“Imposing widow Frances Price and her grown son Malcolm go from wealthy to broke and from Manhattan to Paris in this smart, tartly funny novel.” - People
“A cross between a Feydeau farce (fitting, given that the location of most of the novel is Paris) and a Buñuel film, as one after another in an eccentric cast of characters is introduced.... DeWitt is in possession of a fresh, lively voice that surprises at every turn.” - Kate Atkinson, Vanity Fair
“Sharply observed moments give deWitt’s well-written novel more depth than the usual comedy of manners—a depth reinforced by the exit that closes the tale, sharp object and all. Reminiscent at points of The Ginger Man but in the end a bright, original yarn with a surprising twist.” - Kirkus Reviews
“Darkly comic, perfectly brilliant... Let deWitt take you along on this dizzying, wild ride, you’ll love every second of it, and then hop back to the beginning for another go. It’s worth the trip.” - Nylon Magazine
“French Exit made me so happy—I feel as if I have downed a third martini, stayed up past sunrise, and still woken up refreshed. Brilliant, addictive, funny and wise, DeWitt’s latest has enough charm to last you long after you’ve put it down, which is what so many of us need in a book. I think you need it, too.” - Andrew Sean Greer, Pulitzer Prize-winning author of Less
“French Exit made me so happy—I feel as if I have downed a third martini, stayed up past sunrise, and still woken up refreshed. Brilliant, addictive, funny and wise, DeWitt’s latest has enough charm to last you long after you’ve put it down.” - Andrew Sean Greer, Pulitzer Prize-winning author of Less
“I will read every book Patrick deWitt writes.... He casts black humor and surrealist streaks of magic onto familiar literary terrains. French Exit’s Manhattan milieu evokes midcentury writers like Salinger and Cheever.... DeWitt’s writing is always intriguingly off-center.” - Poets & Writers
“Hilarious... Delightful.... In his book, as in [Edith] Wharton’s, New Yorkers’ wit and elaborate manners cannot hide the searing depth of their pain.... DeWitt is aiming for farce and to say something about characters who cannot get out of their own way, and he achieves both with élan.” - Minneapolis Star Tribune
“Whatever you do, don’t mess with Frances Price.... An entertaining portrait of people who are obsessed with the looming specter of death and who don’t quite feel part of the time they were born into.” - BookPage
“[A] riotous tragedy of (ill) manners.... The show stealer here is deWitt’s knack for scene setting and dialogue in the form of Frances’ wry one-liners.... That Frances sure is a force to contend with. But what a classy broad.” - San Francisco Chronicle
“Darkly comic.... French Exit is both a satiric send-up of high society and a wilding mother-son caper.” - Poets & Writers
“[DeWitt] creates and conveys entire worlds — and not just names and places, but colors, smells, sounds and style.... Incredibly entertaining and oddly sympathetic.... And snappy stage-worthy dialogue — deWitt’s wheelhouse.” - Eugene Register-Guard
“‘My favorite book of his yet. The dialogue is dizzyingly good, the world so weird and fresh. A triumph from a writer truly in the zone.” - Maria Semple, author of Where’d You Go, Bernadette and Today Will Be Different
“The first time I read French Exit, I raced through, impatient to know the fates of its characters. Then I turned back to page one to enjoy Patrick deWitt’s understated satire and casually brutal wit.” - Nell Zink, author of Mislaid and Nicotine
“A sparkling dark comedy.... DeWitt’s tone is breezy, droll, and blithely transgressive.... These are people you may not want to invite to dinner, but they sure make for fun reading.” - NPR
“The comic brilliance that sparked deWitt’s earlier adventures ignites this ‘tragedy of manners’ and Frances Price, ‘a moneyed, striking woman of sixty-five years,’ is revealed to be another of deWitt’s sublime eccentrics.... Rarely has a transatlantic voyage and its limited diversions been so pithily evoked.” - Washington Post
“A modern story, a satire about an insouciant widow on a quest for refined self-immolation.... DeWitt’s surrealism is cheerful and matter-of-fact, making the novel feel as buoyantly insane as its characters.... DeWitt is a stealth absurdist, with a flair for dressing up rhyme as reason.” - The New Yorker
I will read every book Patrick deWitt writes.... He casts black humor and surrealist streaks of magic onto familiar literary terrains. French Exit’s Manhattan milieu evokes midcentury writers like Salinger and Cheever.... DeWitt’s writing is always intriguingly off-center.
Imposing widow Frances Price and her grown son Malcolm go from wealthy to broke and from Manhattan to Paris in this smart, tartly funny novel.
A modern story, a satire about an insouciant widow on a quest for refined self-immolation.... DeWitt’s surrealism is cheerful and matter-of-fact, making the novel feel as buoyantly insane as its characters.... DeWitt is a stealth absurdist, with a flair for dressing up rhyme as reason.
A sparkling dark comedy.... DeWitt’s tone is breezy, droll, and blithely transgressive.... These are people you may not want to invite to dinner, but they sure make for fun reading.
Darkly comic, perfectly brilliant... Let deWitt take you along on this dizzying, wild ride, you’ll love every second of it, and then hop back to the beginning for another go. It’s worth the trip.”
A cross between a Feydeau farce (fitting, given that the location of most of the novel is Paris) and a Buñuel film, as one after another in an eccentric cast of characters is introduced.... DeWitt is in possession of a fresh, lively voice that surprises at every turn.
Hilarious... Delightful.... In his book, as in [Edith] Wharton’s, New Yorkers’ wit and elaborate manners cannot hide the searing depth of their pain.... DeWitt is aiming for farce and to say something about characters who cannot get out of their own way, and he achieves both with élan.
The comic brilliance that sparked deWitt’s earlier adventures ignites this ‘tragedy of manners’ and Frances Price, ‘a moneyed, striking woman of sixty-five years,’ is revealed to be another of deWitt’s sublime eccentrics.... Rarely has a transatlantic voyage and its limited diversions been so pithily evoked.
[A] riotous tragedy of (ill) manners.... The show stealer here is deWitt’s knack for scene setting and dialogue in the form of Frances’ wry one-liners.... That Frances sure is a force to contend with. But what a classy broad.
Whatever you do, don’t mess with Frances Price.... An entertaining portrait of people who are obsessed with the looming specter of death and who don’t quite feel part of the time they were born into.
A modern story, a satire about an insouciant widow on a quest for refined self-immolation.... DeWitt’s surrealism is cheerful and matter-of-fact, making the novel feel as buoyantly insane as its characters.... DeWitt is a stealth absurdist, with a flair for dressing up rhyme as reason.
The comic brilliance that sparked deWitt’s earlier adventures ignites this ‘tragedy of manners’ and Frances Price, ‘a moneyed, striking woman of sixty-five years,’ is revealed to be another of deWitt’s sublime eccentrics.... Rarely has a transatlantic voyage and its limited diversions been so pithily evoked.
[A] riotous tragedy of (ill) manners.... The show stealer here is deWitt’s knack for scene setting and dialogue in the form of Frances’ wry one-liners.... That Frances sure is a force to contend with. But what a classy broad.
‘My favorite book of his yet. The dialogue is dizzyingly good, the world so weird and fresh. A triumph from a writer truly in the zone.
French Exit made me so happy—I feel as if I have downed a third martini, stayed up past sunrise, and still woken up refreshed. Brilliant, addictive, funny and wise, DeWitt’s latest has enough charm to last you long after you’ve put it down.
[DeWitt] creates and conveys entire worlds — and not just names and places, but colors, smells, sounds and style.... Incredibly entertaining and oddly sympathetic.... And snappy stage-worthy dialogue — deWitt’s wheelhouse.
The first time I read French Exit, I raced through, impatient to know the fates of its characters. Then I turned back to page one to enjoy Patrick deWitt’s understated satire and casually brutal wit.
Darkly comic.... French Exit is both a satiric send-up of high society and a wilding mother-son caper.
