From Listeners to Viewers: Space in the Iliad
What do we mean by “space” in the Iliad? The aim of this book is to offer a systematic and comprehensive presentation of the different types and functions of space in the earliest work of Greek literature. By adopting a twofold division between simple and embedded story space, the former pertaining to the actions of characters and the latter to their thoughts, Christos Tsagalis shows how character drawing and authority are deeply influenced by active spatial representation.

Similes and descriptive passages, in which space looms large, are also viewed in a new light as the author explores the relation between space designated in the similes and in the corresponding action of the main narrative. Given the importance in cognitive theory of the role of memory in an oral medium such as epic song, the book analyzes Homeric modes of visual memory, implicit knowledge, and mnemonic formats in order to better understand the composition and presentation of descriptive and ekphrastic passages, with special emphasis on the numerous prized objects and the monumental shield of Achilles.

1140940192
From Listeners to Viewers: Space in the Iliad
What do we mean by “space” in the Iliad? The aim of this book is to offer a systematic and comprehensive presentation of the different types and functions of space in the earliest work of Greek literature. By adopting a twofold division between simple and embedded story space, the former pertaining to the actions of characters and the latter to their thoughts, Christos Tsagalis shows how character drawing and authority are deeply influenced by active spatial representation.

Similes and descriptive passages, in which space looms large, are also viewed in a new light as the author explores the relation between space designated in the similes and in the corresponding action of the main narrative. Given the importance in cognitive theory of the role of memory in an oral medium such as epic song, the book analyzes Homeric modes of visual memory, implicit knowledge, and mnemonic formats in order to better understand the composition and presentation of descriptive and ekphrastic passages, with special emphasis on the numerous prized objects and the monumental shield of Achilles.

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From Listeners to Viewers: Space in the <i>Iliad</i>

From Listeners to Viewers: Space in the Iliad

by Christos Tsagalis
From Listeners to Viewers: Space in the <i>Iliad</i>

From Listeners to Viewers: Space in the Iliad

by Christos Tsagalis

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$29.95 
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Overview

What do we mean by “space” in the Iliad? The aim of this book is to offer a systematic and comprehensive presentation of the different types and functions of space in the earliest work of Greek literature. By adopting a twofold division between simple and embedded story space, the former pertaining to the actions of characters and the latter to their thoughts, Christos Tsagalis shows how character drawing and authority are deeply influenced by active spatial representation.

Similes and descriptive passages, in which space looms large, are also viewed in a new light as the author explores the relation between space designated in the similes and in the corresponding action of the main narrative. Given the importance in cognitive theory of the role of memory in an oral medium such as epic song, the book analyzes Homeric modes of visual memory, implicit knowledge, and mnemonic formats in order to better understand the composition and presentation of descriptive and ekphrastic passages, with special emphasis on the numerous prized objects and the monumental shield of Achilles.


Product Details

ISBN-13: 9780674067110
Publisher: Harvard University Press
Publication date: 10/08/2012
Series: Hellenic Studies Series , #53
Pages: 566
Product dimensions: 6.00(w) x 8.90(h) x 1.50(d)

About the Author

Christos Tsagalis is Associate Professor of Greek Literature at Aristotle University of Thessaloniki.

Table of Contents

Preface ix

Acknowledgments xi

Introduction 1

Part 1 Viewing Simple Story Space in the Iliad 21

1 The Base-Level Setting: The Battlefield 27

2 Framing Spaces 95

Part 2 Home is the Hero: Embedded Story Space 153

3 Greece 171

4 The Troad and Lycia 229

Part 3 Paratopic Space: Similes and Visual Imagery 259

5 Simile Space and Narrative Space 271

6 The Cognitive Aspect of the Homeric Simile 347

Part 4 Descriptive Space 373

7 Described Objects 377

8 Ecphrastic Space 419

Conclusion 449

Appendix 1 Space in the Similes of the Iliad: The Visual Units 465

Appendix 2 Space in Similes Attested in Character Text 489

Bibliography 497

Index Locorum 533

Subject Index 546

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