Dream Factories of a Former Colony: American Fantasies, Philippine Cinema
Philippine cinema, the dream factory of the former U.S. colony, teems with American figures and plots. Local movies feature GIs seeking Filipina brides, cold war spies hunting down native warlords, and American-born Filipinos wandering in the parental homeland. The American landscape furnishes the settings for the triumphs and tragedies of Filipino nurses, GI babies, and migrant workers.

By tracking American fantasies in Philippine movies from the postindependence period to the present, José B. Capino offers an innovative account of cinema's cultural work in decolonization and globalization. Capino examines how a third world nation's daydreams both articulate empire and mobilize against it, provide imaginary maps and fables of identity for its migrant workers and diasporan subjects, pose challenges to the alibis of patriarchy and nationalism, and open up paths for participating in the cultures of globality.

Through close readings of more than twenty Philippine movies, Capino demonstrates the postcolonial imagination's vital role in generating pragmatic and utopian visions of living with empire. Illuminating an important but understudied cinema, he creates a model for understanding the U.S. image in the third world.
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Dream Factories of a Former Colony: American Fantasies, Philippine Cinema
Philippine cinema, the dream factory of the former U.S. colony, teems with American figures and plots. Local movies feature GIs seeking Filipina brides, cold war spies hunting down native warlords, and American-born Filipinos wandering in the parental homeland. The American landscape furnishes the settings for the triumphs and tragedies of Filipino nurses, GI babies, and migrant workers.

By tracking American fantasies in Philippine movies from the postindependence period to the present, José B. Capino offers an innovative account of cinema's cultural work in decolonization and globalization. Capino examines how a third world nation's daydreams both articulate empire and mobilize against it, provide imaginary maps and fables of identity for its migrant workers and diasporan subjects, pose challenges to the alibis of patriarchy and nationalism, and open up paths for participating in the cultures of globality.

Through close readings of more than twenty Philippine movies, Capino demonstrates the postcolonial imagination's vital role in generating pragmatic and utopian visions of living with empire. Illuminating an important but understudied cinema, he creates a model for understanding the U.S. image in the third world.
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Dream Factories of a Former Colony: American Fantasies, Philippine Cinema

Dream Factories of a Former Colony: American Fantasies, Philippine Cinema

by José B. Capino
Dream Factories of a Former Colony: American Fantasies, Philippine Cinema

Dream Factories of a Former Colony: American Fantasies, Philippine Cinema

by José B. Capino

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Overview

Philippine cinema, the dream factory of the former U.S. colony, teems with American figures and plots. Local movies feature GIs seeking Filipina brides, cold war spies hunting down native warlords, and American-born Filipinos wandering in the parental homeland. The American landscape furnishes the settings for the triumphs and tragedies of Filipino nurses, GI babies, and migrant workers.

By tracking American fantasies in Philippine movies from the postindependence period to the present, José B. Capino offers an innovative account of cinema's cultural work in decolonization and globalization. Capino examines how a third world nation's daydreams both articulate empire and mobilize against it, provide imaginary maps and fables of identity for its migrant workers and diasporan subjects, pose challenges to the alibis of patriarchy and nationalism, and open up paths for participating in the cultures of globality.

Through close readings of more than twenty Philippine movies, Capino demonstrates the postcolonial imagination's vital role in generating pragmatic and utopian visions of living with empire. Illuminating an important but understudied cinema, he creates a model for understanding the U.S. image in the third world.

Product Details

ISBN-13: 9780816669721
Publisher: University of Minnesota Press
Publication date: 11/10/2010
Pages: 320
Product dimensions: 5.40(w) x 8.50(h) x 0.90(d)

About the Author

José B. Capino is assistant professor of English and media and cinema studies at the University of Illinois, Urbana-Champaign.

Table of Contents

Note on Translations ix

Acknowledgments xi

Introduction: A Tale of Two Sisters xiii

Part I Visions of Empire

1 Terror Is a Man: Exploiting the Horrors of Empire 3

2 My Brother Is Not a Pig: American Benevolence and Philippine Sovereignty 33

3 (Not) Searching for My Father: GI Babies and Postcolonial Futures 69

Part II Transnational Imaginings

4 The Migrant Woman's Tale: On Loving and Leaving Nations 107

5 Filipino American Dreams: The Cultural Politics of Diasporan Films 135

Part III Global Ambitions

6 Naked Brown Brothers: Exhibitionism and Festival Cinema 171

7 Philippine Cinema's Fatal Attractions: Appropriating Hollywood 199

Coda: A Tale of Two Brothers 235

Notes 241

Filmography 271

Index 273

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