Five Days in November
Secret Service agent Clint Hill reveals the stories behind the iconic images of the five tragic days surrounding President John F. Kennedy's assassination in this 60th anniversary edition of the New York Times bestseller.

On November 22, 1963, three shots were fired in Dallas, President John F. Kennedy was assassinated, and the world stopped for four days. For an entire generation, it was the end of an age of innocence.

That evening, a photo ran on the front pages of newspapers across the world, showing a Secret Service agent jumping on the back of the presidential limousine in a desperate attempt to protect the President and Mrs. Kennedy. That agent was Clint Hill.

Now Hill commemorates the sixtieth anniversary of the tragedy with this stunning book containing more than 150 photos, each accompanied by his incomparable insider account of those terrible days. A story that has taken Hill half a century to tell, this is a “riveting, stunning narrative” (Herald & Review, Illinois) of personal and historical scope. Besides the unbearable grief of a nation and the monumental consequences of the event, the death of JFK was a personal blow to a man sworn to protect the first family, and who knew, from the moment the shots rang out in Dallas, that nothing would ever be the same.
1114818784
Five Days in November
Secret Service agent Clint Hill reveals the stories behind the iconic images of the five tragic days surrounding President John F. Kennedy's assassination in this 60th anniversary edition of the New York Times bestseller.

On November 22, 1963, three shots were fired in Dallas, President John F. Kennedy was assassinated, and the world stopped for four days. For an entire generation, it was the end of an age of innocence.

That evening, a photo ran on the front pages of newspapers across the world, showing a Secret Service agent jumping on the back of the presidential limousine in a desperate attempt to protect the President and Mrs. Kennedy. That agent was Clint Hill.

Now Hill commemorates the sixtieth anniversary of the tragedy with this stunning book containing more than 150 photos, each accompanied by his incomparable insider account of those terrible days. A story that has taken Hill half a century to tell, this is a “riveting, stunning narrative” (Herald & Review, Illinois) of personal and historical scope. Besides the unbearable grief of a nation and the monumental consequences of the event, the death of JFK was a personal blow to a man sworn to protect the first family, and who knew, from the moment the shots rang out in Dallas, that nothing would ever be the same.
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Five Days in November

Five Days in November

by Clint Hill, Lisa McCubbin Hill

Narrated by Jeremy Bobb

Unabridged — 4 hours, 13 minutes

Five Days in November

Five Days in November

by Clint Hill, Lisa McCubbin Hill

Narrated by Jeremy Bobb

Unabridged — 4 hours, 13 minutes

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Overview

Secret Service agent Clint Hill reveals the stories behind the iconic images of the five tragic days surrounding President John F. Kennedy's assassination in this 60th anniversary edition of the New York Times bestseller.

On November 22, 1963, three shots were fired in Dallas, President John F. Kennedy was assassinated, and the world stopped for four days. For an entire generation, it was the end of an age of innocence.

That evening, a photo ran on the front pages of newspapers across the world, showing a Secret Service agent jumping on the back of the presidential limousine in a desperate attempt to protect the President and Mrs. Kennedy. That agent was Clint Hill.

Now Hill commemorates the sixtieth anniversary of the tragedy with this stunning book containing more than 150 photos, each accompanied by his incomparable insider account of those terrible days. A story that has taken Hill half a century to tell, this is a “riveting, stunning narrative” (Herald & Review, Illinois) of personal and historical scope. Besides the unbearable grief of a nation and the monumental consequences of the event, the death of JFK was a personal blow to a man sworn to protect the first family, and who knew, from the moment the shots rang out in Dallas, that nothing would ever be the same.

Editorial Reviews

Publishers Weekly

08/19/2013
What this book—whose contents we’ve waited 50 years for—lacks in artistry, it makes up for in immediacy. Hill was one of the Secret Service agents beside J.F.K.’s car at the time of his assassination, and he managed to clamber onto the trunk in an attempt to protect the chief executive and his wife. Hill continues to feel guilty over the president’s death. His account offers new, minute details of the events in Dallas and Washington, D.C., immediately before and after J.F.K.’s death. Sometimes those details are unnecessary and his precise recollection of them seems difficult to believe. But the book’s photographs—some rare, some probably never seen before—are a particular strength. Astonishingly, however, none of them is captioned, nor are any of the locations, figures, or events in them identified. This inexplicable omission is unlikely to dent the book’s appeal to aficionados of the period. But for those less knowledgeable about the Camelot era and its tragic end, the lack of captions represents a lost opportunity. (Nov.)

USA Today (3 1/2 stars)

"[Mrs. Kennedy and Me] conveys a sense of honesty and proves to be an insightful and lovingly penetrating portrait of the Jacqueline Kennedy that Hill came to know.

Liz Smith on Mrs. Kennedy and Me

"Talk about being unable to put a book down; I was enthralled with this memoir from start to finish."

Herald-Review

"A riveting, stunning narrative...among hundreds of books about the assassination, this is the most compelling because Hill lived it."

USA Today

"[Mrs. Kennedy and Me] conveys a sense of honesty and proves to be an insightful and lovingly penetrating portrait of the Jacqueline Kennedy that Hill came to know.

USA Today

"[Mrs. Kennedy and Me] conveys a sense of honesty and proves to be an insightful and lovingly penetrating portrait of the Jacqueline Kennedy that Hill came to know.

Liz Smith

"Talk about being unable to put a book down; I was enthralled with this memoir from start to finish."

Library Journal

As Jacqueline Kennedy's secret service guard, Hill leapt onto the car in Dallas after shots resounded and hung on for the race to the hospital. Here he offers a minute-by-minute insider's account of unfolding events. Interest is building; note that Hill has also authored the best-selling Mrs. Kennedy and Me.

Kirkus Reviews

2013-10-01
Jackie Kennedy's secret service agent Hill and co-author McCubbin team up for a follow-up to Mrs. Kennedy and Me (2012) in this well-illustrated narrative of those five days 50 years ago when President John F. Kennedy was assassinated. Since Hill was part of the secret service detail assigned to protect the president and his wife, his firsthand account of those days is unique. The chronological approach, beginning before the presidential party even left the nation's capital on Nov. 21, shows Kennedy promoting his "New Frontier" policy and how he was received by Texans in San Antonio, Houston and Fort Worth before his arrival in Dallas. A crowd of more than 8,000 greeted him in Houston, and thousands more waited until 11 p.m. to greet the president at his stop in Fort Worth. Photographs highlight the enthusiasm of those who came to the airports and the routes the motorcades followed on that first day. At the Houston Coliseum, Kennedy addressed the leaders who were building NASA for the planned moon landing he had initiated. Hostile ads and flyers circulated in Dallas, but the president and his wife stopped their motorcade to respond to schoolchildren who held up a banner asking the president to stop and shake their hands. Hill recounts how, after Lee Harvey Oswald fired his fatal shots, he jumped onto the back of the presidential limousine. He was present at Parkland Hospital, where the president was declared dead, and on the plane when Lyndon Johnson was sworn in. Hill also reports the funeral procession and the ceremony in Arlington National Cemetery. "[Kennedy] would have not wanted his legacy, fifty years later, to be a debate about the details of his death," writes the author. "Rather, he would want people to focus on the values and ideals in which he so passionately believed." Chronology, photographs and personal knowledge combine to make a memorable commemorative presentation.

Product Details

BN ID: 2940170795482
Publisher: Simon & Schuster
Publication date: 11/19/2013
Edition description: Unabridged

Read an Excerpt

Five Days in November

It makes no difference how old you are, or what you have experienced, there are times in your life that affect you so deeply that, no matter what you do, no matter how hard you try to erase them, your mind will never let the memories fade. For me, there were five days in November 1963, when I was thirty-one years old, that are seared into my mind and soul. In the blink of an eye, everything changed, and in the fifty years since, those days remain the defining period of my life. As fate would have it, the photos snapped by journalists, witnesses, and bystanders during those five days are like the scrapbook that is in my mind. I was thrust onto the pages of history and have spent the majority of my life keeping silent about what I witnessed.

Recently, however, I have come to realize that the grief I’ve held inside for half a century is shared by nearly everyone who was alive at that time, and that those days marked a defining period not just for me but for all of us. It has been a reluctant journey, but now, despite how painful it is, still, to relive those days, I understand that my memories are important to history.

President Kennedy’s election in 1960 coincided with the blossoming of a new era in American history. There was a marked difference between the outgoing leader—seventy-year-old President Dwight D. Eisenhower, a five-star general, a grandfatherly figure—and the incoming forty-three-year-old President John F. Kennedy, with his quick wit and charismatic smile. In his eloquent and stirring inaugural address, President Kennedy stated, “Let the word go forth from this time and place, to friend and foe alike, that the torch has been passed to a new generation of Americans . . .”

His words rang true to those of us in that younger generation. We could see his vision. Financially, we were doing better than our parents had done, the economy was growing, and even for those who were struggling, there was hope and promise ahead.

This was also the beginning of the television age—a time when Father Knows Best and Leave It to Beaver idealized the wholesome traditional families of the 1950s, while the nightly news brought images of civil rights clashes into people’s living rooms. The presidential debates between Kennedy and Nixon were the first ever shown on television, and the stark contrast between the younger, handsome Kennedy’s charming ease and Nixon’s apparent discomfort arguably tipped the election in Kennedy’s favor in the last critical weeks of the election.

President Kennedy recognized the power of television and its ability to connect him with the American people. He was the first president to conduct live televised press conferences without delay or editing, and people loved them. His quick-witted bantering with the press was so entertaining that college students and shift workers would rush home to tune in, while housewives scheduled their ironing in front of the television.

The American public was also enamored with the president’s beautiful young wife, Jacqueline, and their two children, Caroline and John. Clothing manufacturers produced copies of the first lady’s classic suits and pillbox hats so the average American woman could dress in “Jackie style,” while the press clamored for photos and tidbits of information about the family’s private activities. With their family’s private plane, and homes in Hyannis Port and Palm Beach, the Kennedys’ lifestyle was one that most Americans could only dream about. People couldn’t get enough of them. They were more popular than any television or movie stars; Jack and Jackie Kennedy were American royalty.

As the young American president and his elegant wife traveled outside the country, their popularity spread around the world. It was awe inspiring to see hundreds of thousands, and sometimes millions, of people in foreign countries standing along a motorcade route just to get a glimpse of this man whose vision for freedom, liberty, and peace resonated with people of all walks of life, of all different races and religions. As the first Catholic American president, Kennedy was held in especially high esteem by fellow Catholics, and his photograph hung prominently in living rooms, shops, and restaurants around the world.

During the Kennedy administration, I was an up-close-and-personal witness to what later would be called “Camelot.” On November 21, 1963, I accompanied President and Mrs. Kennedy to Texas as part of their Secret Service detail. As Special Agent in Charge of the First Lady’s Detail, it was my responsibility to protect Jacqueline Kennedy, and I was with her constantly.

On November 22, when shots were fired during the motorcade in Dallas, there was a Secret Service agent who jumped on the back of the car, attempting to protect President and Mrs. Kennedy.

That was me.

Unbeknownst to me, an Associated Press photographer named James Altgens was on Elm Street in Dealey Plaza at the time of the assassination. He heard the shots, saw me run, and snapped a photo just as I climbed onto the back of the presidential limousine. That evening, and the next day, this photograph ran on the front pages of newspapers all over the world. From that point on, I would forever be known as the Secret Service agent who jumped on the back of the car. And while that photo has become one of several iconic images that were captured on film during those pivotal days—moments of a national tragedy frozen in time—none of them standing alone tell the whole story.

On November 22, 1963, three shots were fired in Dallas, and the world stopped for four days. For an entire generation, it was the end of the age of innocence.

—Clint Hill

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