Hayley Williams is sad and dealing with it on her third solo album, 2025's intimately rendered
Ego Death at a Bachelorette Party. The follow-up to 2020's
Petals for Armor and 2021's
Flowers for vases/descansos, it also arrives two years after
This Is Why, her Grammy-winning sixth album with pop/rock outfit
Paramore. In contrast to that album's angular post-punk dissonance and cutting political invective,
Ego Death finds
Williams in a ruminative mood, coming to terms with her depression, romantic desires, and sometimes difficult relationships with her
Paramore bandmates. Produced with
Canon Blue songwriter/instrumentalist
Daniel James, the album showcases a modicum of sonic exploration, whether it be the fuzzy '90s shoegaze of "Mirtazapine," the childlike vocal processing in the
Beck-like "Glum," or the gauzy,
Karen Carpenter-esque multi-tracked harmonies of "Dream Girl in Shibuya." Yet these are relaxed, organic productions where the experimentation never gets in the way of the pure emotions at the core of each song. There is a diaristic quality to
Ego Death and one could easily assume
Williams is writing about specific people in her life. Are
Paramore siblings drummer
Zac Farro and former guitarist
Josh Farro the subjects of "Brotherly Hate?" Probably. Is the bass-heavy "Hard" about the fall-out from her divorce with
New Found Glory guitarist
Chad Gilbert? Most likely, yes. Often, there's overlap, as in "Ice in My OJ," where
Williams embraces a rapper's swagger, singing "I got ice in my OJ, I'm a cold hard b****/A lot of dumb mutherf***ers that I made rich." That she also repeatedly screams "I'm in a band" on the chorus speaks to the raw, end-of-a-rope emotionality of the album. Yet the answer to whether a rumored romantic relationship with
Paramore guitarist
Taylor York is at the center of much of
Ego Death remains enticingly elusive. Is he the titular subject of "Disappearing Man" with his "wild hair and stare that could melt stone"? Or is he the lover
Williams thought was always going to catch her and now has to "watch me fall" in "Parachute?" Regardless,
Ego Death certainly feels like a break-up album, both literally in terms of a relationship ending and as a metaphor for
Williams' own personal and creative rebirth. On "True Believer" she reckons with her conservative Christian Southern roots, especially as a California-honed rock singer who continues to live in Nashville. There are also hints that even the best relationships can have problems, as in "Love Me Different," where a buoyant synth groove evoking
Paramore's "Hard Times" belies romantic troubles. She underscores this sense of emotional bottoming out on the title track, singing "Can only go up from here." Musically, all of this hangs together with the relatable warmth and engaging lyricism that mark the best of
Williams' work with and without
Paramore. With
Ego Death at a Bachelorette Party,
Williams has crafted an album about letting go and finding a way to move forward honestly, and perhaps most importantly on her own terms. ~ Matt Collar