Documentaries and China's National Image
Emphasizing the role of documentary in shaping a nation-state’s image, demonstrating social development and promoting cultural exchanges, this book examines the changes in China’s national image in documentaries at home and abroad since 1949.

Based on theoretical frameworks of media sociology, political economy of communication and cultural studies, the book traces the development of Chinese documentary and discusses social transformation and cultural representation embodied in documentaries related to China. It is revealed how these works witness, reflect and interact with social transitions in all aspects of a modernizing China, as well as how documentary production struggles among and mediates between technology, market, ideology, social forces and professionalism. In terms of future prospects of documentary in an era when media convergence is burgeoning, the author explores feasible paths to further promotion of cross-cultural communication and China’s national image, by analyzing documentary aesthetics and representative cases of documentary practice.

The title will appeal to scholars and students interested in culture and communication, documentary, film, media and Chinese society.

1141049006
Documentaries and China's National Image
Emphasizing the role of documentary in shaping a nation-state’s image, demonstrating social development and promoting cultural exchanges, this book examines the changes in China’s national image in documentaries at home and abroad since 1949.

Based on theoretical frameworks of media sociology, political economy of communication and cultural studies, the book traces the development of Chinese documentary and discusses social transformation and cultural representation embodied in documentaries related to China. It is revealed how these works witness, reflect and interact with social transitions in all aspects of a modernizing China, as well as how documentary production struggles among and mediates between technology, market, ideology, social forces and professionalism. In terms of future prospects of documentary in an era when media convergence is burgeoning, the author explores feasible paths to further promotion of cross-cultural communication and China’s national image, by analyzing documentary aesthetics and representative cases of documentary practice.

The title will appeal to scholars and students interested in culture and communication, documentary, film, media and Chinese society.

43.99 In Stock
Documentaries and China's National Image

Documentaries and China's National Image

by Chen Yi
Documentaries and China's National Image

Documentaries and China's National Image

by Chen Yi

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$43.99 
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Overview

Emphasizing the role of documentary in shaping a nation-state’s image, demonstrating social development and promoting cultural exchanges, this book examines the changes in China’s national image in documentaries at home and abroad since 1949.

Based on theoretical frameworks of media sociology, political economy of communication and cultural studies, the book traces the development of Chinese documentary and discusses social transformation and cultural representation embodied in documentaries related to China. It is revealed how these works witness, reflect and interact with social transitions in all aspects of a modernizing China, as well as how documentary production struggles among and mediates between technology, market, ideology, social forces and professionalism. In terms of future prospects of documentary in an era when media convergence is burgeoning, the author explores feasible paths to further promotion of cross-cultural communication and China’s national image, by analyzing documentary aesthetics and representative cases of documentary practice.

The title will appeal to scholars and students interested in culture and communication, documentary, film, media and Chinese society.


Product Details

ISBN-13: 9781032315065
Publisher: Taylor & Francis
Publication date: 05/27/2024
Series: China Perspectives
Pages: 254
Product dimensions: 6.12(w) x 9.19(h) x (d)

About the Author

Chen Yi is a professor at Soochow University, China. His research interests are documentary, critical visual communication and media convergence.

Table of Contents

1. Introduction: The Dissemination of National Image and the Function of Documentary Films 2. From “Illustrated China” to “Diverse China” 3. The Nation State in Documentaries 4. Social Changes in Documentaries 5. “Cultivating People Morally and Intellectually” in the Documentary 6. The Succession of Documentary Aesthetics 7. Typical Cases in China and Abroad 8. Conclusion: Chinese documentary thinking against the background of media integration
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