- Fun in Acapulco
- Vino, Dinero y Amor
- Mexico
- El Toro
- Marguerita
- The Bullfighter Was a Lady
- (There's) No Room to Rhumba in a Sports Car
- I Think I'm Gonna Like It Here
- Bossa Nova Baby
- You Can't Say No in Acapulco
- Guadalajara
- Love Me Tonight
- Slowly But Surely
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0190759410127
The Jordanaires Vocals (Background)
Dudley Brooks Piano
Scotty Moore Guitar
Tiny Timbrell Guitar
Hal Blaine Drums
Emil Radocchia Percussion
Barney Kessel Guitar
D.J. Fontana Drums
Anthony Terran Trumpet
Joseph Lilley Musical Direction
Rudolph Loera Trumpet
Ray Siegel Bass
The Amigos Vocals (Background)
Sid Wayne Composer
Bill Giant Composer
Ben Weisman Composer
Dolores Fuller Composer
Fred Wise Composer
Don Robertson Composer
Dick Manning Composer
Lee Morris Composer
Jerry Leiber Composer
Mike Stoller Composer
Buddy Kaye Composer
Hal Blair Composer
Bernie Baum Composer
Florence Kaye Composer
Pepe Guizar Composer
Roy Bennett Composer
Joseph Lilley Composer
Dee Fuller Composer
Homer Morris Composer
Dave Weichman Engineer
Roy C. Bennett Composer
Sid Feller Composer


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Overview
The last film Elvis made prior to the outbreak of Beatlemania, Fun in Acapulco is redolent of the silly, carefree days of the early '60s -- a time when rock & roll appeared to be in remission, partially because Presley devoted his time to cinematic froth like this. Conceptually, Fun in Acapulco, a kissing cousin to Blue Hawaii, is a lark set in a sunny, exotic location and has a soundtrack to match. Every song has a south of the border feel, either in its rhythms or mock Spanish, a tactic that makes sense in the confines of the film but can be deeply ridiculous on record, particularly on the cartoonish "Guadalajara," where mariachi and opera meet in garish fashion, "(There's) No Room to Rhumba in a Sports Car," and "The Bullfighter Was a Lady," pieces of camp designed to be heard nowhere outside the confines of the film. Such frivolities seem even more absurd when contrasted with similarly spirited cuts that actually do work: the woozy title track, "Mexico," "Marguerita," and "Bossa Nova Baby," which in this context seems to rock pretty hard. Despite all this, the clear standout here is "Slowly But Surely," a bit of hip-swiveling seduction positively drenched in fuzz guitar, the first time such an effect was heard on a Presley record. Here, Elvis seems to tentatively engage with the swinging '60s that are just around the corner, while the rest of the record belongs to squaresville, an aesthetic that's alternatingly amiable and embarrassing. ~ Stephen Thomas Erlewine
Product Details
Release Date: | 03/10/2020 |
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Label: | Sony Music |
UPC: | 0190759410127 |
Tracks
Album Credits
Performance Credits
Elvis Presley Primary Artist,VocalsThe Jordanaires Vocals (Background)
Dudley Brooks Piano
Scotty Moore Guitar
Tiny Timbrell Guitar
Hal Blaine Drums
Emil Radocchia Percussion
Barney Kessel Guitar
D.J. Fontana Drums
Anthony Terran Trumpet
Joseph Lilley Musical Direction
Rudolph Loera Trumpet
Ray Siegel Bass
The Amigos Vocals (Background)
Technical Credits
Sid Tepper ComposerSid Wayne Composer
Bill Giant Composer
Ben Weisman Composer
Dolores Fuller Composer
Fred Wise Composer
Don Robertson Composer
Dick Manning Composer
Lee Morris Composer
Jerry Leiber Composer
Mike Stoller Composer
Buddy Kaye Composer
Hal Blair Composer
Bernie Baum Composer
Florence Kaye Composer
Pepe Guizar Composer
Roy Bennett Composer
Joseph Lilley Composer
Dee Fuller Composer
Homer Morris Composer
Dave Weichman Engineer
Roy C. Bennett Composer
Sid Feller Composer
From the B&N Reads Blog
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