Fool
Combining personal narrative, interviews, and literary analysis, Fool elaborates the potential for fool figures from throughout literary history to reconfigure subject-object relations and point towards new possibilities in creative and critical thought. Drawing on Johanna Skibsrud’s experience in clown classes in France and the US, Fool challenges and extends the correlation Theodor Adorno suggests between thinking and clowning. It considers a diverse range of literary and theoretical sources from Richard Wagner’s Parsifal to Karen Barad’s Meeting the Universe Halfway. The book also refers to a varied cast of literary and historical clowns and fools, including the early Shakespearean actor Richard Tarlton, Alban Berg’s Wozzeck, and Cirque du Soleil’s Shannan Calcutt.

Skibsrud elaborates on the role of the ‘fool’ and ‘foolishness’ in literature, not as an element of a particular work’s content, plot, or style but instead as a creative mode of thought activated through the reading and writing of literary texts. This innovative book charts new ground in literature, philosophy, and performance studies, and is an invaluable resource for specialists in all three fields.

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Fool
Combining personal narrative, interviews, and literary analysis, Fool elaborates the potential for fool figures from throughout literary history to reconfigure subject-object relations and point towards new possibilities in creative and critical thought. Drawing on Johanna Skibsrud’s experience in clown classes in France and the US, Fool challenges and extends the correlation Theodor Adorno suggests between thinking and clowning. It considers a diverse range of literary and theoretical sources from Richard Wagner’s Parsifal to Karen Barad’s Meeting the Universe Halfway. The book also refers to a varied cast of literary and historical clowns and fools, including the early Shakespearean actor Richard Tarlton, Alban Berg’s Wozzeck, and Cirque du Soleil’s Shannan Calcutt.

Skibsrud elaborates on the role of the ‘fool’ and ‘foolishness’ in literature, not as an element of a particular work’s content, plot, or style but instead as a creative mode of thought activated through the reading and writing of literary texts. This innovative book charts new ground in literature, philosophy, and performance studies, and is an invaluable resource for specialists in all three fields.

68.99 In Stock
Fool

Fool

by Johanna Skibsrud
Fool

Fool

by Johanna Skibsrud

Hardcover

$68.99 
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Overview

Combining personal narrative, interviews, and literary analysis, Fool elaborates the potential for fool figures from throughout literary history to reconfigure subject-object relations and point towards new possibilities in creative and critical thought. Drawing on Johanna Skibsrud’s experience in clown classes in France and the US, Fool challenges and extends the correlation Theodor Adorno suggests between thinking and clowning. It considers a diverse range of literary and theoretical sources from Richard Wagner’s Parsifal to Karen Barad’s Meeting the Universe Halfway. The book also refers to a varied cast of literary and historical clowns and fools, including the early Shakespearean actor Richard Tarlton, Alban Berg’s Wozzeck, and Cirque du Soleil’s Shannan Calcutt.

Skibsrud elaborates on the role of the ‘fool’ and ‘foolishness’ in literature, not as an element of a particular work’s content, plot, or style but instead as a creative mode of thought activated through the reading and writing of literary texts. This innovative book charts new ground in literature, philosophy, and performance studies, and is an invaluable resource for specialists in all three fields.


Product Details

ISBN-13: 9781032216119
Publisher: Taylor & Francis
Publication date: 08/31/2023
Series: New Literary Theory
Pages: 98
Product dimensions: 5.44(w) x 8.50(h) x (d)

About the Author

Johanna Skibsrud is Associate Professor at the University of Arizona. She is the Scotiabank Giller Prize-winning author of numerous works of fiction, poetry, and non-fiction, including The Poetic Imperative: A Speculative Aesthetics (2020), Island (2019), and The Nothing That Is: Essays on Art, Literature, and Being (2019).

Table of Contents

Series Preface
Preface
Chapter 1 - Foolish Objects: Between Public and Private Selves
Chapter 2 - To the Point of Clowning: Going Astray with Theodor Adorno
Chapter 3 - Touching the Impossible: A Conversation with Slava Polunin
Chapter 4 - Becoming Clown: A Conversation with Mike Funt and David Bridel
Chapter 5 - Notes from the Theatre: Fragments and Criticisms
Chapter 6 - Trompe-l’oeil: A Brief History
Chapter 7 - Thinking: With David Bridel (October 2021-June 2022)
Two photographs
Works cited
Index
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