Pianist
Alice Sara Ott writes in the booklet to this
Deutsche Grammophon release that she, like most others, identified the nocturne genre with its most famous practitioner,
Chopin. However, she discovered the genre's originator, the Irish composer
John Field, during the COVID-19 pandemic and became immersed in the 18 pieces here. The result is a fascinating souvenir of that era; although the album was not made until late 2024, it has a unique interior quality. Various people have recorded these works, some seeking more
Chopin-esque expression in them than
Ott does.
Ott, in fact, goes in the other direction, playing the music directly in a slightly quick tempo, with close attention to its treatments of register and texture. What comes out is that although
Field's harmonic language is much more diatonic than that of
Chopin, his moods and structures are similar. Consider the
Nocturne No. 9 in E minor, which has achieved a measure of virality in streaming formats.
Ott takes the simplicity of its melody and leaves it alone, creating space for the utterly logical elaborations of the material that follow. Everything on the album draws on deeper in as the program proceeds;
Ott's playing often has this quality, but here, she outdoes herself. The sound from the Emil Berliner captures every bit of the details of attack and texture
Ott finds. A marvelous release that one will treasure, this album made classical best-seller charts in early 2025.