From the mid-1920s, the dance hall occupied a pivotal place in the culture of working- and lower-middle-class communities in Britain - a place rivalled only by the cinema and eventually to eclipse even that institution in popularity. Going to the Palais examines the history of this vital social and cultural institution, exploring the dances, dancers, and dance venues that were at the heart of one of twentieth-century Britain's most significant leisure activities.
Going to the Palais has several key focuses. First, it explores the expansion of the dance hall industry and the development of a 'mass audience' for dancing between 1918 and 1960. Second, the impact of these changes on individuals and communities is examined, with a particular concentration on working and lower-middle-class communities, and on young men and women. Third, the cultural impact of dancing and dance halls is explored. A key aspect of this debate is an examination of how Britain's dance culture held up against various standardizing processes (commercialization, Americanization, etc.) over the period, and whether we can see the emergence of a 'national' dance culture. Finally, the volume offers an assessment of wider reactions to dance halls and dancing in the period. Going to the Palais is concerned with the complex relationship between discourses of class, culture, gender, and national identity and how they overlap - how cultural change, itself a response to broader political, social, and economic developments, was helping to change notions of class, gender, and national identity.
|Publisher:||Oxford University Press|
|Product dimensions:||6.40(w) x 9.30(h) x 1.10(d)|
About the Author
James Nott is a social and cultural historian specialising in twentieth-century British culture and society. He is author of Music for the People: Popular Music and Dance in Interwar Britain (2002) and co-editor of Classes, Politics, and Cultures: Essays in British History in Honour of Ross McKibbin (2011). He is currently working on a history of masculinity in twentieth century Britain and the links between race and dance.
Table of Contents
Part I: Dancing, the Dance Hall Industry, and its Audience
1. The Birth of the Palais: Dancing and Dance Halls, 1918-1939
2. Wartime Boom: Dancing and the Dance Hall Industry at War, 1939-1945
3. Rise and Fall: The Golden Age of the Dance Hall, 1945-1960
4. The Development of Dancing in Britain 1918-1960
Part II: The Dance Hall and British Society, 1918-1960
5. Youth and the dance hall, 1918-1960
6. Women, Dancing and Dance Halls, 1918-1960
7. Romance and Intimacy in the Dance Hall
Part III: Conflicts and Control: Moral Panic and the Dance Hall 1918-1960
8. Morality, Gender, and the Dance Hall 1918-60
9. Race and the Dance Hall
10. The 'Youth Problem' and the Dance Hall 1918-1960