If we knew this was the sort of thing
Local H frontman
Scott Lucas was hiding up his sleeve all these years, we would have clamored for a solo project from him long ago. Of course,
Lucas is best-known for turning out gritty alt rock under the aforementioned banner, hitting big on rock radio in the '90s, but he reveals a very different side to his musical personality on
George Lassos the Moon.
Lucas' first solo outing is a rootsy affair that's apparently inspired by his love of artists like the
Cowboy Junkies and
the Band (the singer/songwriter has admitted to a passion for Canadians making American roots music). Just as the
Junkies' famed
Trinity Session album was cut live to a single microphone,
George Lassos the Moon was put together with an organic, rough-and-ready approach to recording. There's a tangible feel of players gathered together in a room, feeding off each other's energy, and a spontaneity that can't be faked by endless overdubbing. At the same time, the
"Wichita Lineman," the with-an-attitude strings sweeping across
"Weatherman," and the carefully choreographed, New Orleans-funeral-esque brass coloring in the closing tune (appropriately titled
"The Last One") stand to prove that the whole thing wasn't simply thrown together without forethought. But whether the sound swells out expansively or closes up for an intimate feel, the folk and country flavors that predominate here are the perfect underpinning to the romantic ruin that preoccupies
Lucas' lyrical muse, as he and his
Married Men move through a batch of songs that suggest
Mark Eitzel and
Morrissey at a low-rent country karaoke bar (that's a good thing). ~ J. Allen
![Beggars Banquet [50th Anniversary Edition]](http://prodimage.images-bn.com/pimages/0018771850229_p0_v1_s90x140.jpg "Beggars Banquet [50th Anniversary Edition]")
