Seven years after the death of the inimitable
Chester Bennington, the surviving members of
Linkin Park reunited and introduced new vocalist
Emily Armstrong on the aptly titled "reboot"
From Zero. The revamped lineup's first effort together is without a doubt a well-executed, aggressively hungry, and potent sonic statement from a group of survivors intent on keeping their vision alive. The melodic guitar attack and familiar chord progressions of
Brad Delson and
Mike Shinoda, the futuristic production and turntable acrobatics of
DJ Hahn, and the catchy rhythms from bassist
Dave Farrell and new drummer
Colin Brittain all provide a high-octane backbone that's instantly familiar to anyone who has ever heard even a single Linkin Park song. Meanwhile,
Shinoda's rapped and sung vocals haven't changed at all in all the years he's been doing this (¿Two Faced¿ is a highlight). Enter formidable singer
Armstrong. The excellent lead single "The Emptiness Machine" is an exciting unveiling, a by-the-numbers
Linkin Park assault that justifies her hiring with those throat-shredding howls. The propulsive second serving "Heavy Is the Crown,¿ a synth-and-strings rager that's one of the band's best singles, takes it a step further, with a sustained mid-song roar that recalls similar
Bennington explosions from "Faint" and "Lying from You." Across these near-dozen tracks, her vocal attack is a thing to behold, clean vocals cutting with a scalpel's precision and screams that can crack the sky and split the earth in a way that scratches a certain nostalgic itch. Throughout, there are nods to almost every LP era: ¿Casualty¿ is a thrashing hardcore rager, like what the group tried to do on
The Hunting Party, while ¿Overflow¿ is an atmospheric dub journey through space, something that could easily slide onto
A Thousand Suns. The raging "Cut the Bridge" channels
Minutes to Midnight, just as "Good Things Go" soars into arena-sized singalong territory like on
One More Light. Objectively,
From Zero is a strong showing by a group of absolute pros that is likely to storm the mainstream rock charts and keep the LP train running for the near future. ~ Neil Z. Yeung