Exit-Sky
"Exit-Sky is a 50-poem poetry collection, the first to be published by Warren Woessner in a decade. While living an extraordinarily unique life as lawyer, scientist, and poet, Woessner has created an effecting style based on understatement and influences from Chinese poets like Han Shan and Li Po. These short poems may appear understated on the surface, but they are meditations that open up whole worlds via keen observations of the natural world and people. “Prairie Grass”: Almost touching the snow banks, the thin stalks are bent down like old women, walking home from a country market, empty early. They are holding just a handful of seeds— shopping baskets full of wind.

1130369919
Exit-Sky
"Exit-Sky is a 50-poem poetry collection, the first to be published by Warren Woessner in a decade. While living an extraordinarily unique life as lawyer, scientist, and poet, Woessner has created an effecting style based on understatement and influences from Chinese poets like Han Shan and Li Po. These short poems may appear understated on the surface, but they are meditations that open up whole worlds via keen observations of the natural world and people. “Prairie Grass”: Almost touching the snow banks, the thin stalks are bent down like old women, walking home from a country market, empty early. They are holding just a handful of seeds— shopping baskets full of wind.

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Exit-Sky

Exit-Sky

by Warren Woessner
Exit-Sky

Exit-Sky

by Warren Woessner

Paperback

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Overview

"Exit-Sky is a 50-poem poetry collection, the first to be published by Warren Woessner in a decade. While living an extraordinarily unique life as lawyer, scientist, and poet, Woessner has created an effecting style based on understatement and influences from Chinese poets like Han Shan and Li Po. These short poems may appear understated on the surface, but they are meditations that open up whole worlds via keen observations of the natural world and people. “Prairie Grass”: Almost touching the snow banks, the thin stalks are bent down like old women, walking home from a country market, empty early. They are holding just a handful of seeds— shopping baskets full of wind.


Product Details

ISBN-13: 9781513645605
Publisher: Holy Cow! Press
Publication date: 08/20/2019
Pages: 72
Product dimensions: 6.00(w) x 9.00(h) x (d)

About the Author

Warren Woessner is the Senior Editor of Abraxas, which he co-founded in 1968. He also was a co-founder of WORT-FM in Madison, WI. Five collections of his poetry have been published, most recently Clear All the Rest of the Way (The Backwaters Press). He has received Fellowships in Poetry from the NEA, the Wisconsin Arts Board and the McKnight Foundation. Warren holds a Ph.D. in chemistry and a J.D. from the University of Wisconsin, Madison. He co-founded Schwegman, Lundberg & Woessner in 1993, where he works as a biotechnology patent attorney. Woessner's poetry has been widely published and anthologized, including in periodicals and reviews, including Poetry, Poetry Northwest, the Nation, 5 AM, Nimrod, Midwest Quarterly and The Beloit Pooetry Journal. He won the Minnesota Voices Competition sponsored by New Rivers Press in 1986.

Read an Excerpt

ENTRANCE Pause at a rise in the muddy trail. No sound. The new leaves don’t move. Don’t look. See. Don’t listen. Hear. The woods flow like warm rain into old snow. Breathe in what you need. PICKING WILD BLUEBERRIES I know I must finish before the pebble rattles start in the trees. There is more fruit on the branches closest to the clearing because there is less shelter for the birds. I see gray and white ones waiting for me to finish: “Wisaakegjak.” “Whiskey Jacks,” say the French who buy our pemmican. Some day you will call them “Canada Jays.” HOLDOUT After the embers from the fire die to a glowing pile, a last blade of flame might snap up, for a minute or two, light the dark room again. So too the scrawny, bent maple lost all summer by the creek hangs on to its leaves after days of cold rain. Other leaves down, already compost. Maple still flares pure gold warms up one corner of this dim, abbreviated day. This stanza should be cheery or at least hopeful, but it’s not. Those leaves will fall. It’s going to snow, and you’ll sit there and watch the dying coals make faces at you until they go out. ROOST At dusk, a few crows circle over the river. Others join them and the soaring spiral expands, like they are holding a place in the sky. They are like words in search of a poem no one wants to write. Then the leader heads straight for the roost and the spiral unwinds, and the black book goes back on the shelf for the night, unread. THRIFT SHOP I'm going through the rack of men's trousers in the musty basement alongside a tall, skinny guy I don't want to look at twice, but he starts to talk: “Everything in here’s a 42 or XX large. Some fat guy musta died last week.” Just then, I find a nice pair of corduroys – 36 waist too long, but I have a friend who can hem. I don't try them on, just pay the $3 and get out. I know I won’t care who I'm wearing on the white carpet of snow already unrolling under all those cold stars. CLOSING TIME Last night, smoke, steak and wine. Up late – endless talk about right women and wrong women This morning it’s clear and cold. You cover the pontoon boat while I watch warblers blow away over the pond like yellow leaves. In my hand, any one of them would be warmer than that bottle left out by the empty chairs and the dead fire. It’s half-full, but no one is in a hurry to take it into the house. WINTER NEWS Should I bring you flowers – winter bouquets, porcelain petals glazed with ice? You have a warm place, a pink rug, a rocking chair. Below us, tires scream, people hurry by, wrapped tight in their destinations. All over, snow blowing, breaking the rooftops into impossible black and white. ALL NIGHT SUMMER STORMS Chase each other like huge black cats, electric paws feeling for church steeples, clawing lonely trees. You too, woman asleep beside me, know how they prowl all night and disappear come morning. END OF A HOT DAY At 3 a.m. the dogs start barking. Birds lower their wings, close their beaks. The apartment still roars with the artillery of air conditioners but the fronts have shifted. I think of you frozen on our bed, dreams condensing gentle and distant as tomorrow’s clouds. ANOTHER FOREST Your feet feel down the sandy paths where cut-up moonlight seeps through unpruned branches. Stop, you are surrounded by sounds not from wind or leaves. Worlds of insects crackle with unsteady life. Fox, rabbit, snake, owl all going their ways. BARRED OWL Swoops into the crest of the big cottonwood by the creek, but can’t escape the mob of crows at his heels. So he sits tight like a fat banker – tongue-tied, twisting to watch all ways at once while the James Gang tugs his watch chain, turns his pockets inside out. HERON ON ROCK – SNOW Young egret poised on rip-rap river bank under concrete pylons of freeway bridge. Too far north in November. Insects, lizards and frogs – food freezing over almost as I watch, wish, for once, for flight. OPEN HOUSE In November, the forest feels downhearted. Someone left all the doors and windows open! Fall is in foreclosure: the heat has been turned off, the light evicted, leaves fallen like fading “for sale” signs. Some tenants won’t move. Juncos and sparrows pick off weed seeds. One robin brightens a hackberry. I sit alone on a stone bench. The old hermit, Han Shan, sits down with me. We scribble poems on dead leaves. BEFORE ICE OVER At dusk, one by one, hundreds of gulls fall out of the leaden sky onto the lake, already beginning to close its lid for winter. We call them by their names, recognize bill color, molt, age, species – see everything but living beings – finding their spots for the night, calling out to kin, to neighbors. Afloat on freezing waves, they turn together into the north wind. While, on shore, wrapped in down coats, hats and gloves, we strain to see every last one in the failing light, like it was some miracle. CANOES IN JANUARY Tipped over, summer and fall spilled out, winter moved into aluminum long houses for Lakota ghosts. Hulls still point at the lake like compass needles point at true loss. PRAIRIE GRASS – FEBRUARY Almost touching the snow banks, the thin stalks are bent down like old women, walking home from a country market, empty early. They are holding just a handful of seeds – shopping baskets full of wind.

Table of Contents

Taking Flight

Entrance 3

Picking Wild Blueberries 4

Holdout 5

Roost 6

Thrift Shop 7

Closing Time 8

Winter News 9

All Night Summer Storms 10

End of a Hot Day 11

Another Forest 12

Barred Owl 13

Heron on Rock - Snow 14

Open House 15

Before Ice Over 16

Canoes in January 17

Prairie Grass - February 18

Look Out 19

Poem for New Paper 20

Industrial Park 21

March Clean-Up 22

Farm House 23

Sugar Snap Rabbit 24

Halloweve 26

Good-By Wisconsin 28

Strong Finish

Collision Course 33

Moving 35

New Year's Eve 36

One Page 37

McDonalds: Further Excavations at a New Site 39

The King of New Jersey 40

Cloud Window 41

After Marin-An 42

Exit - Sky 43

Strong Finish 44

It might as well be Spring 45

Keepsakes 46

Diamonds Are Forever 47

The Catch 49

Gay Head Light 51

Norton Point 52

How to Protect Against Sharks 53

Halloween 54

Mother at 85 55

Office Visit 57

Terminal Velocity 58

Flotsam 59

Volcanes de Colima 60

Stopover 61

Navigator 62

Garbage Collection - South Philly 63

The Chair 64

Seventh Decade 65

Synchronicity 66

Poem 67

What People are Saying About This

From the Publisher

"There’s much to admire in the sparse, intelligent energy of this new collection by Woessner, who has long been one of my favorite poets. You may detect echoes of Snyder, Bly, and Thoreau in the appreciative awareness of the natural world demonstrated by many of these poems. But Woessner’s voice is very much his own. I love its accessible depth. Read aloud, for example, “Another Forest” and you’ll see what I mean." —Joseph Bruchac

"Warren Woessner's laconic poems, packed with silences, possess so much power in their observations of the natural world, one begins to feel beneath their surfaces, something beginning to move."--Justen Ahren, Martha's Vineyard Poet Laureate and author of A Machine For Remembering

"Warren Woessner’s poems are models of lyric compression. His is an animistic world where crows 'are like words / in search of a poem / no one wants to write' and summer storms 'chase each other / like huge black cats.' There is something of Han Shan in his taste for the elemental and something of Merwin and Bly in his ability to enter the deeper strata of our ancestral experience of nature. But look closely — beneath the surface simplicity and timelessness is a complex modern sensibility. When Woessner goes long, as in the amazing 'Diamonds Are Forever,' you know he has a story worth telling and hearing. Exit-Sky is clear, honest work."—Thomas R. Smith, author of The Glory

"In Exit-Sky, Warren Woessner’s poems list, narrate, and particularize universal experiences, including loss, beauty, and aging. Birds, often the harbingers of change, fly through these poems of changing light, seasons (personal and natural), losses, and realizations. Tipped over canoes’ hulls point 'like compass needles/ point at true loss.' In the book’s second section, losses are named and honored. Throughout the book, Woessner’s poems use energetic juxtapositions, stunning and surprising imagery ( a Barred Owl 'sits tight like a fat banker' ), and sonic events like bird songs ('witchity-witchity,' 'chew, chew, chew'), and the 'the artillery of air conditioners.' Woessner writes a world that is always getting ready to “start over again and again,” a world his engaging poems alert the reader to pay attention to: 'You see it now, don’t you?/ You’ve got to, it’s right there!'"--Susan Firer, author of The Transit of Venus

“Warren Woessner’s poetry offers the kind of respite we long for on long winter nights, in the fiercest weather, or in the cradle of deep loss. He sees the beauty of the ordinary sky or bird or ruffle of water and lifts it into its rightful place, radiating beauty in smallness and giving the reader a moment to pause and examine the time we have all spent on earth without being awake enough to miss what is already disappearing. These are not celebrations of mourning, rather Woessner gives us the context to examine our lives, to measure ourselves in the vanishing world. He is at the height of his poetic powers here, and we need to share this book with friends and loved ones—it’s that good.”-- Jonis Agee, author of The Bones of Paradise

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