Emily Dickinson and the Religious Imagination
Dickinson knew the Bible well. She was profoundly aware of Christian theology and she was writing at a time when comparative religion was extremely popular. This book is the first to consider Dickinson's religious imagery outside the dynamic of her personal faith and doubt. It argues that religious myths and symbols, from the sun-god to the open tomb, are essential to understanding the similetic movement of Dickinson's poetry – the reach for a comparable, though not identical, experience in the struggles and wrongs of Abraham, Jacob and Moses, and the life, death and resurrection of Christ. Linda Freedman situates the poet within the context of American typology, interprets her alongside contemporary and modern theology and makes important connections to Shakespeare and the British Romantics. Dickinson emerges as a deeply troubled thinker who needs to be understood within both religious and Romantic traditions.
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Emily Dickinson and the Religious Imagination
Dickinson knew the Bible well. She was profoundly aware of Christian theology and she was writing at a time when comparative religion was extremely popular. This book is the first to consider Dickinson's religious imagery outside the dynamic of her personal faith and doubt. It argues that religious myths and symbols, from the sun-god to the open tomb, are essential to understanding the similetic movement of Dickinson's poetry – the reach for a comparable, though not identical, experience in the struggles and wrongs of Abraham, Jacob and Moses, and the life, death and resurrection of Christ. Linda Freedman situates the poet within the context of American typology, interprets her alongside contemporary and modern theology and makes important connections to Shakespeare and the British Romantics. Dickinson emerges as a deeply troubled thinker who needs to be understood within both religious and Romantic traditions.
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Emily Dickinson and the Religious Imagination

Emily Dickinson and the Religious Imagination

by Linda Freedman
Emily Dickinson and the Religious Imagination

Emily Dickinson and the Religious Imagination

by Linda Freedman

Overview

Dickinson knew the Bible well. She was profoundly aware of Christian theology and she was writing at a time when comparative religion was extremely popular. This book is the first to consider Dickinson's religious imagery outside the dynamic of her personal faith and doubt. It argues that religious myths and symbols, from the sun-god to the open tomb, are essential to understanding the similetic movement of Dickinson's poetry – the reach for a comparable, though not identical, experience in the struggles and wrongs of Abraham, Jacob and Moses, and the life, death and resurrection of Christ. Linda Freedman situates the poet within the context of American typology, interprets her alongside contemporary and modern theology and makes important connections to Shakespeare and the British Romantics. Dickinson emerges as a deeply troubled thinker who needs to be understood within both religious and Romantic traditions.

Product Details

ISBN-13: 9781107006171
Publisher: Cambridge University Press
Publication date: 09/01/2011
Pages: 222
Product dimensions: 6.20(w) x 9.00(h) x 0.70(d)

About the Author

Linda Freedman is the Keasbey Research Fellow in American Studies, Selwyn College, Cambridge.

Table of Contents

Introduction: Dickinson and religion; 1. A word made flesh; 2. Beginning from the name; 3. Encounters with light; 4. Quest; 5. Sacrifice; 6. Resurrection, compound vision; Bibliography; Index.
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Related Subjects

Literature
Literary Criticism
American Literature
General & Miscellaneous American Literature - Literary Criticism
American Literature * Literary Criticism
Literature
Literary Criticism
American Literature
General & Miscellaneous American Literature - Literary Criticism
American Literature * Literary Criticism

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