Death in Old Mexico: The 1789 Dongo Murders and How They Shaped the History of a Nation

by Nicole von Germeten

Overview

In a Mexico City mansion on October 23, 1789, Don Joaquín Dongo and ten of his employees were brutally murdered by three killers armed with machetes. Investigators worked tirelessly to find the perpetrators, who were publicly executed two weeks later. Labelled the 'crime of the century,' these events and their aftermath have intrigued writers of fiction and nonfiction for over two centuries. Using a vast range of sources, Nicole von Germeten recreates a paper trail of Enlightenment-era greed and savagery, and highlights how the violence of the Mexican judiciary echoed the acts of the murderers. The Spanish government conducted dozens of executions in Mexico City's central square in this era, revealing how European imperialism in the Americas influenced perceptions of violence and how it was tolerated, encouraged, or suppressed. An evocative history, Death in Old Mexico provides a compelling new perspective on late colonial Mexico City.

Product Details

ISBN-13:	9781009261500
Publisher:	Cambridge University Press
Publication date:	03/09/2023
Pages:	240
Product dimensions:	5.94(w) x 8.98(h) x 0.71(d)

About the Author

Nicole von Germeten is an Associate Dean in the College of Liberal Arts at Oregon State University. She has written extensively on the history of crime, violence, gender, and sexuality in Latin America.

Table of Contents

Introduction; Part I. Murder: 1. The scene of the crime; 2. The Dongo house; 3. October 23, 1789; Part II. Context: 4. The setting; 5. The viceroys; 6. The judiciary; Part III. Justice: 7. Investigations; 8. The drop of blood; 9. Confessions; Part IV. Characters: 10. Dongo; 11. Rogue lives; 12. Motive: honor; Part V. Consequences: 13. Ceremonies of death; 14. Punishment; 15. Law enforcement reform; Part VI. Interpretations: 16. Violent city; 17. Omens; 18. Artifacts; Part VII. Texts: 19. The anonymous account; 20. The Dongo massacre in texts; 21. Two Dongo novels; Conclusion.

Editorial Reviews

‘Death in Old Mexico brings a gruesome crime into the light of day, confronting both the problem of the crime itself and our fascination with spectacular killings. With painstaking attention to historical context, Nicole von Germeten makes these events proximate, even intimate, plunging the reader into the material and emotional world of colonial Mexico. It is a testament to her writing that the experience proves as unsettling as it is illuminating.’ Sylvia Sellers Garcia, author of The Woman on the Windowsill: A Tale of Mystery in Several Parts

‘The title of this stunningly original new book barely hints at the complex creativity awaiting the reader. A spoiler alert suggesting that the introduction be read last - I agree! - strongly hints at von Germeten’s ingenious use of narrative tension, as she strives with resounding success to balance scholarly empiricism with the imaginative insights of True Crime writing.’ Matthew Restall, author of Seven Myths of the Spanish Conquest and When Montezuma Met Cortés

‘Death in Old Mexico takes readers on a textual tour of death. In doing so, her work challenges methodological certainties while compelling us to question our ongoing investment in the intertwining of violence and entertainment.’ William E. French, University of British Columbia

‘Fast paced and compellingly written, Nicole von Germeten analyzes the paper trail of the infamous Dongo murders and their aftermath, viewing the events from different vantage points and perspectives of gender, urban policing, and state surveillance in multiracial colonial Mexico City. In the process, she offers a rich and complex picture of a multiracial society on the cusp of modernity.’ Martha Few, author of Women Who Live Evil Lives: Gender, Religion, and the Politics of Power in Colonial Guatemala

‘One of the best recent additions to a growing number of microhistories of crime in colonial Latin America, [this book] stands out for its page-turning narrative flow, the extensive research behind it, and the evocative sense of Mexico City that readers will discover within its pages.’ Mark W. Lentz, Hispanic American Historical Review

From the Publisher