Design in a Frame of Emotion
A conversation about design, filmmaking, Afrofuturism, world-building, and other topics with Hannah Beachler, Academy-Award-winning production designer of Black Panther.
Hannah Beachler is known as an award-winning production designer, but she tells an audience that she considers herself to be more of a story designer. As film stills and concept art from a few of those storiesMoonlight, Miles Ahead, Creed, Lemonade, and Black Pantherflash across a screen, Beachler engages in a meandering conversation with Jacqueline Stewart and Toni L. Griffin about set building and curation, urban design, location scouting, Afrofuturism, fictional histories, and Black feminist narratives, and illustrates her role: a designer behind on-screen tableaux that provide not only visual feasts of artistry and imagination, but also intimate spaces of emotion, humanity, and constructed memory.
Copublished with Harvard University Graduate School of Design
1137077476
Hannah Beachler is known as an award-winning production designer, but she tells an audience that she considers herself to be more of a story designer. As film stills and concept art from a few of those storiesMoonlight, Miles Ahead, Creed, Lemonade, and Black Pantherflash across a screen, Beachler engages in a meandering conversation with Jacqueline Stewart and Toni L. Griffin about set building and curation, urban design, location scouting, Afrofuturism, fictional histories, and Black feminist narratives, and illustrates her role: a designer behind on-screen tableaux that provide not only visual feasts of artistry and imagination, but also intimate spaces of emotion, humanity, and constructed memory.
Copublished with Harvard University Graduate School of Design
Design in a Frame of Emotion
A conversation about design, filmmaking, Afrofuturism, world-building, and other topics with Hannah Beachler, Academy-Award-winning production designer of Black Panther.
Hannah Beachler is known as an award-winning production designer, but she tells an audience that she considers herself to be more of a story designer. As film stills and concept art from a few of those storiesMoonlight, Miles Ahead, Creed, Lemonade, and Black Pantherflash across a screen, Beachler engages in a meandering conversation with Jacqueline Stewart and Toni L. Griffin about set building and curation, urban design, location scouting, Afrofuturism, fictional histories, and Black feminist narratives, and illustrates her role: a designer behind on-screen tableaux that provide not only visual feasts of artistry and imagination, but also intimate spaces of emotion, humanity, and constructed memory.
Copublished with Harvard University Graduate School of Design
Hannah Beachler is known as an award-winning production designer, but she tells an audience that she considers herself to be more of a story designer. As film stills and concept art from a few of those storiesMoonlight, Miles Ahead, Creed, Lemonade, and Black Pantherflash across a screen, Beachler engages in a meandering conversation with Jacqueline Stewart and Toni L. Griffin about set building and curation, urban design, location scouting, Afrofuturism, fictional histories, and Black feminist narratives, and illustrates her role: a designer behind on-screen tableaux that provide not only visual feasts of artistry and imagination, but also intimate spaces of emotion, humanity, and constructed memory.
Copublished with Harvard University Graduate School of Design
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Design in a Frame of Emotion
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Design in a Frame of Emotion
72Paperback
$18.00
18.0
In Stock
Product Details
ISBN-13: | 9783956795596 |
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Publisher: | MIT Press |
Publication date: | 02/02/2021 |
Series: | Sternberg Press / The Incidents |
Pages: | 72 |
Product dimensions: | 4.50(w) x 6.90(h) x 0.20(d) |
About the Author
From the B&N Reads Blog