Elusive Archives: Material Culture in Formation
The essays that comprise Elusive Archives raise a common question: how do we study material culture when the objects of study are transient, evanescent, dispersed or subjective? Such things resist the taxonomic protocols that institutions, such as museums and archives, rely on to channel their acquisitions into meaningful collections. What holds these disparate things together here are the questions authors ask of them. Each essay creates by means of its method a provisional collection of things, an elusive archive.  Scattered matter then becomes fixed within each author’s analytical framework rather than within the walls of an archive’s reading room or in cases along a museum corridor.

This book follows the ways in which objects may be identified, gathered, arranged, conceptualized and even displayed rather than by “discovering” artifacts in an archive and then asking how they came to be there. The authors approach material culture outside the traditional bounds of learning about the past. Their essays are varied not only in subject matter but also in narrative format and conceptual reach, making the volume accessible and easy to navigate for a quick reference or, if read straight through, build toward a new way to think about material culture.
1139626997
Elusive Archives: Material Culture in Formation
The essays that comprise Elusive Archives raise a common question: how do we study material culture when the objects of study are transient, evanescent, dispersed or subjective? Such things resist the taxonomic protocols that institutions, such as museums and archives, rely on to channel their acquisitions into meaningful collections. What holds these disparate things together here are the questions authors ask of them. Each essay creates by means of its method a provisional collection of things, an elusive archive.  Scattered matter then becomes fixed within each author’s analytical framework rather than within the walls of an archive’s reading room or in cases along a museum corridor.

This book follows the ways in which objects may be identified, gathered, arranged, conceptualized and even displayed rather than by “discovering” artifacts in an archive and then asking how they came to be there. The authors approach material culture outside the traditional bounds of learning about the past. Their essays are varied not only in subject matter but also in narrative format and conceptual reach, making the volume accessible and easy to navigate for a quick reference or, if read straight through, build toward a new way to think about material culture.
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Overview

The essays that comprise Elusive Archives raise a common question: how do we study material culture when the objects of study are transient, evanescent, dispersed or subjective? Such things resist the taxonomic protocols that institutions, such as museums and archives, rely on to channel their acquisitions into meaningful collections. What holds these disparate things together here are the questions authors ask of them. Each essay creates by means of its method a provisional collection of things, an elusive archive.  Scattered matter then becomes fixed within each author’s analytical framework rather than within the walls of an archive’s reading room or in cases along a museum corridor.

This book follows the ways in which objects may be identified, gathered, arranged, conceptualized and even displayed rather than by “discovering” artifacts in an archive and then asking how they came to be there. The authors approach material culture outside the traditional bounds of learning about the past. Their essays are varied not only in subject matter but also in narrative format and conceptual reach, making the volume accessible and easy to navigate for a quick reference or, if read straight through, build toward a new way to think about material culture.

Product Details

ISBN-13: 9781644532249
Publisher: University of Delaware Press
Publication date: 08/27/2021
Series: Material Culture Perspectives
Pages: 304
Product dimensions: 6.00(w) x 9.00(h) x 0.70(d)
Age Range: 18 Years

About the Author

MARTIN BRÜCKNER is the director of the Winterthur Program in American Material Culture and a professor in the English department at the University of Delaware in Newark. His books include The Social Life of Maps in America, 1750-1860 and The Geographic Revolution in Early America: Maps, Literacy, and National Identity.

SANDY ISENSTADT is a professor and chair of the art history department at the University of Delaware in Newark. His most recent book, Electric Light: An Architectural History, is the first sustained examination of the architectural spaces generated by the introduction of electric lighting. 

Table of Contents

List of Illustrations vii

Acknowledgements xvi

Introduction Martin Bruckner Sandy Isenstadt, "The Elusive Archive in Material Culture Studies" 1

I Archives in Practice

1 "On the Material Culture of Multispecies Relating" Julian Yates 15

2 "Archive Vision" Wendy Bellion 25

3 "Fugitive Archives: Privilege and Practice" Julie L. McGee 29

4 "Touch and the Making of Religious Material Culture: Visiting the Lourdes Shrine" Torsten Cress 35

5 "A Historian Walks into a Bar…Or, a Story about Alternative Ways of Finding and Using Archives When the Normal Avenues Don't Cut It" Cindy Ott 41

6 "Historical Form(s)" Laura E. Helton 49

II Archives in Objects

7 "Both Lost and Found: A Portrait of the Enslaved Homer Ryan" Jennifer Van Horn 65

8 "The Chaise sandows: Object as (Obscured) Archive" Kiersten Thamm 73

9 "Decoupage: Cutting Ephemera and Assembling Sentiment" Alexandra Ward 87

10 '"Inscribe, Lord, Your Will in My Stone Heart': Finding Religious History in German American Illuminated Manuscripts" Alexander Lawrence Ames 97

11 "The Mobile Architectural Archive" Halina Adams 111

12 "The Case of the Mysterious Chest-on-Frame" Rosalie Hooper 115

III Archives in Places

13 "Refuse, Relic, Refuge" Sarah Wasserman 129

14 "Searching for the Lost Mines of Albert Bierstadt" Spencer Wigmore 139

15 "Landscapes of Refuge: Recovering the Materiality of Underground Railroad Landscapes in Delaware" Catherine Morrissey 145

16 "Desolation in Crowded Spaces: Reconstructing the Material Culture of Internment" Michelle Everidge 157

17 "Seeking Hózhó: The Post-Apocalyptic Landscapes of Will Wilson's AIR Weave" Kaila T. Schedeen 169

18 "Buried Archives" Lu Ann De Cunzo 181

IV Archives in Circulation

19 "Ikuo Yokoyama's Motorcycle: Entropic Decay and the Anatomy of a Disaster" Natalie Elizabeth Wright 185

20 "Fraktur: Material Religion and Print Culture in the Early German Language Atlantic World" Oliver Scheiding 199

21 "John Hancock's Fugitive Tar" J. Ritchie Garrison 219

22 "Stability Lost: Monetary Conditions of Refugees from World War II and the Syrian Civil War" Jesse Kraft 225

23 "Inscribing Sanctuary. Early American Buildings and Apotropaic Markings, 1700-1850" Michael J. Emmons, Jr. 237

24 "Bottling Death and Brewing Resistance in Temperance Literature and Reform" Jessica Conrad 249

Afterword. "Elusive Archives and the Poetical Promise of Objects" Bernard L. Herman 265

Notes on Contributors 271

Index 277

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