Death at St. Vedast

by Mary Lawrence

Overview

During the tempestuous reign of Henry VIII, Bianca Goddard has seen up close what keeps a man alive—and what can kill him. A good thing, for she will need all her knowledge to keep a friend away from the gallows . . .

Bianca and her husband John are delighted to share in the glad fortune of their friend, Boisvert, the silversmith, who is to wed Odile, the wealthy widow of a goldsmith. But a pall is cast over the upcoming nuptials when the body of a pregnant woman is found beneath the bell tower of St. Vedast, the very church where the betrothed are to be married.

Tragedy strikes again at the couple’s reception, when Odile suddenly drops dead in the middle of the wedding feast. The constable suspects Boisvert poisoned his new bride for her money, but there’s not a trace of poison in her food or wine. Could the two deaths be connected? To prove their friend’s innocence, Bianca will need to employ her knowledge of alchemy—for if she can determine how the bride was killed, she may find the person responsible for her murder—before another victim is added to the death toll . . .

Product Details

ISBN-13:	9781617737145
Publisher:	Kensington
Publication date:	12/27/2016
Series:	A Bianca Goddard Mystery Series , #3
Pages:	304
Sales rank:	544,328
Product dimensions:	5.50(w) x 8.20(h) x 1.00(d)

About the Author

Mary Lawrence lives in Maine and worked in the medical field for more than twenty-five years before publishing her debut mystery, The Alchemist’s Daughter (Kensington, 2015). The book was named by Suspense Magazine a “Best Book of 2015” in the historical mystery category. Her articles have appeared in several publications, including the national news blog The Daily Beast. Book 2 of the Bianca Goddard Mysteries, Death of an Alchemist, released in February 2016. Visit the author at www.marylawrencebooks.com.

Editorial Reviews

12/01/2016
The year is 1543, and herbalist Bianca Goddard and her husband, John, are moving into central London from Southwark. Bianca is unhappy to be leaving behind her beloved study of chemistries and medicinals, but John believes he can become a member of the silver guild more quickly if they live closer to the guild hall. On the day of their arrival, a pregnant young woman is found dead in the courtyard of St. Vedast, the very same church where John's friend, Boisvert, is to marry Odile, the wealthy widow of a goldsmith. At the wedding reception, the bride suddenly drops dead. Did Boisvert poison his beloved Odile or was it something more sinister? VERDICT Full of period details, Lawrence's latest series outing (after Death of an Alchemist) captures Tudor London in all its colorful, if noisome, splendor. A solid choice for devotees of Kathy Lynn Emerson's "Lady Appleton" series or Karen Harper's Elizabethan mysteries.

Library Journal

2016-11-07
Madness and death follow in quick order in 16th-century England.When a pregnant woman clad only in her night smock falls from the steeple of St. Vedast in London's Foster Lane, Bianca Goddard, who's moving into the neighborhood with her husband, John Grunt, examines the body. She's an herbalist well-versed in illness and death, but she can't tell much from the victim's body, and the sole witness, a drunk, can say only that the woman seemed out of her head. Father Nelson, the priest at St. Vedast, offers to preside over funeral rites for her even though she appears to be a suicide. At the service, John introduces Bianca to Boisvert, the silversmith to whom John's apprenticed and in whose house John and Bianca are temporarily living. Boisvert's fiancee, Odile Farendon, a generous soul who wants to help restore the stripped, decaying St. Vedast to its pre-Reformation glory, gives Bianca a fine gown to wear to the wedding. Bianca, who has little use for the fripperies of her social betters, is frustrated that while she and John are living in Boisvert's house, she can't practice the alchemy she learned from her father. But a startling death at the nuptial banquet and reports of similar cases give Bianca a new purpose, as do a wrongful imprisonment, a misplaced will, and some tiresome political maneuverings between the White Bakers' and the Brown Bakers' guilds. Despite an authorial disclaimer about anachronisms, it's disconcerting when actors quote Hamlet 60 years before it was written. Even more puzzling is a supernatural character who frames the tale but otherwise has nothing to do with the plot. Although the novel may be freighted with too much research for its own good, its no-nonsense heroine (Death of an Alchemist, 2016, etc.), like so many others of her ilk, propels the action very successfully by refusing to mind her own business.

Kirkus Reviews