Fake Work: How I Began to Suspect Capitalism is a Joke
"[A] memorable portrait of the mad hunger of corporate toil...superbly committed to its own beliefs — truthful, dryly funny and often subtly moving." – Charles Finch, The New York Times

In this genre-bending memoir, Leigh Claire La Berge reflects on her stint at one of the most prestigious management consulting firms in the country and what it teaches us about the absurdity of work—for readers of
Bullshit Jobs and fans of Office Space and Sorry to Bother You

While headlines blazed with doomsaying prophecies about the looming Y2K apocalypse, Leigh Claire was quickly introduced to the mysterious workings of The Process—a mythical and ever-changing corporate ethos The Andersen People (her fellow consultants) believed held world-saving powers. Her heroic task: printing physical copies of spreadsheets and sending them to a secure storage facility somewhere in the bowels of New Jersey.

After performing a series of equally mundane tasks, one well-timed deployment of an anecdote about a legendary quarterback catapulted her into the ranks of middle management. It wasn’t long before she found herself jet-setting on the firm’s dime to thirty-minute lunch meetings in Johannesburg, and giving impromptu lectures to Japanese executives about limiting liability at the end of the world.

By the end of her brief time as a businessman at a fake firm, in a fake industry, dedicated to solving a fake crisis, Leigh Claire had accumulated a lifetime’s worth of lessons about the absurdity of work and the nature of financialized capitalism. Fake Work blends memoir with post-facto theoretical interjections on the philosophical problems posed by contemporary corporate culture—from the inadequacy of poststructuralist inquiry to the alienation of office jobs—to tell the story of the techno-armageddon that wasn’t.

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Fake Work: How I Began to Suspect Capitalism is a Joke
"[A] memorable portrait of the mad hunger of corporate toil...superbly committed to its own beliefs — truthful, dryly funny and often subtly moving." – Charles Finch, The New York Times

In this genre-bending memoir, Leigh Claire La Berge reflects on her stint at one of the most prestigious management consulting firms in the country and what it teaches us about the absurdity of work—for readers of
Bullshit Jobs and fans of Office Space and Sorry to Bother You

While headlines blazed with doomsaying prophecies about the looming Y2K apocalypse, Leigh Claire was quickly introduced to the mysterious workings of The Process—a mythical and ever-changing corporate ethos The Andersen People (her fellow consultants) believed held world-saving powers. Her heroic task: printing physical copies of spreadsheets and sending them to a secure storage facility somewhere in the bowels of New Jersey.

After performing a series of equally mundane tasks, one well-timed deployment of an anecdote about a legendary quarterback catapulted her into the ranks of middle management. It wasn’t long before she found herself jet-setting on the firm’s dime to thirty-minute lunch meetings in Johannesburg, and giving impromptu lectures to Japanese executives about limiting liability at the end of the world.

By the end of her brief time as a businessman at a fake firm, in a fake industry, dedicated to solving a fake crisis, Leigh Claire had accumulated a lifetime’s worth of lessons about the absurdity of work and the nature of financialized capitalism. Fake Work blends memoir with post-facto theoretical interjections on the philosophical problems posed by contemporary corporate culture—from the inadequacy of poststructuralist inquiry to the alienation of office jobs—to tell the story of the techno-armageddon that wasn’t.

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Fake Work: How I Began to Suspect Capitalism is a Joke

Fake Work: How I Began to Suspect Capitalism is a Joke

by Leigh Claire La Berge
Fake Work: How I Began to Suspect Capitalism is a Joke

Fake Work: How I Began to Suspect Capitalism is a Joke

by Leigh Claire La Berge

Hardcover

$25.95 
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Overview

"[A] memorable portrait of the mad hunger of corporate toil...superbly committed to its own beliefs — truthful, dryly funny and often subtly moving." – Charles Finch, The New York Times

In this genre-bending memoir, Leigh Claire La Berge reflects on her stint at one of the most prestigious management consulting firms in the country and what it teaches us about the absurdity of work—for readers of
Bullshit Jobs and fans of Office Space and Sorry to Bother You

While headlines blazed with doomsaying prophecies about the looming Y2K apocalypse, Leigh Claire was quickly introduced to the mysterious workings of The Process—a mythical and ever-changing corporate ethos The Andersen People (her fellow consultants) believed held world-saving powers. Her heroic task: printing physical copies of spreadsheets and sending them to a secure storage facility somewhere in the bowels of New Jersey.

After performing a series of equally mundane tasks, one well-timed deployment of an anecdote about a legendary quarterback catapulted her into the ranks of middle management. It wasn’t long before she found herself jet-setting on the firm’s dime to thirty-minute lunch meetings in Johannesburg, and giving impromptu lectures to Japanese executives about limiting liability at the end of the world.

By the end of her brief time as a businessman at a fake firm, in a fake industry, dedicated to solving a fake crisis, Leigh Claire had accumulated a lifetime’s worth of lessons about the absurdity of work and the nature of financialized capitalism. Fake Work blends memoir with post-facto theoretical interjections on the philosophical problems posed by contemporary corporate culture—from the inadequacy of poststructuralist inquiry to the alienation of office jobs—to tell the story of the techno-armageddon that wasn’t.


Product Details

ISBN-13: 9798888903674
Publisher: Haymarket Books
Publication date: 06/17/2025
Pages: 232
Product dimensions: 5.50(w) x 8.50(h) x (d)

About the Author

Leigh Claire La Berge is Professor of English at Borough of Manhattan Community College, City University of New York, and author of Wages Against Artwork: Decommodified Labor and the Claims of Socially Engaged Art and Marx for Cats: A Radical Bestiary. Her writing has appeared in Texte zur Kunst, n+1, and The Los Angeles Review of Books.

Table of Contents

Prologue: The Almost End of the World

Phase I: Taking Inventory

Chapter 1: Millennial Transitions

Chapter 2: Quality Assurance

Chapter 3: “Il n’y a pas de hors-texte”

Chapter 4: Write What You Know

Chapter 5: Teamwork

Phase II: Media and Mediations

Chapter 6: My Putative Promotion

Chapter 7: A Total Bitch and an Absolute Fraud

Chapter 8: A Tepid Marxist and a Bubble Popped

Chapter 9: My Joke of a Promotion

Phase III: Contingency Planning

Chapter 10: Continental Comportment

Chapter 11: Frequent Fliers

Chapter 12: Floods and Fires

Chapter 13: The End of the End

Afterward: Weeks and Decades

Acknowledgements

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