Documentary, World History, and National Power in the PRC: Global Rise in Chinese Eyes
Documentaries have recently become a favourite format for Chinese state-directed media to present an officially sanctioned view of history. Indeed, this is not confined to Chinese national history. In stark contrast to the earlier self-centred preoccupation with Chinese history, there has been an upsurge in interest in foreign history, with a view to illuminating China’s role not only in world history, but also on the global stage today, and in the future.

This book examines three recent Chinese documentary television series which present the officially sanctioned view of the rise of the modern West, the reasons for the end of the Soviet Union, and the legitimisation of the present-day Chinese government via a specific reading of modern Chinese history to argue for a ‘Chinese rise’ in the future. With a focus on these documentaries, Gotelind Müller discusses how history is presented on screen, and explores the function of visual history for memory culture and wider society. Further, this book reveals how the presentation of Chinese and foreign history in a global framework impacts on the officially transmitted views on Self and Other, and thus provides a keen insight into how the Chinese themselves regard their ‘global rise’.

Documentary, World History, and National Power in the PRC will be welcomed by students and scholars working across a number of fields, including Chinese studies, East Asian studies, media studies, television studies, history and memory studies.

1117218054
Documentary, World History, and National Power in the PRC: Global Rise in Chinese Eyes
Documentaries have recently become a favourite format for Chinese state-directed media to present an officially sanctioned view of history. Indeed, this is not confined to Chinese national history. In stark contrast to the earlier self-centred preoccupation with Chinese history, there has been an upsurge in interest in foreign history, with a view to illuminating China’s role not only in world history, but also on the global stage today, and in the future.

This book examines three recent Chinese documentary television series which present the officially sanctioned view of the rise of the modern West, the reasons for the end of the Soviet Union, and the legitimisation of the present-day Chinese government via a specific reading of modern Chinese history to argue for a ‘Chinese rise’ in the future. With a focus on these documentaries, Gotelind Müller discusses how history is presented on screen, and explores the function of visual history for memory culture and wider society. Further, this book reveals how the presentation of Chinese and foreign history in a global framework impacts on the officially transmitted views on Self and Other, and thus provides a keen insight into how the Chinese themselves regard their ‘global rise’.

Documentary, World History, and National Power in the PRC will be welcomed by students and scholars working across a number of fields, including Chinese studies, East Asian studies, media studies, television studies, history and memory studies.

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Documentary, World History, and National Power in the PRC: Global Rise in Chinese Eyes

Documentary, World History, and National Power in the PRC: Global Rise in Chinese Eyes

by Gotelind Mueller
Documentary, World History, and National Power in the PRC: Global Rise in Chinese Eyes

Documentary, World History, and National Power in the PRC: Global Rise in Chinese Eyes

by Gotelind Mueller

Paperback(Reprint)

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Overview

Documentaries have recently become a favourite format for Chinese state-directed media to present an officially sanctioned view of history. Indeed, this is not confined to Chinese national history. In stark contrast to the earlier self-centred preoccupation with Chinese history, there has been an upsurge in interest in foreign history, with a view to illuminating China’s role not only in world history, but also on the global stage today, and in the future.

This book examines three recent Chinese documentary television series which present the officially sanctioned view of the rise of the modern West, the reasons for the end of the Soviet Union, and the legitimisation of the present-day Chinese government via a specific reading of modern Chinese history to argue for a ‘Chinese rise’ in the future. With a focus on these documentaries, Gotelind Müller discusses how history is presented on screen, and explores the function of visual history for memory culture and wider society. Further, this book reveals how the presentation of Chinese and foreign history in a global framework impacts on the officially transmitted views on Self and Other, and thus provides a keen insight into how the Chinese themselves regard their ‘global rise’.

Documentary, World History, and National Power in the PRC will be welcomed by students and scholars working across a number of fields, including Chinese studies, East Asian studies, media studies, television studies, history and memory studies.


Product Details

ISBN-13: 9781138120662
Publisher: Taylor & Francis
Publication date: 08/04/2015
Series: Chinese Worlds
Edition description: Reprint
Pages: 252
Product dimensions: 6.12(w) x 9.19(h) x (d)

About the Author

Gotelind Müller is Professor of Chinese Studies at the University of Heidelberg, Germany.

Table of Contents

1. Introduction 2. Foreign models for the public: the TV documentary Daguo jueqi (The Rise of the Great Powers) 3. China’s potentials on display: the sequel documentary Fuxing zhi lu (Road to Revival) 4. Soviet failure lessons for insiders: the party-educational documentary Ju an si wei (Alert to Danger while Dwelling in Safety) 5. Framing visions of China and the world: the state, documentary, and history in comparative perspective

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