Directing the Documentary / Edition 4

by Michael Rabiger

Overview

Up-to-date with examples of significant new films and new projects, it is written in conversational, non-technical language, treating the reader as a colleague in search of clearly explained knowledge. The author, a veteran filmmaker and teacher shares anecdotes from his own professional experience where they usefully illustrate ideas, principles, or pitfalls.

Product Details

ISBN-13:	2900240806081
Publisher:	Taylor & Francis
Publication date:	03/30/2004
Edition description:	REV
Pages:	648
Product dimensions:	6.00(w) x 1.25(h) x 9.00(d)

About the Author

Michael Rabiger began in the cutting rooms of England’s Pinewood and Shepperton Studios, became an editor and BBC director of documentaries, and then specialized for many years in the US as a production and aesthetics educator. At Columbia College Chicago he was co-founder, then chair of the Film/Video Department and founded the Michael Rabiger Center for Documentary. He has directed or edited more than 35 films, was a founding faculty member and then Chair of the Film/Video Department at Columbia College Chicago, and has given workshops in many countries, designed and led a multinational European documentary workshop for CILECT, won the International Documentary Association’s Scholarship and Preservation Award, and was also awarded the Genius/Career Achievement Award by the Chicago International Documentary Festival. He is the author of Developing Story Ideas and co-author of the enormously successful Directing: Film Techniques and Aesthetics, now in its sixth edition

Courtney Hermann is an Assistant Professor of Film at Portland State University, an award-winning independent documentary filmmaker, and a non-fiction media producer. Courtney's work is distributed by Public Broadcasting Service and its affiliates, through educational film catalogues, at film festivals, and through impact distribution to community partners.

Table of Contents

Preface to the Seventh Edition

BOOK I: GETTING STARTED

PART 1: YOU AND YOUR IDEAS

Chapter 1 You and Film Authorship

Chapter 2 The Nature of Documentary

PART 2: DOCUMENTARIES AND FILM LANGUAGE

Chapter 3 How the Documentary Developed

Chapter 4 Constructing Reality

Chapter 5 Story Elements and Film Grammar

PART 3: PREPRODUCTION

Chapter 6 Developing Story Ideas

Chapter 7 Hypothesis, Research and Plan

Chapter 8 Developing Ideas for a Short Documentary

PART IV PRODUCTION

Chapter 10 Capturing Sound

Chapter 11 Lighting

Chapter 12 Camera

Chapter 13 Directing and Interviewing

PART 5: POSTPRODUCTION

Chapter 14 Creating the First Assembly

Chapter 15 Developing the Edit

Chapter 16 Fine Cut, Music, Audio and Color Correction

BOOK II: ADVANCED CONCEPTS

PART 6: DOCUMENTARY AESTHETICS

Chapter 17 Point of View and Storytelling

Chapter 18 Dramatic Development, Time and Story Structure

Chapter 19 Using Form and Style

Chapter 20 Reconstruction, Reenactment and Docudrama

Chapter 21 Values and Ethics

PART 7 ADVANCED PRODUCTION ISSUES

PART 7A ADVANCED PREPRODUCTION

Chapter 22 Handling Larger Projects

Chapter 23 Relations with Participants, Story Development and Funding Proposals

Chapter 24 Advanced Technology, Budgeting, Scheduling

Chapter 25 Preparations before Directing

PART 7B: ADVANCED PRODUCTION

Chapter 26 Optics and Perception

Chapter 27 Advanced Cameras and Support Equipment

Chapter 28 Advanced Location Sound

Chapter 29 Advanced Directing: Participants

Chapter 30 Advanced Directing: Camera

Chapter 31 Advanced Interviewing

PART 7C ADVANCED POSTPRODUCTION

Chapter 32 From Transcript to Assembly

Chapter 33 Creating Narration

Chapter 34 Original Music

Chapter 35 Editing Refinements and Structural Solutions

Chapter 36 The Final Sound Mix

PART 8: WORK

Chapter 37 Developing a Career

Chapter 38 Starting up on Your Own

Index

What People are Saying About This

From the Publisher

"While there are many books about the technical basics of documentary film production, none of them integrate so thoroughly the artistic intention at the heart of great direction with the means of realization in pre-production, the field and the editing room...Great directing is equally a matter of heart and soul as much as technical knowledge. This idea is prevalent throughout Rabiger's book." - Ray Zone, International Documentary Magazine

"What makes this book so valuable is that the author consistently searches for the philosophical underpinnings of his art and never gets lost in the technical processes of filmmaking." - Jonathan Luskin, Flying Moose Pictures, San Francisco

"The book's greatest strength is the emphasis on documentary filmmaking as a creative, storytelling process....It supplies more in the way of an ethical foundation for the young filmmaker than any other title on the market." - Phil Hopper, Director, Theatre and Media Arts Program, Marymount College of Fordham University

"Intelligent and artfully written, Directing the Documentary should enjoy a place of prominence in the library of every documentary videomaker." - Videomaker magazine

"...what really makes this book so valuable is that the author is just so inspiring. Rabiger writes with such enthusiasm that even the most nervous would-be documentary maker is encouraged. But this is not the extent of his audience as this text is also highly relevant and impassioning to the seasoned pro...This text is inspirational, accessible, filled with useful filmic references and snippets of advice...This updated 4th edition really is a must for anyone with an interest in documentary filmmaking." - POV2 Journal

"Skim and scan this one? Nope! Read it cover to cover? Absolutely! Not since I read Dan Brown's The Da Vinci Code has a book been the cause of forcing me to rethink things as much as this one. For those either making documentaries or thinking about it, this is the book to get." - Steve Douglas, underwater videographer and writer for kenstone.net

"I read Michael Rabiger's Directing the Documentary which contains a list of not-to-miss American documentaries and Thin Blue Line is among them, as well as other films that depict wrongful incarcerations, such as Murder on a Sunday Morning."—PBS.com's blog "Doc Soup"

Editorial Reviews

Takes a hands-on, project-oriented approach to using the screen as a tool of inquiry and self-expression. Covers the entire filming process, from conception through postproduction, and discusses such topics as cin<'e>ma v<'e>rit<'e> techniques, handheld and tripod modes, current issues in documentary and editing theory, and authorial identity. Includes numerous line drawings, diagrams, and black-and- white photographs, as well as a list of international film schools. Appropriate for both beginners and professionals. Annotation c. by Book News, Inc., Portland, Or.

Booknews

Praise for the previous edition:

"The USC documentary faculty has required this excellent book in all our documentary courses since its 1st edition. Rabiger has added to his in-depth analysis of the creative and practical implications of documentary production in this latest edition, with new sections on grant writing, technology, and case studies. The book is essential for students and it’s also one that every professional documentary filmmaker can constantly refer to and be inspired by."

Doe Mayer, Professor, Mary Pickford Chair of Film and Television Production, School of Cinematic Arts, University of Southern California

"This book is a time-proof classic, a one-of-a kind roadmap to reaching excellence in documentary making that reads like good, inspiring literature. I have collected and read all of its editions avidly, and can already see that this new edition will serve as an invaluable companion for any documentary filmmaker."

Juan Francisco Urrusti, Professor, Centro de Capacitación Cinematográfica (Mexico); Documentary Filmmaker, A Long Journey to Guadalupe

"Rabiger's 'two-stage' approach to documentary filmmaking takes the reader on a comprehensive journey from concept development to finished documentary and distribution! His sixth edition of Directing the Documentary is a must-have in any serious documentary filmmaker's library."

Gene F., Digital Filmmaking Instructor, The Art Institute of CA - Silicon Valley

From the Publisher