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Overview
It's 1964 in the USSR, and unbeknownst even to Premier Khrushchev himself, the Soviet space program is a sham. Well, half a sham. While the program has successfully launched five capsules into space, the Chief Designer and his team have never successfully brought one back to earth. To disguise this, they've used twins. But in a nation built on secrets and propaganda, the biggest lie of all is about to unravel.
Because there are no more twins left.
Combining history and fiction, the real and the mystical, First Cosmic Velocity is the story of Leonid, the last of the twins. Taken in 1950 from a life of poverty in Ukraine to the training grounds in Russia, the Leonids were given one name and one identity, but divergent fates. Now one Leonid has launched to certain death (or so one might think...), and the other is sent on a press tour under the watchful eye of Ignatius, the government agent who knows too much but gives away little. And while Leonid battles his increasing doubts about their deceitful project, the Chief Designer must scramble to perfect a working spacecraft, especially when Khrushchev nominates his high-strung, squirrel-like dog for the first canine mission.
By turns grim and whimsical, fatalistic and deeply hopeful, First Cosmic Velocity is a sweeping novel of the heights of mankind's accomplishments, the depths of its folly, and the people—and canines—with whom we create family.
Product Details
| ISBN-13: | 9780525539278 |
|---|---|
| Publisher: | Penguin Publishing Group |
| Publication date: | 08/06/2019 |
| Pages: | 352 |
| Product dimensions: | 6.40(w) x 9.10(h) x 1.50(d) |
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Read an Excerpt
Baikonur Cosmodrome, Kazakhstan-1964
Nadya had been the twin who was supposed to die. But she lived, and it was her sister, the other Nadya, who'd departed. The Chief Designer placed his hand on this Nadya's shoulder and squeezed. He meant it to comfort her, but it had also become a superstition of sorts. The first time, at least, he had meant to comfort her. Since then, it was for his own comfort. No launch had ever failed following the gesture. This calmed him in a way the vodka never could.
The bunker walls were bare concrete. The control panel, a patchwork of different metals, unmatched switches, knobs, and dials like a hundred varieties of flower, faced the wall opposite the door. A half-dozen engineers manned positions at the console, and as many as that stood behind them. The Chief Designer knew only a few by name.
Had Nadya lost weight? He remembered her being meatier, muscles sculpted. She still trained back then, he supposed. No need for that now. Perhaps he simply misremembered. This was only the fifth time his hand had so much as grazed Nadya over the years of the program, once for each launch. Hell, he even managed to touch his wife more often than that. His wife and son, how long since he had last seen them? He looked at the countdown clock.
Some of the engineers called the Chief Designer Medved because they did not know his name, but also because of his breadth. The large scar on his head, too, befitted an animal. The gouge ran from just above his right eyebrow deep into the territory of his balding pate. He would never discuss its origins. Half his teeth were artificial, the incisors grayed like an old cheap saucer.
He slid sideways through the narrow space at the end of the control console to the bunker's periscope, a box of raw metal with goggles protruding from the side. The distance shrunk the R-7 rocket to toylike proportions. Only the top showed above the great tulip framework of the launchpad. The four metal buttresses, gripping the rocket like a vise, would not fall away until the thrust reached a certain level. The pad's design had been Mishin's. Or was it Bushuyev's? The Chief Designer could never remember.
Beyond the pad spread sprawling flatness, the Kazakh steppe like something from a nightmare, one where he would run and run but never seem to make progress. Downrange had become a graveyard for spent rocket parts, dropped early stages, shrapnel from the occasional explosion. Not as occasional as the Chief Designer would have liked. Some of the younger technicians took trucks, vintage from the war, and searched for souvenirs. Mars had returned once with a piece of metal sheeting, the skin from a failed rocket, with a red slash painted on it like a wound. It was the tip of the sickle. He had searched for the hammer, Mars said, but the steppe was a big place. Or a non-place. After a certain point, a thing's vastness diminished its identity.
The Chief Designer did not look at the landscape, however. He scanned the sky, grimacing at the gray roiling over the horizon. He had received word of a storm surging across the steppe, the kind that would muddy the whole complex and postpone the mission.
"There's only so much of nature I can conquer at once," he said, speaking the words as if through the periscope. No one in the control room heard him.
The mission had already been delayed once after a single centimeter-long wire shorted out. Of the kilometers of wires, hundreds of vacuum tubes, and thousands of other little electronic devices, all it took was the tiniest glitch to ground the whole thing. The Chief Designer hated that faulty wire, sometimes he even hated the engineers who had installed it. In his more generous moods, he would congratulate the engineers on the foresight of the indicator light. Left unrepaired, even that forgettable span of wire could have destroyed the whole rocket. The fuse was always tiny compared to the explosion.
The Chief Designer squeezed back around the console. Mishin, or was it Bushuyev, handed him the bottle of vodka. No glasses this time. For the first two launches there had been glasses, so that a successful launch might be toasted. By the time those launches actually occurred, however, there was no vodka left. They had drunk it all in the waiting.
The Chief Designer gripped the bottle with both hands and gulped down a mouthful, like a man emerging from the desert, scared that the substance might turn to illusion if he did not down it fast enough. He passed the bottle to Mars at the communications terminal quickly, so that the liquid's rippling would not reveal the tremors shooting through his body. Mars took a sip and passed the bottle along.
The radio crackled with static. An exhaled breath. The Chief Designer shoved himself next to Mars and took the microphone.
"T plus one hundred," he said. "How do you feel?"
"I feel fine." The voice came small and tinny from the speaker. "How about you?"
A round of subdued laughter crested through the bunker.
The voice belonged to Leonid, crammed inside the little globe of the Vostok capsule perched atop the R-7. It was the first joke the Chief Designer ever remembered him making. At least this Leonid. The other one had been trained to tell jokes, to be normal. More than normal. He was the socialist ideal incarnate. As if an ideal was something that could be trained into you. Sometimes the Chief Designer thought of them, the two Leonids, as the same person, but then that was the whole point.
Nadya slipped around the console to the periscope. She didn't press her face against it, but stood back, observing the small image of the rocket, fish-eyed by the lens. Speaking of ideals, thought the Chief Designer. How old was she now? Twenty-five? The original cosmonauts, the Vanguard Five, were all the same age, give or take a year. Nadya was the only one among them to achieve grace in a jumpsuit. Her blond hair so fine. He wondered what the other Nadya's hair had looked like in weightlessness. The first human in space, and no one had thought to take a picture. No one had thought to ask.
The only time Nadya's grace had failed her was the day before she was scheduled to launch. The little white dog Kasha, herself trained as a cosmonaut, had darted under Nadya's feet in the hallway. The Chief Designer had been there, along with Mishin and Bushuyev, walking from the training center toward the mess, discussing the logistics of launch day, though all of them knew the procedures so well by then that any recapitulation was pointless beyond even the usual levels of redundancy the engineers favored. Nadya seemed to rise up, over the top of Kasha, and then toppled to the beige-tiled floor. She looked down, her face seemingly stretched by surprise, not pain. Kasha sat beside Nadya, as if protecting her. Nadya hovered her hand above her knee and said simply, tragically, "It's broken." The Chief Designer remembered the electric shock those words had caused to pulse below his skin. That was his last clear memory of the first launch.
Now he stood, looming over the control panel like the rocket over the pad, both figures, to look at them, unlikely to ever leave the ground. His finger floated above the ignition button. Could he press it again? After the first launch, he had always pressed it himself. Whoever's finger did the work, though, the ultimate responsibility was his. It was his button, his rocket, his cosmonaut. No, he would not press it again. He would remove his hand, scrub the mission. He would stand on the scaffold of the launchpad as Leonid emerged from Vostok. He would welcome Leonid home like a son, though Leonid had never actually left the ground. Like Nadya. Like the Nadya who survived. What had her sister's hair looked like in space?
"We never think to ask the right questions," he said.
The Chief Designer mouthed the final numbers of the countdown: pyat, chetirii, trii, dva, odin.
He pushed the button, and the engines, all twenty of them, lit as one.
Leonid watched himself launch into space. A small spark flashed at the base of the R-7, and then it grew, flaring so bright that the rocket itself was swallowed up. He worried something was wrong. Even though he had seen four previous launches, the fireball seemed impossible to survive, the rocket a matchstick igniting the sun.
He felt the rumble coming even before it rattled the bunker. It knocked him off balance. At breakfast that morning he'd only managed two bites of black bread. His brother, his other self, had eaten everything else. That was the first time they had seen each other in months, one of only a few times over the years. They had always trained separately, always pretending to be one and the same person. Leonid's brother did most of the real training, this Leonid learning just enough to appear capable, his main job to wait, to stay invisible until such a time as he was needed. Until today. Neither brother had spoken a word the whole meal. Now Leonid's breakfast would leave the very planet it came from.
The trusswork petals around the rocket separated and then fell back, a bloom of metal and flame. At first by fingerbreadths and then meters the rocket rose, and then it ate up sky, leaving whole lengths of itself behind as smoke. Leonid thought of a gray thread stitching blue fabric. The thread grew finer as the rocket drew away, until all he could see was a distant orange glow, fading in and out behind wispy clouds. The glow faded a final time and never returned to view.
The smoke trail thinned, feathering at the edges, and took up position in the sky as a narrow cloud. A tether without substance, carried across the steppe by the dry, hot wind.
Through the slitted window, Leonid could see the other bunker, the control room, about half a kilometer up the main road. The bunker looked like an anthill from afar, just a bump rising out of the dirt. All the other twins were there now, manning the controls, or like Nadya, just watching. Leonid was the last twin, and so this bunker was his alone. The other cots would remain empty. He'd spend the three days of the mission sleeping, eating the premade meals, and staring out the window at the unchanging scenery. He noted the clouds on the horizon. The storm would soon turn the complex into an edgeless field of muck, but he was grateful for the rain. It was the only movement he would be able to see through the window.
His eyes followed the smoke trail up to the vanishing point. He spoke his brother's real name, the one given by their parents, not the one the two of them now shared. Leonid knew that secret name, as did the Chief Designer, and of course Tsiolkovski. No one else, though. Not since Grandmother said goodbye and they boarded the train and Tsiolkovski spoke to them for the first time: "From now on, you are one boy, the same boy. Your only name is Leonid."
All of a sudden, that first statement was true. Leonid, in his tiny bunker with its crack of a window and uncomfortable cot, was the only Leonid on Earth. The bottom of the smoke trail lifted, breaking contact with the ground.
Engineers scurried around the control room, giddy, always about to bump into each other but somehow never colliding. Molecules in a gaseous state, thought the Chief Designer. It was always like this after a successful launch, especially one with a cosmonaut on board. The tension of waiting was replaced with euphoric release. The technicians made short work of the post-launch checklist. Systems were shut down, valves secured, inspections made. One by one, the indicator lights on each control panel darkened. Mishin and Bushuyev gathered the fifteen thick volumes of technical data on the R-7, barely able to hold half each in their arms, and carried the books out to the Chief Designer's black Volga sedan. The driver offered to help load the volumes, but Mishin and Bushuyev declined. Sometimes it seemed as if they always had the books wrapped in their embrace.
The last person to leave the bunker, besides the Chief Designer himself, was Mars. Azerbaijani by birth, Mars's personal history had of course been rewritten to make him a proud son of Leningrad. He and his twin had quickly learned the accent, the local customs. Though they did not exactly look the part, no one had ever questioned their heritage. Mishin and Bushuyev took the Mars twins, one at a time, on tours of the city, but the Marses themselves ended up serving as guides. Through their studies, they had learned Leningrad better than even lifelong residents, navigating the streets without hesitation. That was how they trained, too. The Chief Designer recalled the simple assurance with which the other Mars would flip a switch. It seemed like such a small thing, a toggle of mere millimeters, but Mars had mastered that tiny gesture in a way the other cosmonauts never would. This Mars had shown the same confidence as his brother in the simulator, though he had spent far less time inside it. It pained the Chief Designer to see how much that confidence had been purged from him.
Mars leaned over the communications console, speaking in whispers to Leonid as Vostok 5 settled into its orbit. Mars would stay there, mouth held millimeters from the microphone, until the capsule rounded the horizon and communications were handed off to other stations-Makat, Sary-Shagan, Yeniseysk, Iskhup, Yelizovo, Klyuchi, Moscow, Leningrad, Simferopol, Tbilisi, Kolpashevo, Ulan-Ude, Sibir, Suchan, Sakhalin, Chukotka, Dolinsk, Ilyichevsk, Krasnodar-where strangers would carry on impersonal conversations with Leonid, more concerned with inserting data into tables than speaking to the lonely cosmonaut. When the launch crew arrived back in Star City, Mars would head directly to the communications room, where he would remain for the duration of the mission, as he had done for every mission after the second, when his own twin had launched. Back when they still hoped to bring the twins home. More than once, the Chief Designer had thought he heard Mars's low voice ask, "Do you see him?" Mars's brother, though, had burned up on reentry. There was nothing left to see.
"Mars," said the Chief Designer, "it's time to go. We must make it to the plane before that storm arrives." He pointed through the wall in the direction of the approaching thunderhead.
Already the speaker fed back only static. Mars flipped several switches and silenced it. He had developed a hunch to his shoulders, as if he were always leaning down to speak into the microphone. His hair, thick and black, he kept cropped so close that scalp showed through. He often forgot to shave, his beard growing in far longer than his hair. Mars stood and left, snatching his cap from a hook by the door.