Experimentalism Otherwise: The New York Avant-Garde and Its Limits
In Experimental Otherwise, Benjamin Piekut takes the reader into the heart of what we mean by “experimental” in avant-garde music. Focusing on one place and time—New York City, 1964—Piekut examines five disparate events: the New York Philharmonic’s disastrous performance of John Cage’s Atlas Eclipticalis; Henry Flynt’s demonstrations against the downtown avant-garde; Charlotte Moorman’s Avant Garde Festival; the founding of the Jazz Composers Guild; and the emergence of Iggy Pop. Drawing together a colorful array of personalities, Piekut argues that each of these examples points to a failure and marks a limit or boundary of canonical experimentalism. What emerges from these marginal moments is an accurate picture of the avant-garde, not as a style or genre, but as a network defined by disagreements, struggles, and exclusions.
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Experimentalism Otherwise: The New York Avant-Garde and Its Limits
In Experimental Otherwise, Benjamin Piekut takes the reader into the heart of what we mean by “experimental” in avant-garde music. Focusing on one place and time—New York City, 1964—Piekut examines five disparate events: the New York Philharmonic’s disastrous performance of John Cage’s Atlas Eclipticalis; Henry Flynt’s demonstrations against the downtown avant-garde; Charlotte Moorman’s Avant Garde Festival; the founding of the Jazz Composers Guild; and the emergence of Iggy Pop. Drawing together a colorful array of personalities, Piekut argues that each of these examples points to a failure and marks a limit or boundary of canonical experimentalism. What emerges from these marginal moments is an accurate picture of the avant-garde, not as a style or genre, but as a network defined by disagreements, struggles, and exclusions.
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Experimentalism Otherwise: The New York Avant-Garde and Its Limits
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Experimentalism Otherwise: The New York Avant-Garde and Its Limits
296Paperback(First Edition)
$34.95
34.95
In Stock
Product Details
ISBN-13: | 9780520268517 |
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Publisher: | University of California Press |
Publication date: | 04/04/2011 |
Series: | California Studies in 20th-Century Music , #11 |
Edition description: | First Edition |
Pages: | 296 |
Product dimensions: | 6.00(w) x 8.90(h) x 0.90(d) |
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