Eton Crop (Harpur and Iles Series #16)
In the latest gripping Harpur & Iles mystery, the London syndicate tries to take over a choice operation, setting off a murderous rivalry with the local drug lords-and a fierce policy war among the police.

Pursued from the shadows, Simon Pilgrim fled in terror from the floating restaurant Eton Boating Song. In the bar on the Eton, he had the choice spot, discreetly purveying high-stakes drugs to the Eton's well-to-do patrons. Now he's dead, his throat cut, and the police know that the drug syndicates are in an all-out war, with the Eton as the prize. Naomi Anstruther, a cop, is sent undercover into this turbulent drug world. Right away she becomes an unknowing pawn in the rival criminals' plans-and in the complex struggle between Harpur and his rival, ACC Desmond Iles. When Naomi's cover is threatened, Harpur and Iles must act with lightning speed to salvage the operation and-in an explosion of violence-try to get her out alive. This is Bill James's most brilliantly plotted story yet, and the tension is high-wire to the last minute. "Bill James's Harpur and Iles books are deliciously un-savoury: a brilliant combination of almost Jacobean savagery and sexual betrayal with a tart comedy of contemporary manners."—John Harvey, Guardian "Although each book in the series, which is set in a nameless city north of London, stands on its own, they all add up to a stunning history of how crime has changed the fabric and character of British society."—Publishers Weekly, starred review
1100880162
Eton Crop (Harpur and Iles Series #16)
In the latest gripping Harpur & Iles mystery, the London syndicate tries to take over a choice operation, setting off a murderous rivalry with the local drug lords-and a fierce policy war among the police.

Pursued from the shadows, Simon Pilgrim fled in terror from the floating restaurant Eton Boating Song. In the bar on the Eton, he had the choice spot, discreetly purveying high-stakes drugs to the Eton's well-to-do patrons. Now he's dead, his throat cut, and the police know that the drug syndicates are in an all-out war, with the Eton as the prize. Naomi Anstruther, a cop, is sent undercover into this turbulent drug world. Right away she becomes an unknowing pawn in the rival criminals' plans-and in the complex struggle between Harpur and his rival, ACC Desmond Iles. When Naomi's cover is threatened, Harpur and Iles must act with lightning speed to salvage the operation and-in an explosion of violence-try to get her out alive. This is Bill James's most brilliantly plotted story yet, and the tension is high-wire to the last minute. "Bill James's Harpur and Iles books are deliciously un-savoury: a brilliant combination of almost Jacobean savagery and sexual betrayal with a tart comedy of contemporary manners."—John Harvey, Guardian "Although each book in the series, which is set in a nameless city north of London, stands on its own, they all add up to a stunning history of how crime has changed the fabric and character of British society."—Publishers Weekly, starred review
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Eton Crop (Harpur and Iles Series #16)

Eton Crop (Harpur and Iles Series #16)

by Bill James
Eton Crop (Harpur and Iles Series #16)

Eton Crop (Harpur and Iles Series #16)

by Bill James

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$22.95 
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Overview

In the latest gripping Harpur & Iles mystery, the London syndicate tries to take over a choice operation, setting off a murderous rivalry with the local drug lords-and a fierce policy war among the police.

Pursued from the shadows, Simon Pilgrim fled in terror from the floating restaurant Eton Boating Song. In the bar on the Eton, he had the choice spot, discreetly purveying high-stakes drugs to the Eton's well-to-do patrons. Now he's dead, his throat cut, and the police know that the drug syndicates are in an all-out war, with the Eton as the prize. Naomi Anstruther, a cop, is sent undercover into this turbulent drug world. Right away she becomes an unknowing pawn in the rival criminals' plans-and in the complex struggle between Harpur and his rival, ACC Desmond Iles. When Naomi's cover is threatened, Harpur and Iles must act with lightning speed to salvage the operation and-in an explosion of violence-try to get her out alive. This is Bill James's most brilliantly plotted story yet, and the tension is high-wire to the last minute. "Bill James's Harpur and Iles books are deliciously un-savoury: a brilliant combination of almost Jacobean savagery and sexual betrayal with a tart comedy of contemporary manners."—John Harvey, Guardian "Although each book in the series, which is set in a nameless city north of London, stands on its own, they all add up to a stunning history of how crime has changed the fabric and character of British society."—Publishers Weekly, starred review

Product Details

ISBN-13: 9780393320985
Publisher: Norton, W. W. & Company, Inc.
Publication date: 11/17/2000
Series: Harpur and Iles Series , #16
Pages: 290
Product dimensions: 4.50(w) x 7.30(h) x 0.70(d)

About the Author

Bill James has been called "the Elmore Leonard of Britain's underworld" (Kirkus Reviews) and has been named a "Master of Crime" in a mystery roundup by the London Sunday Times, which said, "There is nothing else quite like this series of police procedurals. James is concerned with the dilemmas and difficulties of policing Britain's inner cities, and he addresses these in hard-edged narratives that leave readers gasping and flinching, praying the people in these stories never come to live in their streets." In addition to the Harpur and Iles series, James is the author of other mystery series and a book on Anthony Powell. He lives in Wales.

Read an Excerpt



Chapter One


Iles said: 'Harpur's going to tell you about a lad called Raymond Street.'

    'I've heard of Street,' she said. 'His death.'

    Iles stayed silent a moment. Then he said: 'I dare say. Everyone has. But I want Harpur to run through it with you. A Detective Chief Superintendent has resonance.'

    'Why don't you run through it, Mr Iles?' she asked. 'An Assistant Chief has even more.'

    'I don't talk about Ray Street,' Iles replied.

    'So you order others to talk about him.'

    With a cheery lilt, Iles said: 'One thing you'll find, Naomi, is I don't react to insurbordination, even from a woman officer in your rank. Do I give a shit for hierarchy?' The lilt faltered slightly and his voice edged towards a gull scream. 'What did hierarchy ever do for me? I'm stuck here as Assistant to a ... to a ...' The volume fell from scream to tortured whisper. 'Well, leave that. Ask Harpur if I give a shit for hierarchy. Do I give a shit for hierarchy, Harpur?'

    Iles liked replies to his questions, especially when to do with his essence. Harpur said: 'The crucial point, Naomi, is never to use so much stuff when you're with them that you get clouded. You'll have to use some, for credibility. But under control. It's hellishly difficult — the balance.'

    'That what happened to Raymond Street?' she asked. 'He started using too much? Forgot where he was? Forgot who he was supposed to be? Wham.'

    'The stress can be big,' Harpurreplied.

    Iles said: 'As a matter of fact, I do talk about Ray. I talk about him to the Chief. Whenever Mr Lane wants to put someone into a drugs gang undercover I remind him of what happened to Detective Constable Street. Harpur can confirm this, can't you, Col?'

    Harpur said: 'Infiltration of this sort, the key is to take it very slowly, Naomi. Always an eye on the exit.'

    Iles said: 'So, you'll ask why are we putting you into a gang if I fight the proposal every time the Chief makes it.'

    Naomi said: 'So, why are you putting me into a gang if you fight the proposal every time the Chief makes it?'

    'You don't have to go,' Iles replied. 'This work's only for volunteers.'

    Harpur said: 'You come out at the least sign of suspicion from them. Ditch everything — money, clothes, the commodity, no matter how much. We'll give you a full eject drill.'

    Iles said: 'If their behaviour changes towards you one day — more friendly, less friendly — get out at once. Especially more friendly.'

    'Did Street hang on?' she asked.

    'Street was a great detective,' Iles replied. 'Beyond Harpur's range.'

    'Beyond yours, sir?' Naomi asked the ACC.

    'Yes, he hung on too long,' Harpur said.

    'The general view is you subsequently killed the people who killed Street, Mr Iles,' Naomi remarked. 'Unproveably, of course. You're an ACC, for heaven's sake, know how to shape things. When I say "general view" naturally I refer to a confidential general view within our game.'

    Iles looked suddenly enraged. The skin of his face seemed to coarsen and his chin grew witchlike and militant. None of it would spring from what Naomi had said: in fact, to be accused of avenging Street and getting away with it through professional flair was sure to delight him. No, this degree of anger in the ACC could only be caused by discovery or rediscovery of some blemish in his appearance. He had been stroking his neck appreciatively while the three of them talked and his fingers eventually came upon his adam's apple. This part of his body always infuriated the ACC. He had once told Harpur it was unforgivable in a Creative Force to produce the muted loveliness of his slender neck and then deform it with 'this farcical adjunct'.

    Naomi misread the cause of change in him. 'I'm sorry, sir,' she said. 'Tactless.'

    She was sitting legs uncrossed opposite the ACC in Harpur's room, and Iles stared intelligently into the tidy V of her jeans. 'Oh, those alleged executions of villains. Women insist on enhancing me by gorgeous myth, Naomi,' he replied. 'I don't begrudge. It brings them a little tremor and moisture, I've learned.' He half stood in his chair so he could check in the mirror that this neck thing was really outrageously there, and as foully un-Iles-like as it felt. He gazed briefly, then resumed his seat. 'But, yes, courts are a problem. Their little fussinesses and fairnesses get in the way of ... of what's right ... of what has to be done. And then there's the Chief, tragically weakened by rectitude. I grieve for him, the prim saint.'

    'Naomi, I've been undercover myself,' Harpur said. 'And —'

    'It's true,' Iles said. 'All right, you'll ask how the hell — because Col's face, his body, the haircut, his tirelessly envious eyes all proclaim cop. But somehow he did manage it, I swear. A less grubby character background and he'd have picked up the Queen's Police Medal.'

    Harpur said: 'Naomi, once you're installed, besides pacing yourself, doing everything slowly, so slowly, the other essential is to drop more or less everything of your previous life. That means, mainly, you never go to where you're living now. And don't come anywhere near this building either. Not even if you're quitting your role at a rush and think you need help.'

    'Harpur will let you know some rescue points. To be memorized. We'll have a posse there, or the means to one fast. We've improved after Ray Street. I wouldn't mind if you ran to my house. It's called Idylls in Rougement Place.'

    'I don't think so, sir,' Harpur said.

    Iles turned abruptly away from Naomi's trousers and gave one of those smiles at Harpur, an Iles smile, not mellow or wry or fully human: 'But I'm sure it would be all right for her to run to your dim place in that dog-turd road, wouldn't it, you crate of lech, Col? You've been lining this one up for an age, haven't you? What's your student bird going to make of that, then — Naomi panting at your door around three a.m., whispering your name, requiring succour? Yes, succour.' He exercised his lips.

    'Idylls?' she asked.

    'It's a big meaty poem from another time,' Harpur said. 'Mr Iles told me the full title is Idylls of the King, but he loathes advertising.'

    'Drop all my previous life?' she said. 'Does that mean—?'

    'Ideally it would entail cutting adrift from your boyfrien—from your partner, for the whole period of undercover,' Harpur replied. 'But, realistically, we—'

    'We've done some profile work on him,' Iles said.

    'You've fucking what?' Naomi yelled. 'He's a private citizen, without any—'

    'We know what's reasonable, what's possible,' Harpur said.

    'Did Street have a love life?' she asked.

    'Your chum seems a sensible enough sort,' Iles said.

    'Some meetings with him should be all right,' Harpur said. 'Not at your own place, naturally.'

    'Harpur will fix spots.'

    'Will he be in bed with us?' Naomi asked.

    'This is a lad named Donald McWater, yes?' Iles replied. 'I never used to go much on the Scotch — those hellish noses raw from the cold — but this Trainspotting fellow seems to get a nicer angle on them. Your friend, twenty-six, a supermarket undermanager? I went and had a look at him at work. It's important to get the rounded picture. Harpur will arrange meetings for the two of you in Donald's holiday times or even his days off. We've got a proposal about that relating to the next few weeks, as a matter of fact. I say Donald is sensible enough, but is he sensible enough to know he should be sensible enough not to ask why the switch in lifestyle, and not to come poking about, looking for you? That's potentially awkward.'

    'Naomi will tell him she's on the Special Branch course and can't leave the college for long at a spell, sir.'

    'We'll owe you promotion at the end, Anstruther,' Iles said. 'Done the exams — all that jibberish?' He gave his longish, quiffed grey hair a flick back with one finger. Iles had abandoned the en brosse style he favoured for a while after a season of Jean Gabin films.

    Naomi asked: 'Would Street have been promoted if ...? What I mean is, Mr Iles, you said he was a great detective.'

    'I regard the slaughter of the two people who killed him as an act of God or of someone in that ballpark,' Iles replied.

    Harpur said, "I'm your contact, Naomi. Your only contact. We'll have our private communications system. You'll get a new name, of course. We'll open a bank account in this identity for you and keep it stocked. This is extra money to your pay. Don't go to your own bank, ever. They have tipsters working in banks, and you don't want your face linked with the monthly police cheque. You carry no documents of any kind in the name of Naomi Anstruther, especially not a warrant card. Make sure none of your clothes have identity labels.'

    'So, did Street have a love life?' Naomi replied. 'This was something else that messed him up?'

    'Hotels, travel for you and McWater, we'll pay the lot,' Iles replied.

    'We'd like you to go out of circulation now,' Harpur said. 'Take an immediate holiday somewhere for a fortnight. Can he go with you? Abroad, whatever you like. And then come back eventually to an address I'll give you down the Valencia district. After your break, you get a concentrated course at Hilston Manor in detailed undercover skills, not just the outline we've discussed now. That's another advance since Street. You'll meet some expert people. Psychologists, the lot.'

    Iles said, 'Col's such an expert himself, as I mentioned.'

    'Hilston will want to see us together at some stage,' Harpur replied.

    'You'll be in good hands, Naomi.'

    'Don't get obsessed by the shadow of Ray Street,' Harpur said. 'Just be temperate, whatever it is — crack, coke, horse. Make a modest show. Remember, some pushers don't use any product at all. Your cover doesn't require you to be forever high.'

    'Street was?' she asked.

    Iles said: 'Do you know how to be temperate, Naomi? You came right off, yes? I gather you used a bit before you joined the service. How did you fool the buggers at selection? But that's good — shows nice duplicity. We need that. Can you go back and keep limits? Can you sniff small?'

    'I've been practising,' she replied.

    'Harpur bought you the stuff?'

    'Nice little trips, but I stayed compos,' she replied.

    'Col, put it on your expenses as "lost wagers in greyhound corruption case",' Iles said. 'Now, are you going to tell her the full tale about Street?'

    'No, I don't think so, sir,' Harpur replied.

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