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Dressing Modern Frenchwomen: Marketing Haute Couture, 1919-1939
At a glance, high fashion and feminism seem unlikely partners. Between the First and Second World Wars, however, these forces combined femininity and modernity to create the new, modern French woman. In this engaging study, Mary Lynn Stewart reveals the fashion industry as an integral part of women's transition into modernity.

Analyzing what female columnists in fashion magazines and popular women novelists wrote about the "new silhouette," Stewart shows how bourgeois women feminized the more severe, masculine images that elite designers promoted to create a hybrid form of modern that both emancipated women and celebrated their femininity. She delves into the intricacies of marketing the new clothes and the new image to middle-class women and examines the nuts and bolts of a changing industry—including textile production, relationships between suppliers and department stores, and privacy and intellectual property issues surrounding ready-to-wear couture designs.

Dressing Modern Frenchwomen draws from thousands of magazine covers, advertisements, fashion columns, and features to uncover and untangle the fascinating relationships among the fashion industry, the development of modern marketing techniques, and the evolution of the modern woman as active, mobile, and liberated.

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Dressing Modern Frenchwomen: Marketing Haute Couture, 1919-1939
At a glance, high fashion and feminism seem unlikely partners. Between the First and Second World Wars, however, these forces combined femininity and modernity to create the new, modern French woman. In this engaging study, Mary Lynn Stewart reveals the fashion industry as an integral part of women's transition into modernity.

Analyzing what female columnists in fashion magazines and popular women novelists wrote about the "new silhouette," Stewart shows how bourgeois women feminized the more severe, masculine images that elite designers promoted to create a hybrid form of modern that both emancipated women and celebrated their femininity. She delves into the intricacies of marketing the new clothes and the new image to middle-class women and examines the nuts and bolts of a changing industry—including textile production, relationships between suppliers and department stores, and privacy and intellectual property issues surrounding ready-to-wear couture designs.

Dressing Modern Frenchwomen draws from thousands of magazine covers, advertisements, fashion columns, and features to uncover and untangle the fascinating relationships among the fashion industry, the development of modern marketing techniques, and the evolution of the modern woman as active, mobile, and liberated.

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Dressing Modern Frenchwomen: Marketing Haute Couture, 1919-1939

Dressing Modern Frenchwomen: Marketing Haute Couture, 1919-1939

by Mary Lynn Stewart
Dressing Modern Frenchwomen: Marketing Haute Couture, 1919-1939
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Dressing Modern Frenchwomen: Marketing Haute Couture, 1919-1939

Dressing Modern Frenchwomen: Marketing Haute Couture, 1919-1939

by Mary Lynn Stewart

Overview

At a glance, high fashion and feminism seem unlikely partners. Between the First and Second World Wars, however, these forces combined femininity and modernity to create the new, modern French woman. In this engaging study, Mary Lynn Stewart reveals the fashion industry as an integral part of women's transition into modernity.

Analyzing what female columnists in fashion magazines and popular women novelists wrote about the "new silhouette," Stewart shows how bourgeois women feminized the more severe, masculine images that elite designers promoted to create a hybrid form of modern that both emancipated women and celebrated their femininity. She delves into the intricacies of marketing the new clothes and the new image to middle-class women and examines the nuts and bolts of a changing industry—including textile production, relationships between suppliers and department stores, and privacy and intellectual property issues surrounding ready-to-wear couture designs.

Dressing Modern Frenchwomen draws from thousands of magazine covers, advertisements, fashion columns, and features to uncover and untangle the fascinating relationships among the fashion industry, the development of modern marketing techniques, and the evolution of the modern woman as active, mobile, and liberated.

Product Details

ISBN-13: 9780801888038
Publisher: Johns Hopkins University Press
Publication date: 03/31/2008
Pages: 328
Product dimensions: 6.00(w) x 9.00(h) x 1.10(d)
Age Range: 18 Years

About the Author

Mary Lynn Stewart is a professor and chair of women's studies at Simon Fraser University in British Columbia, Canada. She is the author of For Health and Beauty: Physical Culture for Frenchwomen, 1880s–1930s and coauthor of Gender and the Politics of Social Reform in France, 1870–1914, both published by Johns Hopkins.

Table of Contents

List of Illustrations
Acknowledgments
Introduction
Part I: Gender, Genius & Publicity
1. Couturiers/Couturières
2. Hybrid Modern
3. Publicity
Part II: Business & the Workplace
4. Business
5. The Workplace
Part III: Democratizing Fashion
6. Copying and Copyrighting
7. Shopping and Sewing
Part IV: Modern Women
8. The Politics of Modern Fashion
9. The Gender of the Modern
10. The Modern Woman?
Epilogue
Notes
Index

What People are Saying About This

Steve Zdatny

Dressing Modern Frenchwomen is intelligent, tremendously informative, well written, and peppered with fabulous illustrations.

From the Publisher

Dressing Modern Frenchwomen is intelligent, tremendously informative, well written, and peppered with fabulous illustrations.
—Steve Zdatny, West Virginia University, author of Fashion, Work, and Politics in Modern France

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