Don Sebastian, King of Portugal: A Tragedy, Acted at the Theatre-Royal
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
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The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
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Bodleian Library (Oxford)

T182788

Anonymous. By John Dryden.

London: printed for G. Strahan; and B. Motte, 1726. xxiii, [1],120p.; 12°
1128656991
Don Sebastian, King of Portugal: A Tragedy, Acted at the Theatre-Royal
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
++++
The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
++++
Bodleian Library (Oxford)

T182788

Anonymous. By John Dryden.

London: printed for G. Strahan; and B. Motte, 1726. xxiii, [1],120p.; 12°
30.95 In Stock
Don Sebastian, King of Portugal: A Tragedy, Acted at the Theatre-Royal

Don Sebastian, King of Portugal: A Tragedy, Acted at the Theatre-Royal

by Anonymous
Don Sebastian, King of Portugal: A Tragedy, Acted at the Theatre-Royal

Don Sebastian, King of Portugal: A Tragedy, Acted at the Theatre-Royal

by Anonymous

Hardcover

$30.95 
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Overview

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
++++
The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
++++
Bodleian Library (Oxford)

T182788

Anonymous. By John Dryden.

London: printed for G. Strahan; and B. Motte, 1726. xxiii, [1],120p.; 12°

Product Details

ISBN-13: 9781385381687
Publisher: Gale Ecco, Print Editions
Publication date: 04/23/2018
Pages: 148
Product dimensions: 6.14(w) x 9.21(h) x 0.38(d)
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