- Orfeo & Euridice, opera~Sinfonia
- Orfeo & Euridice, opera~Atto primo. Scena I: Ah! se intorno a quest' urna funesta
- Orfeo & Euridice, opera~Atto primo. Scena I: Basta, basta, o compagni!
- Orfeo & Euridice, opera~Atto primo. Scena I: Ballo dei Pastori e Delle Ninfe
- Orfeo & Euridice, opera~Atto primo. Scena I: Ah! se intorno a quest'urna funesta
- Orfeo & Euridice, opera~Atto primo. Scena I: Chiamo il mio ben così
- Orfeo & Euridice, opera~Atto primo. Scena I: Numi! barbari Numi!
- Orfeo & Euridice, opera~Atto primo. Scena II:T'assiste Amore!
- Orfeo & Euridice, opera~Atto primo. Scena II: Gli sguardi trattieni
- Orfeo & Euridice, opera~Atto primo. Scena II: Che disse? Che ascoltai?
- Orfeo & Euridice, opera~Atto secondo. Scena I: Ballo di Furie e Spettri - Chi mai dell'Erebo - Mille pene
- Orfeo & Euridice, opera~Atto secondo. Scena II: Ballo D'eroi ed Eroine Negli Elisi
- Orfeo & Euridice, opera~Atto secondo. Scena II: Che puro ciel!
- Orfeo & Euridice, opera~Atto secondo. Scena II: Vieni a' regni del riposo
- Orfeo & Euridice, opera~Atto secondo. Scena II: Ballo
- Orfeo & Euridice, opera~Atto secondo. Scena II: Anime avventurose - Torna, o bella
- Orfeo & Euridice, opera~Atto terzo. Scena I: Vieni, segui i miei passi
- Orfeo & Euridice, opera~Atto terzo. Scena I: Vieni, appaga il tuo consorte!
- Orfeo & Euridice, opera~Atto terzo. Scena I: Qual vita è questa mai
- Orfeo & Euridice, opera~Atto terzo. Scena I: Che fiero momento!
- Orfeo & Euridice, opera~Atto terzo. Scena I: Ecco un nuovo tormento!
- Orfeo & Euridice, opera~Atto terzo. Scena I: Che farò senza Euridice?
- Orfeo & Euridice, opera~Atto terzo. Scena I: Ah finisca e per sempre
- Orfeo & Euridice, opera~Atto terzo. Scena II: Orfeo, che fai?
- Orfeo & Euridice, opera~Atto terzo. Scena III: Sinfonia
- Orfeo & Euridice, opera~Atto terzo. Ballo: I. Grazioso
- Orfeo & Euridice, opera~Atto terzo. Ballo: II. Allegro
- Orfeo & Euridice, opera~Atto terzo. Ballo: III. Andante
- Orfeo & Euridice, opera~Atto terzo. Ballo: IV. Allegro
- Orfeo & Euridice, opera~Atto terzo. Ballo: Trionfi Amore!
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5054197897535
Jakub Józef Orli¿ski Primary Artist,Counter Tenor (Vocal)
Elsa Dreisig Primary Artist,Soprano (Vocal)
Stefan Plewniak Primary Artist,Conductor
Il Giardino d'Amore Orchestra,Choir/Chorus
Il Giardino d'Amore Vocal Ensemble Choir/Chorus
Andreas Kuehner Liner Note Translation
Saul Lipetz Liner Note Translation
Stefan Plewniak Liner Notes,Artistic Director,Recording Producer
Jakub Józef Orli¿ski Liner Notes,Artistic Director,Recording Producer
Honorata Karapuda Design,Photography
Alain Lanceron Executive Producer
Jean-Francois Lattarico Liner Notes
Gabriela Wilczynska Cover Art
Francis Marchal Liner Note Translation
Christoph Willibald Gluck Composer
Mateusz Banasiuk Engineer
Ewa Kania Stylist

Gluck: Orfeo & Euridice
by Jakub Józef Orliski, Elsa Dreisig, Fatma Said, Stefan Plewniak
Jakub Józef Orliski

Gluck: Orfeo & Euridice
by Jakub Józef Orliski, Elsa Dreisig, Fatma Said, Stefan Plewniak
Jakub Józef Orliski
CD
$21.99
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Overview
Christoph Willibald Gluck wrote several versions of the opera Orfeo ed Euridice for different voices in the lead role of Orfeo. Heard here is the original version of 1762, composed for a castrato (just before that grim practice began to fall out of favor) and here sung by the highly charismatic young countertenor Jakub Józef Orli¿ski. The production is his show, and he explains his motivations in an elegant booklet note. The opera was recorded (and recorded well at a Warsaw radio studio) in Poland, with a Polish early music ensemble and choir, and one should also mention the distinctive graphic design. The only non-Poles involved are the other two soloists, Elsa Dreisig as the rather quarrelsome Euridice and Fatma Said as Amore. The results are superb. Orli¿ski has the heft to suggest the effect of a castrato, and his voice is approaching its peak, but the key is the dramatic insight he is developing. Orfeo ed Euridice is the 18th century "reform" opera par excellence, with the natural realization of the plot replacing fiery set pieces. There are no secco recitatives, and many of the arias are broken up into sections to give the effect of realistic expression. Orli¿ski's weightings of these sections are ideal. When he bewails the loss of Euridice at the beginning, one really feels it. His voice is also a perfect match for Dreisig's, and the similarity of sound contributes to the impact. Orfeo ed Euridice is more often sung in its later versions for Parma and Paris, and this welcome release should bolster the fortunes of the original; for listeners new to the countertenor voice, it may be highly recommended. ~ James Manheim
Product Details
Release Date: | 08/09/2024 |
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Label: | ERATO |
UPC: | 5054197897535 |
Tracks
Album Credits
Performance Credits
Fatma Said Primary Artist,Soprano (Vocal)Jakub Józef Orli¿ski Primary Artist,Counter Tenor (Vocal)
Elsa Dreisig Primary Artist,Soprano (Vocal)
Stefan Plewniak Primary Artist,Conductor
Il Giardino d'Amore Orchestra,Choir/Chorus
Il Giardino d'Amore Vocal Ensemble Choir/Chorus
Technical Credits
Raniero de Calzabigi LibrettistAndreas Kuehner Liner Note Translation
Saul Lipetz Liner Note Translation
Stefan Plewniak Liner Notes,Artistic Director,Recording Producer
Jakub Józef Orli¿ski Liner Notes,Artistic Director,Recording Producer
Honorata Karapuda Design,Photography
Alain Lanceron Executive Producer
Jean-Francois Lattarico Liner Notes
Gabriela Wilczynska Cover Art
Francis Marchal Liner Note Translation
Christoph Willibald Gluck Composer
Mateusz Banasiuk Engineer
Ewa Kania Stylist
From the B&N Reads Blog
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