The Edinburgh Companion to Virginia Woolf and the Arts
The Edinburgh Companion to Virginia Woolf and the Arts is the most authoritative and up-to-date guide to Virginia Woolf's artistic influences and associations. In original, extensive and newly researched chapters by internationally recognised authors, the Companion explores Woolf's ideas about creativity and the nature of art in the context of the recent 'turn to the visual' in modernist studies with its focus on visual technologies and the significance of material production. The in-depth chapters place Woolf's work in relation to the most influential aesthetic theories and artistic practices, including Bloomsbury aesthetics, art and race, Vanessa Bell and painting, art galleries, theatre, music, dance, fashion, entertaining, garden and book design, broadcasting, film, and photography. No previous book concerned with Woolf and the arts has been so wide ranging or has paid such close attention to both public and domestic art forms.Illustrated with 16 colour as well as 39 black and white illustrations and with guides to further reading, the Companion will be an essential reference work for scholars, students and the general public.Key Features* An essential reference tool for all those working on or interested in Virginia Woolf, the arts, visual culture and modernist studies* Provides a new intellectual framework for the exciting discoveries of the past decades*Draws on archival and historical research into Virginia Woolf's manuscripts and her Bloomsbury milieu*Original chapters from expert contributors newly commissioned by Maggie Humm, widely known for her important work on Virginia Woolf and visual culture*Combines broad synthesis and original reflection setting Woolf's work in historical, cultural and artistic contexts
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The Edinburgh Companion to Virginia Woolf and the Arts
The Edinburgh Companion to Virginia Woolf and the Arts is the most authoritative and up-to-date guide to Virginia Woolf's artistic influences and associations. In original, extensive and newly researched chapters by internationally recognised authors, the Companion explores Woolf's ideas about creativity and the nature of art in the context of the recent 'turn to the visual' in modernist studies with its focus on visual technologies and the significance of material production. The in-depth chapters place Woolf's work in relation to the most influential aesthetic theories and artistic practices, including Bloomsbury aesthetics, art and race, Vanessa Bell and painting, art galleries, theatre, music, dance, fashion, entertaining, garden and book design, broadcasting, film, and photography. No previous book concerned with Woolf and the arts has been so wide ranging or has paid such close attention to both public and domestic art forms.Illustrated with 16 colour as well as 39 black and white illustrations and with guides to further reading, the Companion will be an essential reference work for scholars, students and the general public.Key Features* An essential reference tool for all those working on or interested in Virginia Woolf, the arts, visual culture and modernist studies* Provides a new intellectual framework for the exciting discoveries of the past decades*Draws on archival and historical research into Virginia Woolf's manuscripts and her Bloomsbury milieu*Original chapters from expert contributors newly commissioned by Maggie Humm, widely known for her important work on Virginia Woolf and visual culture*Combines broad synthesis and original reflection setting Woolf's work in historical, cultural and artistic contexts
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The Edinburgh Companion to Virginia Woolf and the Arts

The Edinburgh Companion to Virginia Woolf and the Arts

The Edinburgh Companion to Virginia Woolf and the Arts

The Edinburgh Companion to Virginia Woolf and the Arts

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$230.00 
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Overview

The Edinburgh Companion to Virginia Woolf and the Arts is the most authoritative and up-to-date guide to Virginia Woolf's artistic influences and associations. In original, extensive and newly researched chapters by internationally recognised authors, the Companion explores Woolf's ideas about creativity and the nature of art in the context of the recent 'turn to the visual' in modernist studies with its focus on visual technologies and the significance of material production. The in-depth chapters place Woolf's work in relation to the most influential aesthetic theories and artistic practices, including Bloomsbury aesthetics, art and race, Vanessa Bell and painting, art galleries, theatre, music, dance, fashion, entertaining, garden and book design, broadcasting, film, and photography. No previous book concerned with Woolf and the arts has been so wide ranging or has paid such close attention to both public and domestic art forms.Illustrated with 16 colour as well as 39 black and white illustrations and with guides to further reading, the Companion will be an essential reference work for scholars, students and the general public.Key Features* An essential reference tool for all those working on or interested in Virginia Woolf, the arts, visual culture and modernist studies* Provides a new intellectual framework for the exciting discoveries of the past decades*Draws on archival and historical research into Virginia Woolf's manuscripts and her Bloomsbury milieu*Original chapters from expert contributors newly commissioned by Maggie Humm, widely known for her important work on Virginia Woolf and visual culture*Combines broad synthesis and original reflection setting Woolf's work in historical, cultural and artistic contexts

Product Details

ISBN-13: 9780748635528
Publisher: Edinburgh University Press
Publication date: 04/20/2010
Series: Edinburgh Companions to Literature and the Humanities
Pages: 512
Product dimensions: 7.10(w) x 9.70(h) x 1.20(d)
Age Range: 18 Years

About the Author

Maggie Humm is a Professor of Cultural Studies in the School of Humanities and Social Science at the University of East London. She is the author of many books including Snapshots of Bloomsbury: The Private Lives of Virginia Woolf and Vanessa Bell (Tate Publishing & Rutgers UniversityPress, 2006) and Modernist Women and Visual Cultures: Virginia Woolf, Vanessa Bell, Photography and Cinema (Edinburgh UniversityPress & Rutgers UniversityPress 2002).

Table of Contents

Virginia Woolf and the Arts, Maggie Humm

Part 1: Aesthetics
1. Virginia Woolf and Victorian Aesthetics, Kate Flint
2. Virginia Woolf and Modernist Aesthetics, Jane Goldman
3. Virginia Woolf and Bloomsbury, Anthony Uhlmann
4. Virginia Woolf: Performing Race, Gretchen Holbrook Gerzina
5. Virginia Woolf and City Aesthetics, Vara S. Neverow
6. Virginia Woolf and Realist Aesthetics, Linden Peach

Part 2: Paintings
7. Virginia Woolf, Vanessa Bell and Painting, Diane F. Gillespie
8. Virginia Woolf, Art Galleries and Museums, Benjamin Harvey
9. Virginia Woolf and Portraiture, Elizabeth Hirsh

Part 3: Domestic Arts
10. Virginia Woolf and Monks House, Victoria Rosner
11. Virginia Woolf and Fashion, Jane Garrity
12. Virginia Woolf and Bohemian Lifestyles, Liz and Peter Brooker
13. Virginia Woolf and Entertaining, Makiko Minow-Pinkney
14. Virginia Woolf and Gardens, Nuala Hancock

Part 4: Publishing, Broadcasting & Technology
15. Virginia Woolf as Publisher and Editor: The Hogarth Press, Laura Marcus
16. Virginia Woolf and Book Design, Tony Bradshaw
17. Virginia Woolf and Scrapbooking, Merry M. Pawlowski
18. Virginia Woolf and the Art of Journalism, Patrick Collier
19. Virginia Woolf, Radio, Gramophone, Broadcasting, Pamela L. Caughie

Part 5: Visual Media
20. Virginia Woolf and Film, Leslie K. Hankins
21. Virginia Woolf and Photography, Colin Dickey
22. Virginia Woolf Icon, Brenda R. Silver

Part 6: Performance Arts
23. Virginia Woolf and Music, Joyce E. Kelley
24. Virginia Woolf and Theatre, Steven Putzel
25. Virginia Woolf and Dance, Evelyn Haller

Notes on Contributors
Index

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