For Want of Ambiguity: Order and Chaos in Art, Psychoanalysis, and Neuroscience

by Ludovica Lumer, Esther Rashkin (Editor), Lois Oppenheim, Peter L. Rudnytsky (Editor), Hilary Neroni (Editor)

Overview

Nominated for the 2019 Gradiva® Award for Best Book by the National Association for the Advancement of Psychoanalysis (NAAP)

For Want of Ambiguity investigates how the dialogue between psychoanalysis and neuroscience can shed light on the transformational capacity of contemporary art.

Through neuroscienfitic and psychoanalytic exploration of the work of Diamante Faraldo, Ai Weiwei, Ida Barbarigo, Xavier Le Roy, Bill T. Jones, Cindy Sherman, Francis Bacon, Agnes Martin, and others, For Want of Ambiguity offers a new perspective on how insight is achieved and on how art opens us up to new ways of being.

Product Details

ISBN-13:	9781501367588
Publisher:	Bloomsbury Academic
Publication date:	08/27/2020
Series:	Psychoanalytic Horizons
Pages:	200
Sales rank:	465,006
Product dimensions:	5.50(w) x 8.50(h) x 0.41(d)

About the Author

Ludovica Lumer is a psychoanalyst with a private practice in New York City, USA. She earned her PhD from University College London, UK, where she worked in the Department of Anatomy and Developmental Biology conducting research in the field of neuroaesthetics on the relationship between visual perception and artistic representation. She is the co-author (with Marta Dell'Angelo) of C'è da perderci la testa: scoprire il cervello giocando con l'arte (2010), and (with Semir Zeki) La bella e la Bestia (2011).

Lois Oppenheim is University Distinguished Scholar, Professor of French, and Chair of the Department of Modern Languages and Literatures at Montclair State University, USA. Dr. Oppenheim is the author of over ninety papers and the author or editor of thirteen books, including Psychoanalysis and the Artistic Endeavor: Conversations with Literary and Visual Artists (2015), Imagination from Fantasy to Delusion - awarded the 2013 Courage to Dream Prize from the American Psychoanalytic Association - and A Curious Intimacy: Art and Neuro-psychoanalysis (2005).

Table of Contents

List of Figures
Foreword by Semir Zeki
Acknowledgments
Introduction: (Re) Making Meaning
Chapter 1 Shaping Private Demons
Chapter 2 A Play of Selves: Art as Play
Chapter 3 Narrating the Self
Chapter 4 Mapping: The Need for Borders
Chapter 5 The Fluidity of Time and Space in Art, Psychoanalysis, and Neuroscience
Chapter 6 Resisting Representation
Conclusion: Order and Chaos or Framing Ambiguity
Bibliography
Index
About the Authors

Editorial Reviews

Authors Lumer (independent scholar) and Oppenheim (Montclair State Univ.) are trained in psychoanalysis, neuroscience, and literary theory, and they are to be congratulated on crafting such an original, wide-ranging work.” —CHOICE

“If the purpose of learning is to better predict how to meet your needs in the world, then what is the purpose of art? This fascinating book explores how the brain deals with things that are inherently ambiguous and unpredictable, and therefore cannot be mastered through learning. Interestingly, as this book reveals, such things abound in aesthetic experience.” —Mark Solms, Professor and Director of Neuropsychology, Neuroscience Institute, University of Cape Town, South Africa

“This extraordinary book is a pioneering work that breaks new ground for psychoanalysts and neuroscientists alike. By utilizing art to explore key relationships between analysis and neuroscience, the authors have shed new light on how metaphor and symbol shape our perceptions, and our lives. This is one of the most original books to appear in many years. It will prove invaluable to anyone interested in the behavioral sciences and the innovative work that is taking place in those fields.” —Theodore J. Jacobs, M.D., Training and Supervising Analyst, The New York and the IPE Psychoanalytic Institutes, and author of The Possible Profession: The Analytic Process of Change (2013)

“In their deft, sensitive, and probing examination of art as a function of the need to create meaning and form from the often inchoate realities of human subjectivity, Lumer and Oppenheim move from insights about particular works by numerous artists to the theory and practice of psychoanalysis to the mechanisms of neurobiology. For Want of Ambiguity is a model for what genuine interdisciplinary scholarship can do. By illuminating their subject through several disciplinary lenses but never conflating them or reducing one view to the other, they have enhanced our understanding of artists and the art they make.” —Siri Hustvedt, Lecturer in Psychiatry, Weill Cornell Medical College, USA, author of A Woman Looking at Men Looking at Women: Essays on Art, Sex, and the Mind (2016)

From the Publisher

If the purpose of learning is to better predict how to meet your needs in the world, then what is the purpose of art? This fascinating book explores how the brain deals with things that can never be mastered through prediction.

Such things are among the most heartfelt.

Mark Solms