Franz Kafka: The Office Writings

by Franz Kafka, Stanley Corngold, Jack Greenberg, Benno Wagner, Eric Patton

Overview

Franz Kafka: The Office Writings brings together, for the first time in English, Kafka's most interesting professional writings, composed during his years as a high-ranking lawyer with the largest Workmen's Accident Insurance Institute in the Czech Lands of the Austro-Hungarian Empire. Franz Kafka (1883-1924) is commonly recognized as the greatest German prose writer of the twentieth century. It is less well known that he had an established legal career. Kafka's briefs reveal him to be a canny bureaucrat, sharp litigator, and innovative thinker on the social, political, and legal issues of his time. His official preoccupations inspired many of the themes and strategies of the novels and stories he wrote at night.

These documents include articles on workmen's compensation and workplace safety; appeals for the founding of a psychiatric hospital for shell-shocked veterans; and letters arguing relentlessly for a salary adequate to his merit. In adjudicating disputes, promoting legislative programs, and investigating workplace sites, Kafka's writings teem with details about the bureaucracy and technology of his day, such as spa elevators in Marienbad, the challenge of the automobile, and the perils of excavating in quarries while drunk. Beautifully translated, with valuable commentary by two of the world's leading Kafka scholars and one of America's most eminent civil rights lawyers, the documents cast rich light on the man and the writer and offer new insights to lovers of Kafka's novels and stories.

Product Details

ISBN-13:	9780691167992
Publisher:	Princeton University Press
Publication date:	09/08/2015
Edition description:	Reprint
Pages:	440
Product dimensions:	9.00(w) x 5.90(h) x 1.10(d)

About the Author

Stanley Corngold is professor of German and comparative literature at Princeton University. Jack Greenberg is the Alphonse Fletcher Professor of Law at Columbia University. Benno Wagner is a professor in the Department of Literature, Media, and Culture at the University of Siegen in Germany.

Date of Birth:

July 3, 1883

Date of Death:

June 3, 1924

Place of Birth:

Prague, Austria-Hungary

Place of Death:

Vienna, Austria

Education:

German elementary and secondary schools. Graduated from German Charles-Ferdinand University of Prague.

Table of Contents

Preface ix
Abbreviations for Kafka Citations xix
Kafka and the Ministry of Writing by Stanley Corngold 1
Kafka's Offi ce Writings: Historical Background and Institutional Setting by Benno Wagner 19

DOCUMENTS
Chapter 1: Speech on the Occasion of the Inauguration of the Institute's New Director (1909) 51
Commentary
Chapter 2: The Scope of Compulsory Insurance for the Building Trades (1908) 54
Commentary
Chapter 3: Fixed- Rate Insurance Premiums for Small Farms Using Machinery (1909) 74
Commentary
Chapter 4: Inclusion of Private Automobile "Firms" in the Compulsory Insurance Program (1909) 80
Commentary
Chapter 5: Appeal against Risk Classifi cation of Christian Geipel & Sohn, Mechanical Weaving Mill in Asch (1910) 90
Commentary
Chapter 6: Mea sures for Preventing Accidents from Wood- Planing Machines (1910) 109
Commentary
Chapter 7: On the Examination of Firms by Trade Inspectors (1911) 120
Commentary
Chapter 8: Workmen's Insurance and Employers: Two Articles in the Tetschen- Bodenbacher Zeitung (1911) 145
Commentary
Chapter 9: Petition of the Toy Producers’ Association in Katharinaberg, Erzgebirge (1912) 170
Commentary
Chapter 10: Risk Classifi cation Appeal by Norbert Hochsieder, Boarding House Own er in Marienbad (1912) 194
Commentary
Chapter 11: Letters to the Workmen's Accident Insurance Institute in Prague (1912-15) 213
Commentary
Chapter 12: Criminal Charge against Josef Renelt for the Illegal Withholding of Insurance Fees (1913) 225
Commentary
Chapter 13: Second International Congress on Accident Prevention and First Aid in Vienna (1913) 249
Commentary
Chapter 14: Accident Prevention in Quarries (1914) 273
Commentary
Chapter 15: Jubilee Report: Twenty- Five Years of the Workmen's Accident Insurance Institute (1914) 301
Commentary
Chapter 16: Risk Classifi cation and Accident Prevention in War time (1915) 322
Commentary
Chapter 17: A Public Psychiatric Hospital for German- Bohemia (1916) 336
Commentary
Chapter 18: "Help Disabled Veterans! An Urgent Appeal to the Public" (1916/1917) 346
Commentary

Wraparound:From Kafka to Kafkaesque 355by Jack Greenberg Chronology 373
Notes 379
About the Editors 393
Index 395

What People are Saying About This

Shapiro

This volume is an important addition to our understanding and appreciation of Kafka and his work.
— Harold T. Shapiro, president emeritus, Princeton University

This volume is an important addition to our understanding and appreciation of Kafka and his work. --Harold T. Shapiro, president emeritus, Princeton University

This carefully edited book is one of the best things to have happened to Kafka scholarship in decades. It debunks the naïve but widely accepted myth of Kafka the poet, whose work in real life had nothing to do with his literary oeuvre. Just as importantly, the book is a valuable research tool for anyone who studies the impact of modern technology on the social, legal, and political spheres in Western Europe at the beginning of the twentieth century. --Wolf Kittler, University of California, Santa Barbara

The book adds significantly to a new image of Kafka, one that goes beyond the isolated prophet of existential despair. It reestablishes him as an important commentator on a wide range of topics, such as social institutions, political changes, and technological innovations in high industrial capitalism. It is a major contribution to cultural studies approaches to Kafka, working out the intriguing ways in which a leading modernist writer represents the spirit of his time for our own. --Rolf J. Goebel, University of Alabama, Huntsville

Kafka's office writings, appearing here together in English for the first time, constitute a fascinating discovery. Corngold and Wagner treat readers to a surprising, new Kafka: a high-ranking, confident bureaucrat, whose legal and literary labors were closely intertwined. --John Zilcosky, University of Toronto

This lucid and convincing book is a major contribution to the scholarship on Kafka, and on the relationship between literary creativity and professional life. --Russell Berman, Stanford University

Russell Berman

This lucid and convincing book is a major contribution to the scholarship on Kafka, and on the relationship between literary creativity and professional life.
— Russell Berman, Stanford University

Wolf Kittler

This carefully edited book is one of the best things to have happened to Kafka scholarship in decades. It debunks the naïve but widely accepted myth of Kafka the poet, whose work in real life had nothing to do with his literary oeuvre. Just as importantly, the book is a valuable research tool for anyone who studies the impact of modern technology on the social, legal, and political spheres in Western Europe at the beginning of the twentieth century.
— Wolf Kittler, University of California, Santa Barbara

Goebel

The book adds significantly to a new image of Kafka, one that goes beyond the isolated prophet of existential despair. It reestablishes him as an important commentator on a wide range of topics, such as social institutions, political changes, and technological innovations in high industrial capitalism. It is a major contribution to cultural studies approaches to Kafka, working out the intriguing ways in which a leading modernist writer represents the spirit of his time for our own.
— Rolf J. Goebel, University of Alabama, Huntsville

From the Publisher

"This volume is an important addition to our understanding and appreciation of Kafka and his work."—Harold T. Shapiro, president emeritus, Princeton University

"This carefully edited book is one of the best things to have happened to Kafka scholarship in decades. It debunks the naïve but widely accepted myth of Kafka the poet, whose work in real life had nothing to do with his literary oeuvre. Just as importantly, the book is a valuable research tool for anyone who studies the impact of modern technology on the social, legal, and political spheres in Western Europe at the beginning of the twentieth century."—Wolf Kittler, University of California, Santa Barbara

"The book adds significantly to a new image of Kafka, one that goes beyond the isolated prophet of existential despair. It reestablishes him as an important commentator on a wide range of topics, such as social institutions, political changes, and technological innovations in high industrial capitalism. It is a major contribution to cultural studies approaches to Kafka, working out the intriguing ways in which a leading modernist writer represents the spirit of his time for our own."—Rolf J. Goebel, University of Alabama, Huntsville

"Kafka's office writings, appearing here together in English for the first time, constitute a fascinating discovery. Corngold and Wagner treat readers to a surprising, new Kafka: a high-ranking, confident bureaucrat, whose legal and literary labors were closely intertwined."—John Zilcosky, University of Toronto

"This lucid and convincing book is a major contribution to the scholarship on Kafka, and on the relationship between literary creativity and professional life."—Russell Berman, Stanford University

John Zilcosky

Kafka's office writings, appearing here together in English for the first time, constitute a fascinating discovery. Corngold and Wagner treat readers to a surprising, new Kafka: a high-ranking, confident bureaucrat, whose legal and literary labors were closely intertwined.
— John Zilcosky, University of Toronto

Editorial Reviews

Honorable Mention for the 2008 PROSE Award in Literature, Language, and Linguistics, Association of American Publishers

One of Choice's Outstanding Academic Titles for 2009

"The Office Writings, however, convincingly suggests that his job was also integral to his writing, and that his literary production was not an escape from the alienation of daily life to that 'dreamlike inner life' but a striving to reconcile the two."—-Alexander Provan, The Nation

"Kafka himself complained constantly that his day job at the Prague Workmen's Accident Insurance Institute oppressed his artistic calling; this volume's editors beg to differ. In the hands of Kafka scholars Stanley Corngold and Benno Wagner and the legal scholar Jack Greenberg, the 18 briefs collected here comprise more than a record of the author's years in the insurance business. By reading between his legal writings and his fiction, the editors argue that Kafka's dual identities are inextricable: the writer is informed by the lawyer, the lawyer by the writer. Franz Kafka is the Franz Kafka we know not in spite of his day job, but rather because of it."—-Rachel Sugar, The National

"[T]he texts have impressive sociological merit: They provide a compelling picture of what life was like for an early twentieth-century bureaucrat who took his work seriously, believed in it, and did it well. . . . But ultimately, the value of The Office Writings lies less in the potential connections to Kafka's fiction than in the fundamental disconnect."—-Ben Kafka, Bookforum

"Cognizant that some readers might be put off by the legal writing style, Corngold (German & comparative literature, Princeton Univ.), Jack Greenberg (law, Columbia Univ.), and Benno Wagner (literature, media, & culture, Univ. of Siegen, Germany) provide ample and rich analyses that demonstrate the close link between Kafka's profession and his literary creativity and oeuvre. This scholarly book is indispensable to an understanding of Kafka. Highly recommended."—-Ali Houissa, Library Journal

"This event—finally, the translation and publication of the last known scrap of Kafka's work left untranslated, and unpublished—brings us to the subject of this series: how Kafka's office writings influenced his fiction, and what that influence means. Kafka's office writings, as presented here, cannot be read on their own . . . but, instead, must be read as companions, to demystify the three novels and stories (which are anything but boring). Taken together, though, both workaday fact and masterwork fiction create a network of connections that exposes not just the concerns of a single writer, but also that of a singular culture—the culture of the Office, which has imposed itself on what used to be our lives."—-Joshua Cohen, Nextbook.org

"This handsome volume fills a void in Kafka studies and rectifies the unbalanced image of Kafka as a tortured genius who labored in an insurance office by day and wrote fiction by night. . . . A fascinating read for scholars of Kafka and modern Central European literature."—-M. McCulloh, Choice

"The editors—Stanley Corngold, Jack Greenberg and Benno Wagner—have done a masterful job in making the drafts of speeches, letters, internal reports and newspaper articles relevant."—-Raymond Johnston, Czech Business Weekly

"These writings reveal Kafka the man at his best. For that reason, Franz Kafka: The Office Writings makes a significant contribution to understanding the enigmatic Franz Kafka."—-Jefferson M. Gray, Federal Lawyer

From the Publisher

Critical interpretations of Kafka's writings provide little commentary on his jurist training and work as a high-ranking lawyer with the Workmen's Accident Insurance Institute in Prague-a side of him that Kafka tried to keep hidden. His characters and such literary works as The Trial and "In the Penal Colony" are imbued with representations of the law. This collection of never-before-translated legal briefs, articles, and documents is a singular source for a new understanding and interpretation of Kafka's literary works. The selected items, arranged chronologically, are each followed by commentary. Cognizant that some readers might be put off by the legal writing style, Corngold (German & comparative literature, Princeton Univ.), Jack Greenberg (law, Columbia Univ.), and Benno Wagner (literature, media, & culture, Univ. of Siegen, Germany) provide ample and rich analyses that demonstrate the close link between Kafka's profession and his literary creativity and oeuvre. This scholarly book is indispensable to an understanding of Kafka. Highly recommended for literature collections and all college and research libraries.
—Ali Houissa

Library Journal

These writings reveal Kafka the man at his best. For that reason, Franz Kafka: The Office Writings makes a significant contribution to understanding the enigmatic Franz Kafka.

Federal Lawyer - Jefferson M. Gray

The editors—Stanley Corngold, Jack Greenberg and Benno Wagner—have done a masterful job in making the drafts of speeches, letters, internal reports and newspaper articles relevant.

Czech Business Weekly - Raymond Johnston

This handsome volume fills a void in Kafka studies and rectifies the unbalanced image of Kafka as a tortured genius who labored in an insurance office by day and wrote fiction by night. . . . A fascinating read for scholars of Kafka and modern Central European literature.

Choice - M. McCulloh

This event—finally, the translation and publication of the last known scrap of Kafka's work left untranslated, and unpublished—brings us to the subject of this series: how Kafka's office writings influenced his fiction, and what that influence means. Kafka's office writings, as presented here, cannot be read on their own . . . but, instead, must be read as companions, to demystify the three novels and stories (which are anything but boring). Taken together, though, both workaday fact and masterwork fiction create a network of connections that exposes not just the concerns of a single writer, but also that of a singular culture—the culture of the Office, which has imposed itself on what used to be our lives.

Nextbook.org - Joshua Cohen

[T]he texts have impressive sociological merit: They provide a compelling picture of what life was like for an early twentieth-century bureaucrat who took his work seriously, believed in it, and did it well. . . . But ultimately, the value of The Office Writings lies less in the potential connections to Kafka's fiction than in the fundamental disconnect.

BookForum - Ben Kafka

Kafka himself complained constantly that his day job at the Prague Workmen's Accident Insurance Institute oppressed his artistic calling; this volume's editors beg to differ. In the hands of Kafka scholars Stanley Corngold and Benno Wagner and the legal scholar Jack Greenberg, the 18 briefs collected here comprise more than a record of the author's years in the insurance business. By reading between his legal writings and his fiction, the editors argue that Kafka's dual identities are inextricable: the writer is informed by the lawyer, the lawyer by the writer. Franz Kafka is the Franz Kafka we know not in spite of his day job, but rather because of it.

The National - Rachel Sugar

The Office Writings, however, convincingly suggests that his job was also integral to his writing, and that his literary production was not an escape from the alienation of daily life to that 'dreamlike inner life' but a striving to reconcile the two.

The Nation - Alexander Provan

These writings reveal Kafka the man at his best. For that reason, Franz Kafka: The Office Writings makes a significant contribution to understanding the enigmatic Franz Kafka.
— Jefferson M. Gray

Federal Lawyer

The editors—Stanley Corngold, Jack Greenberg and Benno Wagner—have done a masterful job in making the drafts of speeches, letters, internal reports and newspaper articles relevant.
— Raymond Johnston

Czech Business Weekly

This handsome volume fills a void in Kafka studies and rectifies the unbalanced image of Kafka as a tortured genius who labored in an insurance office by day and wrote fiction by night. . . . A fascinating read for scholars of Kafka and modern Central European literature.
— M. McCulloh

Choice

This event—finally, the translation and publication of the last known scrap of Kafka's work left untranslated, and unpublished—brings us to the subject of this series: how Kafka's office writings influenced his fiction, and what that influence means. Kafka's office writings, as presented here, cannot be read on their own . . . but, instead, must be read as companions, to demystify the three novels and stories (which are anything but boring). Taken together, though, both workaday fact and masterwork fiction create a network of connections that exposes not just the concerns of a single writer, but also that of a singular culture—the culture of the Office, which has imposed itself on what used to be our lives.
— Joshua Cohen

Nextbook.org

[T]he texts have impressive sociological merit: They provide a compelling picture of what life was like for an early twentieth-century bureaucrat who took his work seriously, believed in it, and did it well. . . . But ultimately, the value of The Office Writings lies less in the potential connections to Kafka's fiction than in the fundamental disconnect.
— Ben Kafka

BookForum

Kafka himself complained constantly that his day job at the Prague Workmen's Accident Insurance Institute oppressed his artistic calling; this volume's editors beg to differ. In the hands of Kafka scholars Stanley Corngold and Benno Wagner and the legal scholar Jack Greenberg, the 18 briefs collected here comprise more than a record of the author's years in the insurance business. By reading between his legal writings and his fiction, the editors argue that Kafka's dual identities are inextricable: the writer is informed by the lawyer, the lawyer by the writer. Franz Kafka is the Franz Kafka we know not in spite of his day job, but rather because of it.
— Rachel Sugar

The National

The Office Writings, however, convincingly suggests that his job was also integral to his writing, and that his literary production was not an escape from the alienation of daily life to that 'dreamlike inner life' but a striving to reconcile the two.
— Alexander Provan

The Nation

[T]he texts have impressive sociological merit: They provide a compelling picture of what life was like for an early twentieth-century bureaucrat who took his work seriously, believed in it, and did it well. . . . But ultimately, the value of The Office Writings lies less in the potential connections to Kafka's fiction than in the fundamental disconnect.
— Ben Kafka

Bookforum