Fat Wednesday: Wittgenstein on Aspects
"Experiencing a change of aspect is characterized by our recognition that something has altered and nothing has altered."—from Fat Wednesday

In Fat Wednesday, John Verdi probes how the inexplicable connections of words can help us understand the ever-changing connections of things that we actually see in everyday experience. In his preface he writes, "I explore two related concepts: aspect-seeing and experiencing the meaning of a word."

Verdi considers how our experience of seeing aspects, wherever they appear, helps us imagine possible meanings for philosophy's opening question: "What is there?" He illuminates Ludwig Wittgenstein's ideas on language and perception while challenging readers to think through for themselves the different ways in which we see.

A major influence in the development of analytic philosophy, Ludwig Wittgenstein (1889–1951) was a leading thinker in the study of logic, the philosophy of mathematics, the philosophy of mind, and the philosophy of language. Bertrand Russell described him as "the most perfect example I have ever known of genius as traditionally conceived, passionate, profound, intense, and dominating."

"A representational painting is essentially ambiguous: it is both paint on canvas and a representation of people and objects. We are not fooled by the painting; we see that it is both paint and picture. We take an interest in it because we take an interest in aspects."—from Fat Wednesday

John Verdi has taught at St. John's College in Annapolis and Santa Fe since 1975. His areas of special interest have included the writings of Wittgenstein and Nietzsche, the foundations of mathematics, and the common ground between psychology and philosophy.


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Fat Wednesday: Wittgenstein on Aspects
"Experiencing a change of aspect is characterized by our recognition that something has altered and nothing has altered."—from Fat Wednesday

In Fat Wednesday, John Verdi probes how the inexplicable connections of words can help us understand the ever-changing connections of things that we actually see in everyday experience. In his preface he writes, "I explore two related concepts: aspect-seeing and experiencing the meaning of a word."

Verdi considers how our experience of seeing aspects, wherever they appear, helps us imagine possible meanings for philosophy's opening question: "What is there?" He illuminates Ludwig Wittgenstein's ideas on language and perception while challenging readers to think through for themselves the different ways in which we see.

A major influence in the development of analytic philosophy, Ludwig Wittgenstein (1889–1951) was a leading thinker in the study of logic, the philosophy of mathematics, the philosophy of mind, and the philosophy of language. Bertrand Russell described him as "the most perfect example I have ever known of genius as traditionally conceived, passionate, profound, intense, and dominating."

"A representational painting is essentially ambiguous: it is both paint on canvas and a representation of people and objects. We are not fooled by the painting; we see that it is both paint and picture. We take an interest in it because we take an interest in aspects."—from Fat Wednesday

John Verdi has taught at St. John's College in Annapolis and Santa Fe since 1975. His areas of special interest have included the writings of Wittgenstein and Nietzsche, the foundations of mathematics, and the common ground between psychology and philosophy.


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Fat Wednesday: Wittgenstein on Aspects

Fat Wednesday: Wittgenstein on Aspects

by John Verdi
Fat Wednesday: Wittgenstein on Aspects

Fat Wednesday: Wittgenstein on Aspects

by John Verdi

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$22.95 
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Overview

"Experiencing a change of aspect is characterized by our recognition that something has altered and nothing has altered."—from Fat Wednesday

In Fat Wednesday, John Verdi probes how the inexplicable connections of words can help us understand the ever-changing connections of things that we actually see in everyday experience. In his preface he writes, "I explore two related concepts: aspect-seeing and experiencing the meaning of a word."

Verdi considers how our experience of seeing aspects, wherever they appear, helps us imagine possible meanings for philosophy's opening question: "What is there?" He illuminates Ludwig Wittgenstein's ideas on language and perception while challenging readers to think through for themselves the different ways in which we see.

A major influence in the development of analytic philosophy, Ludwig Wittgenstein (1889–1951) was a leading thinker in the study of logic, the philosophy of mathematics, the philosophy of mind, and the philosophy of language. Bertrand Russell described him as "the most perfect example I have ever known of genius as traditionally conceived, passionate, profound, intense, and dominating."

"A representational painting is essentially ambiguous: it is both paint on canvas and a representation of people and objects. We are not fooled by the painting; we see that it is both paint and picture. We take an interest in it because we take an interest in aspects."—from Fat Wednesday

John Verdi has taught at St. John's College in Annapolis and Santa Fe since 1975. His areas of special interest have included the writings of Wittgenstein and Nietzsche, the foundations of mathematics, and the common ground between psychology and philosophy.



Product Details

ISBN-13: 9781589880542
Publisher: Dry, Paul Books, Incorporated
Publication date: 06/01/2010
Pages: 270
Product dimensions: 5.50(w) x 8.50(h) x (d)

About the Author

John Verdi has taught philosophy at St. John's College since 1985.

Table of Contents

Preface ix

Chapter 1 The Aspects Family 1

A The Duck-Rabbit 1

B The Necker Cube 7

C Faces, Faces, Faces 10

D Illusions 13

E "Puzzle-Pictures" 18

Chapter 2 Aspects and Words 23

A Introspection and Experiment 28

B How We Do Things with Words 42

C How We See Things with Words 66

Conclusion 105

Chapter 3 Aspect Blindness 109

A Imagination 109

B Aspect Blindness 116

C Fat Wednesday 136

Chapter 4 Aspects and Art 157

A Experience 157

B Seeing a Painting 161

C Musical Aspects 187

D Emergent Meaning and Wine 195

E Talk About Paintings 203

Chapter 5 Ethics and Aesthetics Are One 229

A Science 231

B From a Religious Point of View 240

Bibliography 261

Notes 269

Acknowledgments 289

Index 293

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