Folk Songs from the West Virginia Hills
First published in 1975 and long out of print, Folk Songs from the West Virginia Hills is a major work of folklore poised to reach a new generation of readers. Drawing upon Patrick Ward Gainer’s extensive ethnographic fieldwork around West Virginia, it contains dozens of significant folk songs, including not only the internationally famous “Child Ballads,” but such distinctively West Virginian songs as “The West Virginia Farmer” and “John Hardy,” among others.
 
Folk Songs from the West Virginia Hills stands out as a book with multiple audiences. As a musical text, it offers comparatively easy access to a rich variety of folk songs that could provide a new repertoire for Appalachian singers. As an ethnographic text, it has the potential to reintroduce significant data about the musical lives of many West Virginians into conversations around Appalachian music—discourses that are being radically reshaped by scholars working in folklore, ethnomusicology, and Appalachian studies. As a historical document, it gives readers a glimpse into the research methods commonly practiced by mid-twentieth-century folklorists. And when read in conjunction with John Harrington Cox’s Folk Songs of the South (also available from WVU Press), it sheds important light on the significant role that West Virginia University has played in documenting the state’s vernacular traditions.
 
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Folk Songs from the West Virginia Hills
First published in 1975 and long out of print, Folk Songs from the West Virginia Hills is a major work of folklore poised to reach a new generation of readers. Drawing upon Patrick Ward Gainer’s extensive ethnographic fieldwork around West Virginia, it contains dozens of significant folk songs, including not only the internationally famous “Child Ballads,” but such distinctively West Virginian songs as “The West Virginia Farmer” and “John Hardy,” among others.
 
Folk Songs from the West Virginia Hills stands out as a book with multiple audiences. As a musical text, it offers comparatively easy access to a rich variety of folk songs that could provide a new repertoire for Appalachian singers. As an ethnographic text, it has the potential to reintroduce significant data about the musical lives of many West Virginians into conversations around Appalachian music—discourses that are being radically reshaped by scholars working in folklore, ethnomusicology, and Appalachian studies. As a historical document, it gives readers a glimpse into the research methods commonly practiced by mid-twentieth-century folklorists. And when read in conjunction with John Harrington Cox’s Folk Songs of the South (also available from WVU Press), it sheds important light on the significant role that West Virginia University has played in documenting the state’s vernacular traditions.
 
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Folk Songs from the West Virginia Hills

Folk Songs from the West Virginia Hills

Folk Songs from the West Virginia Hills

Folk Songs from the West Virginia Hills

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Overview

First published in 1975 and long out of print, Folk Songs from the West Virginia Hills is a major work of folklore poised to reach a new generation of readers. Drawing upon Patrick Ward Gainer’s extensive ethnographic fieldwork around West Virginia, it contains dozens of significant folk songs, including not only the internationally famous “Child Ballads,” but such distinctively West Virginian songs as “The West Virginia Farmer” and “John Hardy,” among others.
 
Folk Songs from the West Virginia Hills stands out as a book with multiple audiences. As a musical text, it offers comparatively easy access to a rich variety of folk songs that could provide a new repertoire for Appalachian singers. As an ethnographic text, it has the potential to reintroduce significant data about the musical lives of many West Virginians into conversations around Appalachian music—discourses that are being radically reshaped by scholars working in folklore, ethnomusicology, and Appalachian studies. As a historical document, it gives readers a glimpse into the research methods commonly practiced by mid-twentieth-century folklorists. And when read in conjunction with John Harrington Cox’s Folk Songs of the South (also available from WVU Press), it sheds important light on the significant role that West Virginia University has played in documenting the state’s vernacular traditions.
 

Product Details

ISBN-13: 9781946684035
Publisher: West Virginia University Press
Publication date: 12/01/2017
Series: Sounding Appalachia
Edition description: 1st Edition
Pages: 264
Product dimensions: 5.50(w) x 8.40(h) x 0.90(d)

About the Author

Patrick Ward Gainer (1904-1981) was one of the leading scholars of Appalachian folk music in the mid-twentieth century. A member of the English faculty at West Virginia University, he taught an immensely popular course on Appalachian music that frequently showcased some of the leading practitioners of traditional Appalachian music as guest artists. He is the author of Witches, Ghosts, and Signs: Folklore of the Southern Appalachians, also available from WVU Press.
 

Table of Contents

Foreword xiii

Introduction xxiii

Part 1 The Child Ballads 1

The Devil's Questions (Child 1) 3

O Where Are You Going? I'm Going to Linn (Child 2) 4

The Six King's Daughters (Child 4) 6

The Seven Sons (Child 7) 8

The Sister's Murder (Child 10) 10

The Bride's Murder (Child 11) 13

Johnny Randal (Child 12) 16

The Father's Murder (Child 13) 18

Fair Flowers in the Valley (Child 14) 20

In Scotland Town Where I Was Born (Child 17) 22

Old Badman (Child 18) 24

Down By the Greenwood Sidee (Child 20) 26

The Two Crows (Child 26) 28

The Riddle Song (Child 46) 29

Our Young Son John (Child 49) 30

Lord Bateman (Child 53) 32

The Cherry Tree (Child 54) 34

Diverus and Lazarus (Child 56) 35

Young Heneree (Child 68) 37

Lord Thomas and Fair Ellender (Child 73) 39

Fair Margaret and Sweet William (Child 74) 42

Lord Lovel (Child 75) 45

Sweet Annie of Rock Royal (Child 76) 47

The Three Little Babes (Child 79) 51

Little Mathie Groves (Child 81) 53

Barbara Allen (Child 84) 57

Young Collins (Child 85) 59

Harry Saunders (Child 87) 61

Bolakin (Child 93) 63

The Gallows Tree (Child 95) 64

The Bailey Daughter of Hazelentown (Child 105) 66

The Duke's Daughter (Child 155) 68

Mary Hamilton (Child 173) 70

The Gypsy Davy (Child 200) 72

Bessie Bell and Mary Gray (Child 201) 74

Georgie and Sally (Child 209) 75

The Banks of Yorrow (Child 214) 77

The Rantin' Laddie (Child 240) 78

The House Carpenter's Wife (Child 243) 80

Henry Martin (Child 250) 82

The Lady Near New York Town (Child 272) 84

The Drunk Husband (Child 274) 86

Get Up and Bar the Door (Child 275) 88

Dandoo (Child 277) 90

The Farmer's Wife and the Devil (Child 278) 92

The Wise Farmer (Child 283) 94

The Golden Willow Tree (Child 286) 96

The Mermaid (Child 289) 98

Pretty Sarah (Child 295) 100

The Soldier and the Maid (Child 299) 102

Part 2 Other Ballads and Folk Songs 105

What Shall I Give To Thee? 107

A Few More Months 108

The West Virginia Farmer 109

John Henry 112

John Hardy 114

The Wreck on the C. & O. 116

The Orphan Girl 118

The Rejected Lover 120

One Morning in May 122

The Pretty Mohea 124

On Erin's Green Shore 126

The Fair Maid in the Garden 128

The Village Churchyard 130

A Lover's Lament 131

Mary of the Wild Moor 133

O Father, Build Me a Boat 135

Fair Charlotte 137

The Wealthy Squire 140

Come All You Fair and Tender Ladies 142

I Wish I Was Single Again 144

Will the Weaver 146

A Blind Man He Can See 148

Where Are You Going, My Pretty Fair Maid? 150

St. Clair's Defeat 151

Brother Green 153

The Drummer Boy of Waterloo 155

Soldier, Will You Marry Me? 157

The Soldier's Poor Little Boy 159

The Old Couple and the Pig 160

Mr. Frog Went A-Courtin' 162

The Barnyard Song 164

Billy Boy 166

Part 3 Fiddle-Tune Songs 169

Old Joe Clark 171

The Girl I Left Behind Me 173

Shady Grove 175

Old Dan Tucker 176

Cindy 178

Sourwood Mountain 180

Groundhog 182

A Paper of Pins 184

Part 4 Choral Singing in the Mountains 187

Christ Was Born in Bethlehem 191

The Pilgrim of Sorrow 192

The Wayfaring Pilgrim 194

When I Set Out For Glory 196

What Wondrous Love 198

Brethren, We Have Met to Worship 199

I Will Arise and Go to Jesus 201

Rock of Ages 202

Amazing Grace 203

Must Jesus Bear the Cross Alone? 204

Jesus, Lover of My Soul 205

The Church's One Foundation 206

Part 5 The Negro Contribution 209

Nobody Knows the Trouble I See 211

Go Down, Moses 213

Wade in the Water 216

Lord, I Want to Be a Christian 218

Swing Low, Sweet Chariot 220

It's Me, O Lord 222

Bibliography 225

Index to Song Titles 227

Index to First Lines 233

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