Down On The Corner: Adventures In Busking & Street Music
Down On The Corner is the story of music performed on the streets, in subways, in parks, in schoolyards, on the back of flatbed trucks, and beyond, from the 1920s to the present day.

Drawing on years of interviews and eyewitness accounts, Down On The Corner introduces readers to a wide range of locations and a myriad of musical genres, from folk to rock’n’roll, the blues to bluegrass, doo-wop to indie rock. Some of the performers he features—Lucinda Williams, Billy Bragg, The Violent Femmes—went on to become international stars; others settled into the curbs, sidewalks, and Tube stations as their workplace for the duration of their careers. Anyone who has lived in or travelled through a city will have encountered street musicians of one kind or another. For the first time, veteran journalist and music-industry publicist Cary Baker tells the complete history of these musicians and the music they play, from tin cups and toonies to QR codes and PayPal.

‘This book allows us to hear the full story of feeding the street, as it has been done for over a century in the United States. It gives us a glimpse into the lives of the buskers who have enriched our daily existence with music and performance art. It’s a dollar in the hat, with the acknowledgment that the world is always a better place when busking is a part of the picture. Special thanks to Cary Baker for giving a new voice to a music tradition that will continue to live on forever and will find new homes wherever the music takes it.’ Dom Flemons, from his foreword to this book

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Down On The Corner: Adventures In Busking & Street Music
Down On The Corner is the story of music performed on the streets, in subways, in parks, in schoolyards, on the back of flatbed trucks, and beyond, from the 1920s to the present day.

Drawing on years of interviews and eyewitness accounts, Down On The Corner introduces readers to a wide range of locations and a myriad of musical genres, from folk to rock’n’roll, the blues to bluegrass, doo-wop to indie rock. Some of the performers he features—Lucinda Williams, Billy Bragg, The Violent Femmes—went on to become international stars; others settled into the curbs, sidewalks, and Tube stations as their workplace for the duration of their careers. Anyone who has lived in or travelled through a city will have encountered street musicians of one kind or another. For the first time, veteran journalist and music-industry publicist Cary Baker tells the complete history of these musicians and the music they play, from tin cups and toonies to QR codes and PayPal.

‘This book allows us to hear the full story of feeding the street, as it has been done for over a century in the United States. It gives us a glimpse into the lives of the buskers who have enriched our daily existence with music and performance art. It’s a dollar in the hat, with the acknowledgment that the world is always a better place when busking is a part of the picture. Special thanks to Cary Baker for giving a new voice to a music tradition that will continue to live on forever and will find new homes wherever the music takes it.’ Dom Flemons, from his foreword to this book

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Down On The Corner: Adventures In Busking & Street Music

Down On The Corner: Adventures In Busking & Street Music

Down On The Corner: Adventures In Busking & Street Music

Down On The Corner: Adventures In Busking & Street Music

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Overview

Down On The Corner is the story of music performed on the streets, in subways, in parks, in schoolyards, on the back of flatbed trucks, and beyond, from the 1920s to the present day.

Drawing on years of interviews and eyewitness accounts, Down On The Corner introduces readers to a wide range of locations and a myriad of musical genres, from folk to rock’n’roll, the blues to bluegrass, doo-wop to indie rock. Some of the performers he features—Lucinda Williams, Billy Bragg, The Violent Femmes—went on to become international stars; others settled into the curbs, sidewalks, and Tube stations as their workplace for the duration of their careers. Anyone who has lived in or travelled through a city will have encountered street musicians of one kind or another. For the first time, veteran journalist and music-industry publicist Cary Baker tells the complete history of these musicians and the music they play, from tin cups and toonies to QR codes and PayPal.

‘This book allows us to hear the full story of feeding the street, as it has been done for over a century in the United States. It gives us a glimpse into the lives of the buskers who have enriched our daily existence with music and performance art. It’s a dollar in the hat, with the acknowledgment that the world is always a better place when busking is a part of the picture. Special thanks to Cary Baker for giving a new voice to a music tradition that will continue to live on forever and will find new homes wherever the music takes it.’ Dom Flemons, from his foreword to this book


Product Details

ISBN-13: 9781916829107
Publisher: Outline Press, Limited
Publication date: 11/12/2024
Product dimensions: 5.70(w) x 8.40(h) x 0.80(d)

About the Author

Born on Chicago’s South Side, Cary Baker began his writing career at sixteen with an on-spec feature about Chicago street singer Blind Arvella Gray for the Chicago Reader. His return to writing follows a forty-two-year hiatus during which time he directed publicity for six record labels (including Capitol and IRS) and two of his own companies, working with acclaimed artists such as R.E.M., Bonnie Raitt, The Smithereens, James McMurtry, The Mavericks, Bobby Rush, Willie Nile, and more. Prior to his PR years, Baker wrote for the Chicago Reader, Creem, Trouser Press, Bomp!, Goldmine, Billboard, Mix, Illinois Entertainer, and Record magazine. He has also written liner notes for historical reissues from Universal, Capitol/EMI, Numero Group, and Omnivore. He has been a voting member of the Recording Academy since 1979. He lives in Southern California.



A resolute preservationist, storyteller, and instrumentalist, Dom Flemons has long set himself apart by finding forgotten folk songs and making them live again. His work has been recognized with a GRAMMY, two Emmy nominations, a USA Fellowship Award, and inclusion in an exhibit at the Country Music Hall Of Fame & Museum. Raised in Phoenix, Flemons comes from a family of civil rights leaders, Tuskegee Airmen, and preachers who were prominent figures in the Black community of Arizona. After graduating from Northern Arizona University(which presented him with an honorary doctorate in 2022), Flemons moved to North Carolina and co-founded The Carolina Chocolate Drops. After leaving the group in 2013, he established a solo career that led him to collaborate with hundreds of artists in the Americana music scene. His latest project is Traveling Wildfire (Smithsonian Folkways), a follow-up to his 2018 GRAMMY nominated album, Black Cowboys.
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