Desire and Pleasure in Seventeenth-Century Music
In this book, Susan McClary examines the mechanisms through which seventeenth-century musicians simulated extreme affective states—desire, divine rapture, and ecstatic pleasure. She demonstrates how every major genre of the period, from opera to religious music to instrumental pieces based on dances, was part of this striving for heightened passions by performers and listeners. While she analyzes the social and historical reasons for the high value placed on expressive intensity in both secular and sacred music, and she also links desire and pleasure to the many technical innovations of the period. McClary shows how musicians—whether working within the contexts of the Reformation or Counter-Reformation, Absolutists courts or commercial enterprises in VeBérénice—were able to manipulate known procedures to produce radically new ways of experiencing time and the Self.
1106280059
Desire and Pleasure in Seventeenth-Century Music
In this book, Susan McClary examines the mechanisms through which seventeenth-century musicians simulated extreme affective states—desire, divine rapture, and ecstatic pleasure. She demonstrates how every major genre of the period, from opera to religious music to instrumental pieces based on dances, was part of this striving for heightened passions by performers and listeners. While she analyzes the social and historical reasons for the high value placed on expressive intensity in both secular and sacred music, and she also links desire and pleasure to the many technical innovations of the period. McClary shows how musicians—whether working within the contexts of the Reformation or Counter-Reformation, Absolutists courts or commercial enterprises in VeBérénice—were able to manipulate known procedures to produce radically new ways of experiencing time and the Self.
85.0 In Stock
Desire and Pleasure in Seventeenth-Century Music

Desire and Pleasure in Seventeenth-Century Music

by Susan McClary
Desire and Pleasure in Seventeenth-Century Music

Desire and Pleasure in Seventeenth-Century Music

by Susan McClary

Hardcover(First Edition)

$85.00 
  • SHIP THIS ITEM
    Qualifies for Free Shipping
  • PICK UP IN STORE
    Check Availability at Nearby Stores

Related collections and offers


Overview

In this book, Susan McClary examines the mechanisms through which seventeenth-century musicians simulated extreme affective states—desire, divine rapture, and ecstatic pleasure. She demonstrates how every major genre of the period, from opera to religious music to instrumental pieces based on dances, was part of this striving for heightened passions by performers and listeners. While she analyzes the social and historical reasons for the high value placed on expressive intensity in both secular and sacred music, and she also links desire and pleasure to the many technical innovations of the period. McClary shows how musicians—whether working within the contexts of the Reformation or Counter-Reformation, Absolutists courts or commercial enterprises in VeBérénice—were able to manipulate known procedures to produce radically new ways of experiencing time and the Self.

Product Details

ISBN-13: 9780520247345
Publisher: University of California Press
Publication date: 03/06/2012
Edition description: First Edition
Pages: 356
Product dimensions: 6.20(w) x 9.00(h) x 1.20(d)

About the Author

Susan McClary is Professor of Music at Case Western Reserve University. She is the author of many book including Conventional Wisdom: The Content of Musical Form and Modal Subjectivities: Self-Fashioning in the Italian Madrigal, both from UC Press.

Table of Contents

Prelude: The Music of Pleasure and Desire

Part I. The Hydraulics of Musical Desire
1. The Expansion Principle
2. Composites, or the Still-Divided Subject

Part II. Gendering Voice
3. Soprano as Fetish: Professional Singers in Early Modern Italy
4. Gender Ambiguities and Erotic Excess in the Operas of Cavalli

Part III. Divine Love
5. Libidinous Theology
6. Straining Belief: The Toccata

Part IV. Dancing Bodies
7. The Social History of a Groove: Chacona, Ciaccona, Chaconne, and the Chaconne
8. Dancing about Power, Architecture about Dancing

Part V. La Mode Française
9. Temporality and Ideology: Qualities of Motion in Seventeenth-Century French Music
10. The Dragon Cart: The Femme Fatale in Seventeenth-Century French Opera

Postlude: Toward Consolidation
Notes
Index

What People are Saying About This

From the Publisher

"Passionate, learned and often thrilling."—Clevelandclassical.com

From the B&N Reads Blog

Customer Reviews