Table of Contents
Introduction: Penny Sparke
Section One: Engaging Nature
Introduction: Penny Sparke
Chapter 1
Human/Nature: Wilderness and the Landscape/Architecture Divide, Joel Sanders, Yale University and Joel Sanders Architects, USA
Chapter 2
Spatial Experience within the Colonial Bungalow: The Tropical Modern and Critical Vernacular House in South Asia, 1880-1980, Robin Jones, Independent Scholar, UK
Chapter 3
Continuities and Discontinuities: The House and Garden as Rational and Psychical Space in Vienna's Early Modernism, Diane Silverthorne, Birkbeck, University of London and Central Saint Martins, University of the Arts London, UK
Chapter 4
A Point of View: Christopher Hussey's Sense of the Picturesque, Pat Wheaton, Independent Scholar and Christie's Auction House, London, UK
Chapter 5
Inside Out: Spectacle and Transformation, Chris Hay, independent scholar, UK and Patricia Brown, Kingston University, UK
Chapter 6
The Allegory of the Cave: speculations between interior and landscape for the Barangaroo Headland Cultural Facility, Sing d'Arcy University of New South Wales, Australia
Chapter 7
45 degrees, Jude Walton, Victoria University, Melbourne, Australia and Phoebe Robinson, Deakin University and Victorian College of the Arts, School of Dance, Australia
Section Two: Mobility
Introduction: Gini Lee
Chapter 8
Flow, Kerstin Thompson, Director Kerstin Thompson Architects, Melbourne, Professor in Design, Victoria University of Wellington, New Zealand and Adjunct Professor at RMIT and Monash Universities
Chapter 9
Light Events: Interior and Exterior Space in Michael Snow's Wavelength (1967), Eleanor Suess, Kingston University, London, UK
Chapter 10
The Indignant Beton, Elias Constantopoulos University of Patras, Greece
Chapter 11
Republican Homes:Changing Flows in Domestic Architecture in Santa FÉ de Bogota, 1820-1900, Patricia Lara-Betancourt, Kingston University, London, UK
Chapter 12
A Place Out of the Archive: Reprise under [the Condition] of Flow, Gini Lee, The University of Melbourne, Australia and Dolly Daou, Swinburne University of Technology, Australia
Chapter 13
Projective Views, Eleanor Suess, Kingston University, London, UK
Section Three: Continuity
Introduction: Patricia Brown
Chapter 14
The Interiority of Landscape: Gate, Journey, Horizon, Jeff Malpas, Professor of Philosophy, University of Tasmania, and RMIT University, Australia
Chapter 15
Transitional Spaces in Late Nineteenth Century Domestic Architecture in Mérida, Yucatán, Gladys Arana, Universidad Autónoma de Yucatán (UADY) and Catherine R. Ettinger, Universidad Michoacana de San Nicolás de Hidalgo, México
Chapter 16
A Continuous Landscape? Neighbourhood Planning and the New “Local” in Post-War Bristol, Fiona E. Fisher, Kingston University and Rebecca Preston, Royal Holloway, University of London, UK
Chapter 17
Like Vessels: Giorgio Morandi and the Porticoes of Bologna, Vicky Falconer, University of the Arts London, UK
Chapter 18
Re-thinking Flow and the Relationship Between Indoors and Out: California c.1945-c. 1965, Pat Kirkham, Kingston University, London, UK
Chapter 19
Green Interiors: Transitional Spaces in Multilevel Building, Elisa Bernardi, Architect, Milan, Italy
Chapter 20
Between Concentration and Distraction, Sarah Breen Lovett, Artist and Research Fellow at The University of Sydney, Australia
Section Four: Frames
Introduction: Mark Taylor
Chapter 21
Ornamental Transparency in the Modern Kitchen, Sandy Isenstadt, University of Delaware, USA
Chapter 22
Tracing Events: Material Tales for Country Homes and Gardens, as found in Rural Australia, Mark Taylor, University of Newcastle, Australia and Gini Lee, The University of Melbourne, Australia
Chapter 23
Decorating with a View: The Nineteenth-Century Escapist Window, Anca I. Lasc, Pratt Institute, New York, USA
Chapter 24
Curtaining the Curtain Wall: Traversing the Boundaries of the Modern Postwar Domestic Environment, Margaret M. Petty, Queensland University of Technology, Brisbane, Australia
Chapter 25
Speeds, Slowness, Temporal Consistencies and Interior Making,Suzie Attiwill, RMIT University, Melbourne, Australia
Chapter 26
Lines to Make Space, Sarah Jamieson, Visiting Research Fellow at University of Technology Sydney, Australia and Nadia Wagner, Glasgow School of Art, Singapore and University of Sydney, Australia
