom-made toilet water will come back to haunt Fargeon’s nostrils.

One of the central aspects of this novel is the developing relationship between Count Axel von Fersen and Marie Antoinette. Historically, there has been some controversy as to how far it went, whether it remained strictly platonic, whether (and when) it may have blossomed into a physical love affair, and whether Marie Antoinette ever violated her deeply held marriage vows and consummated her passion for Fersen.

I have a cardinal rule about writing historical fiction: If it could have happened, bolstered by solid research, then it’s fair game to be included in a novel. Stanley Loomis, in The Fatal Friendship: Marie Antoinette, Count Fersen, and the Flight to Varennes, offers enough compelling evidence for a relationship between them that may indeed have eventually been consummated. Biographers Antonia Fraser, Stefan Zweig, Vincent Cronin, and André Castelot share that opinion. We have the culture of the eighteenth century to thank for the plethora of diaries and memoirs left to posterity. Some may be more reliable than others. After Marie Antoinette’s death, Fersen’s beloved sister Sophie, to whom he was especially close, burned a number of his letters; and at some point (perhaps after his gruesome murder on June 20, 1810, which took place exactly nineteen years to the day from the royal family’s fateful flight to Varennes in June of 1791, an event that will be dramatized in The Last October Sky), his diaries were heavily redacted. However, enough of Fersen’s own words remain to obliquely hint at a relationship with Marie Antoinette that went far deeper than the proper bounds of a common friendship. We have his declaration to Sophie that he would never wed because he could not be united with the one woman he really loved and who loved him in return. As historians cannot document any abiding yet for some reason inappropriate or equally illicit relationship with another woman (his other love affairs, regardless of their duration, were fairly inconsequential by comparison), the conclusion is viable (certainly by a novelist), that he gave his heart and soul (and the case can be made for giving his body) to Marie Antoinette.
There is no denying that Fersen risked his life more than once to save the queen—and the king, of course, whom he also admired, possibly making his transgression all the more guilt-inducing.

The events that I used to build the relationship between Marie Antoinette and Axel von Fersen are rooted in fact. As for the issue of privacy in a royal court, Marie Antoinette, who detested being surrounded by an enormous entourage while she was dauphine, immediately changed the rules when she became queen, reducing the size of her retinue (most of whom had been assigned to her upon her arrival in 1770) to a handful of trusted attendants. Moreover, she was roundly criticized for turning le Petit Trianon into her exclusive haven. Whereas Versailles had traditionally been open to the people, she had signage posted on the gates of her little château and about its acreage stipulating that entrance to the premises was by permission of the queen alone, and that all visitors had to be escorted inside by her servants or attendants.

The existence of the mechanical mirrored window shades that closed off the view inside to all would-be trespassers or intruders, who would find themselves staring at their own reflec- tions if they dared to pry, is a fact. At le Petit Trianon, therefore, it was simple enough to dismiss the servants from a room, to enjoy private tête-à-têtes with her confidants of both sexes, or even with a room full of people. It was precisely this exclusivity, and the maddening notion that all sorts of goings-on were taking place at le Petit Trianon to which they were not invited, which gave rise to the rumors spread by her detractors of Marie Antoi- nette’s rampant debauchery there. Ironic, isn’t it, how the very aristocrats who derided the queen for having a personal fairyland were so desperate to secure an invitation. They never received one because Marie Antoinette, who knew what was being said about her, did not feel the need to surround herself with, in twenty-first-century parlance, “toxic” people.

But le Petit Trianon was indeed a private idyll where Marie Antoinette could truly be herself. Insofar as being able to consummate a romance there with Axel von Fersen, a lawyer would no doubt concede that she had both motive and opportunity.

The more I considered what is essentially a love triangle with the queen at its apex (because I do believe that by the time Axel returned to France in 1778 Marie Antoinette and Louis had grown to love each other in a quiet, solid way), the more the three of them began to remind me of another trio of royals: King Arthur, Guinevere, and Lancelot. Although those archetypal characters (who may have been actual historical figures) are En- glish, their story was first set down by Chrétien de Troyes, a French romance writer in the Middle Ages. The elements of Guinevere and Lancelot’s star-crossed love affair, and their shared affection for Arthur, as well as Arthur’s deep respect for Lancelot, are also present in the Louis/Antoinette/Fersen triangle.

At bottom is a very human dynamic that has played itself out countless times in myriad marriages, along with the woman’s struggle to reconcile the parts of herself that are satisfied by each of the men: the physical passion she finds with a handsome soul mate, and the solidity and devotion of a faithful husband to whom she is not sexually attracted. She must also battle the demons of guilt, betrayal, and remorse that cannot fail to rear their gargoyle-like heads once she has made the difficult decision to violate the marriage vows she had previously held so sacred.

Although Marie Antoinette was raised from the cradle to despise adulterers (because her father had a mistress, a relationship that deeply wounded her mother, the Empress Maria Theresa), I believe she ultimately became one. I imagine the emotional cost (not to mention the obvious risks) must have been enormous for her, to have spent her entire life up to a point with an unshakable view that is finally shattered by her own volition.
As to the famous Affair of the Diamond Necklace, the French system of justice at the time worked in a fairly arcane manner. Defendants were arrested and incarcerated without being told what they were accused of or who their accusers were. They could hire lawyers but their attorneys were not permitted to be present during the inquisitions; they could only publish trial briefs which were based on hearsay (and which in this case were truly sensational). These trial briefs were little more than professionally penned scandal sheets that sought to exonerate their cli- ents by influencing not only the magistrates of the Parlement, the region’s judicial body, but the public as well—a public that was entirely ignorant of the facts of the case being investigated and tried.

To answer the inevitable question, “How many of the events of this book really happened?” nearly all of them are based on the historical record, both the larger picture as well as many of the more intimate details regarding the events of the characters’ interrelationships, with the exception of the sexual relationship between Marie Antoinette and Axel von Fersen, where, as a novelist, I chose to explore the possibility propounded by numerous biographers that their friendship blossomed into an affair. Although this position is controversial, when all is said and done, Days of Splendor, Days of Sorrow is a work of historical fiction.
Yet their friendship, as well as the other interrelationships in the novel, has been thoroughly researched. In some instances I even put actual quotes into my characters’ mouths; die-hard Marie Antoinette aficionados may spot them. To that end, much of the correspondence in the novel is based on the genuine letters as well. In a couple of cases I moved things around; for example, the letter that opens chapter four was in reality written exactly a year earlier. And with regard to the events leading up to and surrounding the Affair of the Diamond Necklace, the movements of the key and supporting players are so complicated they could merit an entire novel of their own. So I truncated the timeline just a bit and excised a few of the supernumeraries because they weren’t germane to Marie Antoinette’s knowledge of events.

For narrative flow, I also combined the circumstances of two of Marie Antoinette’s miscarriages into a single tragedy. In actuality, the miscarriage brought on by the coach ride was a separate incident from the one that occurred on her birthday. And Marie Antoinette’s renovation of rooms within her own apartment at Versailles for Axel von Fersen, complete with a Swedish stove, occurred in October 1787, rather than during the spring.

A third aim in writing Days of Splendor, Days of Sorrow was to set forth some of the real reasons France was financially bankrupt by the time the Bastille was stormed on July 14, 1789. Discontent had existed for well over a generation—for several decades, in fact, going all the way back to Louis XV’s expenditures on the Seven Years’ War (1756–63); although it was his mistresses’ ex- travagances, particularly those of Madame de Pompadour, that angered the French just as much because these were tangible, vis- ible reflections of excess: the clothes, the jewels, the amount of money lavished on furnishings and interior design, and of course the construction of le Petit Trianon, which later became a code phrase for the debauchery that was corrupting the nation, thanks to the outrageous behavior that the anti–Marie Antoinette propa- gandists ascribed to the queen.

Both Louis XV and Louis XVI emptied the treasury to fight foreign wars, which cost the French exponentially more than any royal mistress (or Marie Antoinette) ever spent, even at the zenith of their acquisitiveness. Americans might want to look long and hard at this period of history because if Louis XVI had not supplied the colonists with so much financial and military aid, including providing soldiers, sailors, and ships, throwing the might of France’s navy into their struggle for liberty, the British might have ultimately prevailed.

This decision cost the French crown in more ways than one. Many of their aristocrats fighting in North America returned not only victorious, but infused with the spirit of liberty, watering the seedlings that had already begun to sprout in the fashionable salons and coffeehouses of Paris and behind the gilded paneling of the Palais Royal—spearheaded by the king’s cousins, the duc d’Orléans and his son, the even more ambitious duc de Chartres, who inherited his father’s title in 1785. Their radical ideas were bolstered by the writings of the French philosophers of the Enlightenment such as Voltaire and Jean-Jacques Rousseau, who suggested that all men had equal rights under God, no matter the circumstances of their birth.

By July 14, 1789, the storm clouds of revolution had already gathered over Paris, but just a few leagues away at Versailles, the monarchs were convinced that the republican fervor was no more than a temporary ill wind. How they met the realization that the world as they had always known it was changing all about them, with a velocity they neither predicted nor were equipped to handle, will be dramatized in the final novel of the Marie Antoinette trilogy, The Last October Sky.

1. France and Austria had been at odds for more than 950 years by the time Marie Antoinette married Louis. This was a huge weight to bear at the age of fourteen. In what other ways was her marriage to Louis troubled before she even moved to France?
 
2. “I am terrified of being bored” and “I felt so useless.” These statements seem to be at the root of Marie Antoinette’s struggles. Do you think that if she’d been able to have children earlier in her marriage this general sense of ennui would have been as prevalent? In what ways do you imagine things in the royal world would have been different if she had been able sooner to fulfill her dream of becoming a mother?
 
3. Marie Antoinette comments that she felt pressure to keep up with the fashion and luxury of Paris. Do you think that she ever felt truly guilty about her overspending and debt-accruing ways? Have you ever found yourself in a similar situation? What parallels do you see between the financial troubles in France and those of the United States and other countries today? What about the political climate?
 
4. Do you think that Marie Antoinette’s interest in getting involved in the politics of the monarchy was a direct result of the problems that she and Louis had in their marriage? Was Marie Antoinette too strong-willed for Louis? Was Louis threatened by her? How did you interpret the dynamics of their relationship?
 
5. In what ways was le Petit Trianon a symbol of who Marie Antoinette was? If she had been more open to interacting with the public, do you think she would she have ended up so alienated from her people?
 
6. Were you cheering for Marie Antoinette’s kiss with Count Axel von Fersen or did you feel that she should have been loyal to her husband regardless of their problems? Days of Splendor, Days of Sorrow takes a controversial approach in positing, based on circumstance and some of Axel’s letters to his sister, that Marie Antoinette and Axel consummated their affaire de coeur. What do you think really happened?
 
7. At the zoo, Marie Antoinette says that the tiger is her favorite animal there because it reminded her of her mother. If her mother is a tiger, what kind of animal would Marie Antoinette be? What kind of animal do you think that she herself would identify with?
 
8. In what ways were Marie Antoinette and Louis alike? In what ways were they different?
 
9. Do you think the punishments meted out to Jeanne de Lamotte-Valois, her husband, and Cardinal de Rohan following the Affair of the Diamond Necklace were just? Were you surprised by how easy it was for Marie Antoinette’s detractors to convince the public that she was at fault?
 
10. “I will not believe that Frenchmen would rebel against the Crown,” Louis says. How do you think he was able to remain so naïve about what would happen to France?
 
11. Do you think the French Revolution was inevitable? If there was any one moment at which Louis and his advisors could have turned the tide of public opinion, what was it? After reading Days of Splendor, Days of Sorrow, how much responsibility for the revolution do you attribute to Marie Antoinette’s actions?
 
12. What scene in Days of Splendor, Days of Sorrow surprised you most? Do you feel more sympathetic toward Marie Antoinette than you did before reading this novel? Why or why not?

Customer Reviews

Most Helpful Customer Reviews

See All Customer Reviews

Days of Splendor, Days of Sorrow: A Novel of Marie Antoinette 4.5 out of 5 based on 0 ratings. 8 reviews.
Mirella More than 1 year ago
Days of Splendor, Days of Sorrow by Juliet Grey is the second novel of a trilogy based on the life of Marie Antoinette. The first book in the series was entitled Becoming Marie Antoinette. This second book focuses on the early years of Marie Antoinette’s reign as Queen of France and spans fifteen years of her life. It explores the development and evolvement of the French people’s animosity towards their monarch in the years leading up to the French Revolution. When it comes to Marie Antoinette, I continue to be fascinated by her story. There have been numerous novels written about the life of this fascinating woman. What makes this book different than the others is that it portrays Marie Antoinette in neither a good light nor bad. Juliet Grey has done a marvellous job of showing us her faults and errors, as well as her naïveté and inexperience in a non-judgmental way. And because her life story is presented in a trilogy format, readers are able to understand this heroine in a deeper, more meaningful way. An example of this is how the author dealt with Marie’s affair with Axel Ferson – she portrayed the passion, guilt, and shame intricately and in a way that truly makes the young, unhappy queen seem real and vulnerable. Her foolishness in relentlessly gambling away money was portrayed very well – the losses were truly astounding – and her lack of remorse or worry truly shows us many of her less desirable qualities. Her frivolous spending was depicted as well as some of the queen’s more generous acts of charity or kindness. The novel is told in first person narrative in Marie’s voice. This engaging voice, coupled with vibrant descriptions of clothing, palaces, masques, and dinners, really thrusts the reader into the story. Although I did not have the opportunity to read the first book in the series, I was able to follow the story easily without having to struggle to remember characters and situations. Power and great wealth can truly corrupt, especially in the hands of a very young woman thrust into the role of queen. For those wishing an indepth interpretation of Marie Antoinette’s life, this trilogy is perfect. Exceptionally well done!
Anonymous More than 1 year ago
This book was very good... I ddnt know it was part of a series when i got it so i will need to read the first one now but i cant wait to read the last one, though we know how it ends.
Anonymous More than 1 year ago
I found this book fascinating. It gave you a different picture of Marie Antoinette than you were led to believe. Her husband seemed to be weak, unable to make changes that would benefit the people of France, and not perceptive to what they were going through and I felt that she was more aware of her surroundings and what needed to be done. I can't wait for the third book
Anonymous More than 1 year ago
"Becoming Marie Antoinette" was excellant - very interesting, fast read, hard to put down. I found this 2nd book in the trilogy, a bit slow and harder to read. There is much more description of rooms and politics than characters. However, it does pick up near the end; and you are left very ready, anticipating the 3rd book! If you are interested in French history or all things Marie Antoinette, it is a must read.
Beamis12 on LibraryThing 29 days ago
Back when I studied Modern European history in school (and yes it was quite a while ago) I was fascinated by anything having to do with the French Revolution. Grey's first book "Becoming Marie Antoinette enlightened me on many things I never knew about this Queen of France, namely the extent of the many things she had to change physically and behaviorally, to be accepted as the Dauphin;s future wife. Loved that book and love this one. Once again Grey, with meticulous research, shows the reader the inner workings and political mistakes that will lead to the downfall of the House of Bourbon. She gives a wonderfully human face to the besieged King and Queen, who never could seem to get it quite right. Once again I learned things I hadn't known in this well written and provocative book, covering the middle years of this Queen's short life as well as her sorrows and joys. Loved that Grey includes an extensive biography and an afterword that tells readers what was factual and what was not. Wonderful book for lovers of historical fiction and anyone as fascinated with this time period as I am. Can't wait for the last part of this trilogy although of course we know the sad ending of this royal family.
BookAddictDiary on LibraryThing 29 days ago
I was a little worried about this one. Not only are "middle" books in a trilogy always a little tough, but it seemed like keeping the "middle" of Marie Antoinette's life could be even more difficult. I mean, you can't get to the Revolution until the third book, and the first book introduced readers to the heroine and her struggles -so what is there to talk about in the "middle" book? It turns out there's a lot.In Days of Splendor, Days of Sorrow, Marie Antoinette's tale continues, taking up not long after the end of Becoming Marie Antoinette when the ill-fated queen and her husband ascend to the French throne. But all is not right in the French court. Between Marie's inability to have children (and her husband's disinterest in making babies) and the many political intrigues surrounding her, she becomes engrossed in an extravagant world of gambling, elaborate gowns and jewels, and all of lives wildest pleasures -no matter what the cost to the royal treasury. As the propaganda against Marie Antoinette mounts, she must deal with her feelings for another man and the infamous Affair of the Necklace.I thoroughly enjoyed author Juliet Grey's refreshing take on Marie Antoinette in Becoming Marie Antoinette, and she did not disappoint in the sequel. Grey does an incredible job of portraying the infamous French Queen as more of a victim of her time and place than the horrible and unfeeling "let-them-eat-cake" queen that history seems to remember her as. Grey has done an incredible amount of historical research, and it shines through in every luscious detail. The world of 18th century France comes alive, complete with plenty of historical accuracy. (I especially enjoyed the discussion of France's involvement in the American Revolution, Marie Antoinette's thoughts on the "colonies" and Benjamin Franklin, and how, almost ironically, the country's involvement in that war helped lead the the French Revolution.)Grey's style rivals that of many other, most established historical fiction authors out there. I seemed to float almost effortlessly from sentence to sentence, and the transitions between Marie's point of view and the letters between Marie, her family and others were not confusing at all -I really liked hearing the voice of other characters through the letters. It helped give additional perspective on Antoinette herself.For fans of well-written biographical historical fiction (there is some juicy romance, but it's not the centerpiece of the novel), devotees of the French queen -or readers who love a good scandal -Days is an excellent follow up to Becoming and hints at more excellent work from this talented author. I cannot wait for The Last October Sky, the final book in Grey's Marie Antoinette trilogy, due out next year.
Anonymous More than 1 year ago
Anonymous More than 1 year ago